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3 books match the query 'Bettinson, Gary'

cover of Directory of World Cinema: China 2

Directory of World Cinema

China 2

Edited by Gary Bettinson

Intellect Books, 2014

Since the publication of the first volume of Directory of World Cinema: China, the Chinese film industry has intensified its efforts to make inroads into the American market. The 2012 acquisition of US theater chain AMC and visual effects house Digital Domain by Chinese firms testifies to the global ambitions of China’s powerhouse film industry. Yet Chinese cinema has had few crossover hits in recent years to match the success of such earlier films as Crouching Tiger, Hidden Dragon; House of Flying Daggers; and Kung Fu Hustle. Yet even overseas revenue for Chinese movies has dwindled, domestic market growth has surged year after year. Indeed, annual production output remains healthy, and the daily expansion of screens in second-or third-tier cities attracts audiences whose tastes favor domestic films over foreign imports.

A survey of a vibrant—and expanding—industry, Directory of World Cinema: China 2 examines, among other themes, China’s desire for success and fulfillment in the United States, as well as the extensive history of representing China—and the Chinese in America—on US movie screens. With contributions from some of the leading academics in the field, this volume will be essential reading for all fans of Chinese film.
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cover of Superman: The Movie: The 40th-Anniversary Interviews

Superman

The Movie: The 40th-Anniversary Interviews

Gary Bettinson

Intellect Books, 2018

At a moment when superheroes dominate pop culture, Gary Bettinson takes us back to the first comic book blockbuster. Superman: The Movie – The 40th Anniversary Interviews takes us behind the scenes to reveal the personalities and expertise that went into making this landmark of Hollywood cinema.
 
Marking forty years since the film’s release, this book presents original interview transcripts with the cast and crew. It serves as a rare insider account of an acclaimed blockbuster that was steeped in controversy throughout production, from its record-breaking budget to conflicts between the director and producers. With refreshing candor, the interviewees cast light on the daily realities on set, as well as on the film’s release and reception. Beginning with the film’s inception and continuing through its runaway success, this book provides valuable insights into the practical logistics and day-to-day realities of mounting a big-budget production, at a time when high-concept Hollywood blockbusters were only just emerging as a genre.
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cover of The Sensuous Cinema of Wong Kar-wai: Film Poetics and the Aesthetic of Disturbance, Second Edition

The Sensuous Cinema of Wong Kar-wai

Film Poetics and the Aesthetic of Disturbance, Second Edition

Gary Bettinson

Hong Kong University Press, 2025

More than just mood: how Wong Kar-wai reshapes storytelling through sensation and style.

The widely acclaimed films of Wong Kar-wai are characterized by their sumptuous yet complex visual and sonic style. This study of Wong’s filmmaking techniques uses a poetics approach to examine how form, music, narration, characterization, genre, and other artistic elements work together to produce certain effects on audiences. Bettinson argues that Wong’s films are permeated by an aesthetic of sensuousness and “disturbance” achieved through techniques such as narrative interruptions, facial masking, opaque cuts, and other complex strategies. The effect is to jolt the viewer out of complete aesthetic absorption. Each of the chapters focuses on a single aspect of Wong’s filmmaking.

This tenth-anniversary edition of The Sensuous Cinema of Wong Kar-wai includes a substantial new afterword bringing the story of Wong’s career up to date (including reflections on the Mainland Chinese drama Blossoms Shanghai). Bettinson revisits and extends the arguments of the first edition, surveys the recent key debates on Wong’s filmmaking, and introduces fresh lines of critical investigation. The book will appeal to all who are interested in authorship and aesthetics in film studies, to scholars in Asian studies, media, and cultural studies, and to anyone with an interest in Hong Kong cinema in general, and Wong’s films in particular.
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