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In Kincraft Todne Thomas explores the internal dynamics of community life among black evangelicals, who are often overshadowed by white evangelicals and the common equation of the “Black Church” with an Afro-Protestant mainline. Drawing on fieldwork in an Afro-Caribbean and African American church association in Atlanta, Thomas locates black evangelicals at the center of their own religious story, presenting their determined spiritual relatedness as a form of insurgency. She outlines how church members cocreate themselves as spiritual kin through what she calls kincraft—the construction of one another as brothers and sisters in Christ. Kincraft, which Thomas traces back to the diasporic histories and migration experiences of church members, reflects black evangelicals' understanding of Christian familial connection as transcending racial, ethnic, and denominational boundaries in ways that go beyond the patriarchal nuclear family. Church members also use their spiritual relationships to navigate racial and ethnic discrimination within the majority-white evangelical movement. By charting kincraft's functions and significance, Thomas demonstrates the ways in which black evangelical social life is more varied and multidimensional than standard narratives of evangelicalism would otherwise suggest.

In Kingdom Come, Tshepo Masango Chéry charts a new genealogy of early twentieth-century Black Christian activists who challenged racism in South Africa before the solidification of apartheid by using faith as a strategy against global racism. Masango Chéry traces this Black freedom struggle and the ways that South African church leaders defied colonial domination by creating, in solidarity with Black Christians worldwide, Black-controlled religious institutions that were geared toward their liberation. She demonstrates how Black Christians positioned the church as a site of political resistance and centered specifically African visions of freedom in their organizing. Drawing on archival research spanning South Africa, Zimbabwe, Kenya, the United Kingdom, and the United States, Masango Chéry tells a global story of the twentieth century that illuminates the formations of racial identity, state control, and religious belief. Masango Chéry’s recentering of South Africa in the history of worldwide Black liberation changes understandings of spiritual and intellectual routes of dissemination throughout the diaspora.

A fresh contribution to the growing body of New Testament scholarship on empire, both ancient and modern

Darden’s reading of Revelation examines John the Seer’s rhetorical strategy, in general, and imperial cult imagery in chapters 4 and 5, in particular, through the lens of an African American scripturalization supplemented by postcolonial theory. The scripturalization proposes that John the Seer’s signifyin(g) on empire demonstrated that he was well aware of the oppressive nature of Roman imperialism on the lives of provincial Asian Christians. Yet, ironically, John reinscribed imperial processes and practices. Darden argues that African American biblical scholarship must now attend adequately to these complex cultural negotiations lest it find itself inadvertently feeding the imperial beast.

Features:

• Relates the potential for African American cooption by the U.S. Empire to the cooption by the Roman Empire both thematized and performed in Revelation
• Book-length study on postcolonial African American biblical hermeneutics
• A reading supplemented by postcolonial theory that better addresses the hybridity of African American identity