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Aztalan has remained a mystery since the early nineteenth century when it was discovered by settlers who came to the Crawfish River, fifty miles west of Milwaukee. Who were the early indigenous people who inhabited this place? When did they live here? Why did they disappear?

Birmingham and Goldstein attempt to unlock some of the mysteries, providing insights and information about the group of people who first settled here in 1100 AD. Filled with maps, drawings, and photographs of artifacts, this small volume examines a time before modern Native American people settled in this area.

More mounds were built by ancient Native Americans in Wisconsin than in any other region of North America—between 15,000 and 20,000, at least 4,000 of which remain today. Most impressive are the effigy mounds, huge earthworks sculpted in the shapes of thunderbirds, water panthers, and other forms, not found anywhere else in the world in such concentrations. This second edition is updated throughout, incorporating exciting new research and satellite imagery. Written for general readers, it offers a comprehensive overview of these intriguing earthworks.

Citing evidence from past excavations, ethnography, the traditions of present-day Native Americans in the Midwest, ground-penetrating radar and LIDAR imaging, and recent findings of other archaeologists, Robert A. Birmingham and Amy L. Rosebrough argue that effigy mound groups are cosmological maps that model belief systems and relations with the spirit world. The authors advocate for their preservation and emphasize that Native peoples consider the mounds sacred places.

This edition also includes an expanded list of public parks and preserves where mounds can be respectfully viewed, such as the Kingsley Bend mounds near Wisconsin Dells, an outstanding effigy group maintained by the Ho-Chunk Nation, and the Man Mound Park near Baraboo, the only extant human-shaped effigy mound in the world.

Life, Death, and Archaeology at Fort Blue Mounds is an archaeological detective story illuminating the lives of white settlers in the lead-mining region during the tragic events of the historically important conflict known as the Black Hawk War.

Focusing on the strategically located Fort Blue Mounds in southwestern Wisconsin, Robert A. Birmingham summarizes the 1832 conflict and details the history of the fort, which played a major role not only in U.S. military and militia operations but also in the lives of the white settlers who sought refuge there. Birmingham then transports us to the site decades later, when he and fellow Wisconsin Historical Society archaeologists and dedicated volunteers began their search for the fort. The artifacts they unearthed provide fascinating—and sometimes surprising—insights into the life, material culture, and even the food of the frontier.

Recommended for readers interested in the Black Hawk War, frontier life, Native American history, military history, and archaeology, Life, Death, and Archaeology at Fort Blue Mounds is grounded by a sense of place and the discovery of what a careful examination of our surroundings can tell us about the past.

Rising above the countryside of Wood County, Wisconsin, Powers Bluff is a large outcrop of quartzite rock that resisted the glaciers that flattened the surrounding countryside. It is an appropriate symbol for the Native people who once lived on its slopes, quietly resisting social forces that would have crushed and eroded their culture. A large band of Potawatomi, many returnees from the Kansas Prairie Band Potawatomi reservation, established the village of Tah-qua-kik or Skunk Hill in 1905 on the 300-foot-high bluff, up against the oddly shaped rocks that topped the hill and protected the community from the cold winter winds.
 
In Skunk Hill, archeologist Robert A. Birmingham traces the largely unknown story of this community, detailing the role it played in preserving Native culture through a harsh period of US Indian policy from the 1880s to 1930s. The story’s central focus is the Drum Dance, also known as the Dream Dance or Big Drum, a pan-tribal cultural revitalization movement that swept the Upper Midwest during the Great Suppression, emphasizing Native values and rejecting the vices of the white world. Though the community disbanded by the 1930s, the site, now on the National Register of Historic
Places with two dance circles still visible on the grounds, stands as testimony to the efforts of its members to resist cultural assimilation. 

Between A.D. 700 and 1100 Native Americans built more effigy mounds in Wisconsin than anywhere else in North America, with an estimated 1,300 mounds—including the world’s largest known bird effigy—at the center of effigy-building culture in and around Madison, Wisconsin. These huge earthworks, sculpted in the shape of birds, mammals, and other figures, have aroused curiosity for generations and together comprise a vast effigy mound ceremonial landscape. Farming and industrialization destroyed most of these mounds, leaving the mysteries of who built them and why they were made. The remaining mounds are protected today and many can be visited.   explores the cultural, historical, and ceremonial meanings of the mounds in an informative, abundantly illustrated book and guide.

 

Finalist, Social Science, Midwest Book Awards

First published in 1855 and long out of print, The Antiquities of Wisconsin remains invaluable as a detailed record of Wisconsin’s rich archaeological heritage of mounds and mound groups, many of which were later destroyed by farming and urban growth. Lapham was among the first scientists to produce evidence that the earthworks had been built by the ancestors of modern Native Americans, not some mythical "lost race," as was believed by many white authorities of the time. Modern researchers still use Lapham’s maps and descriptions to locate vestiges of sites that once existed, or to help reconstruct Wisconsin’s ancient cultural landscape. This edition includes a foreword by Wisconsin state archaeologist Robert A. Birmingham and an introduction by Robert P. Nurre, a Lapham scholar.