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2 books match the query 'Bird, Robert'
Andrei Tarkovsky
Elements of CinemaRobert Bird
Reaktion Books, 2008
The masters of Russian arts and letters are a prestigious fraternity that includes such renowned artists as Tolstoy, Rachmaninoff, and Shostakovich. But alongside these luminaries stands a lesser-known but equally revered figure, filmmaker Andrei Tarkovsky. Robert Bird offers in Andrei Tarkovsky an unprecedented investigation of Tarkovsky’s oeuvre and its far-reaching influence on world cinema.
Bird brings a novel approach to his dissection of Tarkovsky’s wholly original techniques and sensibilities, arranging the films into elemental categories of Water, Fire, Earth, and Air. Solaris, Ivan’s Childhood, Mirror, Nostalgia, Andrei Rublev, and Sacrifice all get their due here; through them, Bird explores how the filmmaker probed the elusive correlation between cinematic representation and a more primeval perception of the world. Though the book also considers Tarkovsky’s work in radio, theatre, and opera—as well as his work as an actor, screenwriter, and film theorist—Bird throughout keeps his focus firmly on Tarkovsky as a consummate filmmaker.
Anchored by a wealth of film stills and photographs, Andrei Tarkovsky is a must-read for all film buffs and admirers of European cinema.
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Selected Essays
Viacheslav IvanovViacheslav Ivanov
Northwestern University Press, 2003
Winner of 2002 AATSEEL Award for Best Translation into English
A poet, critic, and theoretician during the Silver Age of Russian poetry, at the turn of the twentieth century, Viacheslav Ivanov was dubbed "Viacheslav the Magnificent" by his contemporaries for his erudition, sumptuous and allusive poetry, and brilliant essays. He provided Russian Symbolism with theoretical underpinnings based on classical and biblical mythology, the aesthetics of music, philosophy ranging from Plato and Kant to Schopenhauer and Nietzsche, and a profound knowledge of classical and modern European poetry.
In choosing material for this volume of essays, Robert Bird and Michael Wachtel have covered a broad range of Ivanov's interests: the aesthetics of Symbolism, theater, culturological concerns, and on such influential figures of the period as Nietzsche, Solovyov, Tolstoy, and Scriabin. Also included are extensive notes on the essays in which classical, biblical, and poetic citations and allusions are identified, the aesthetic and theoretical contexts are clarified, and certain translation problems are briefly discussed. This volume provides valuable insight into the theory of Symbolism as it developed in Russia.
A poet, critic, and theoretician during the Silver Age of Russian poetry, at the turn of the twentieth century, Viacheslav Ivanov was dubbed "Viacheslav the Magnificent" by his contemporaries for his erudition, sumptuous and allusive poetry, and brilliant essays. He provided Russian Symbolism with theoretical underpinnings based on classical and biblical mythology, the aesthetics of music, philosophy ranging from Plato and Kant to Schopenhauer and Nietzsche, and a profound knowledge of classical and modern European poetry.
In choosing material for this volume of essays, Robert Bird and Michael Wachtel have covered a broad range of Ivanov's interests: the aesthetics of Symbolism, theater, culturological concerns, and on such influential figures of the period as Nietzsche, Solovyov, Tolstoy, and Scriabin. Also included are extensive notes on the essays in which classical, biblical, and poetic citations and allusions are identified, the aesthetic and theoretical contexts are clarified, and certain translation problems are briefly discussed. This volume provides valuable insight into the theory of Symbolism as it developed in Russia.
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