Results by title

3 books match the query 'Bolivian literature'

cover of From Viracocha to the Virgin of Copacabana: Representation of the Sacred at Lake Titicaca

From Viracocha to the Virgin of Copacabana

Representation of the Sacred at Lake Titicaca

By Verónica Salles-Reese

University of Texas Press, 1997

Surrounded by the peaks of the Andean cordillera, the deep blue waters of Lake Titicaca have long provided refreshment and nourishment to the people who live along its shores. From prehistoric times, the Andean peoples have held Titicaca to be a sacred place, the source from which all life originated and the site where the divine manifests its presence.

In this interdisciplinary study, Verónica Salles-Reese explores how Andean myths of cosmic and ethnic origins centered on Lake Titicaca evolved from pre-Inca times to the enthronement of the Virgin of Copacabana in 1583. She begins by describing the myths of the Kolla (pre-Inca) people and shows how their Inca conquerors attempted to establish legitimacy by reconciling their myths of cosmic and ethnic origin with the Kolla myths. She also shows how a similar pattern occurred when the Inca were conquered in turn by the Spanish.

This research explains why Lake Titicaca continues to occupy a central place in Andean thought despite the major cultural disruptions that have characterized the region's history. This book will be a touchstone in the field of Colonial literature and an important reference for Andean religious and intellectual history.

[more]
cover of Oblivion and Stone: A Selection of Bolivian Poetry and Fiction

Oblivion and Stone

A Selection of Bolivian Poetry and Fiction

Sandra Reyes

University of Arkansas Press, 1998

In a literature where recognition is hard earned, this anthology demonstrates what distinguishes contemporary Bolivian fiction and poetry from the rest of Latin American writing and shows clearly how Bolivian writers relate to that tradition.

Bolivia is a landlocked nation of mountains and high, arid plains, a place native writer Jesús Urzagasti calls the “Land of Silence.” This crucible of indigenous and European influences has contributed to the creation of a writing style that is always down-to-earth, often grittily realistic.

From this fundamental base, Bolivian writers express provincial customs and values, decry political oppression, and sound universal themes of isolation, even resignation; but, more often, they show the will to move forward as a people. This rich thematic mix encourages what critic Edgar Lora has called the “dynamic and vigorous social dis course” and the resulting “subversive, militant, and revolutionary” qualities of Bolivian literature.

Editor Sandra Reyes has gathered a panoramic sampling of twenty two poets and eighteen fiction writers. Focusing predominantly on living, practicing writers, this anthology defines the current literary voice of Bolivia and gives us a distillation of the contemporary Bolivian consciousness.

[more]
cover of Writing in the Air: Heterogeneity and the Persistence of Oral Tradition in Andean Literatures

Writing in the Air

Heterogeneity and the Persistence of Oral Tradition in Andean Literatures

Antonio Cornejo Polar

Duke University Press, 2013

Originally published in 1994, Writing in the Air is one of the most significant books of modern Latin American literary and cultural criticism. In this seminal work, the influential Latin American literary critic Antonio Cornejo Polar offers the most extended articulation of his efforts to displace notions of hybridity or "mestizaje" dominant in Latin American cultural studies with the concept of heterogeneity: the persistent interaction of cultural difference that cannot be resolved in synthesis. He reexamines encounters between Spanish and indigenous Andean cultural systems in the New World from the Conquest into the 1980s. Through innovative readings of narratives of conquest and liberation, homogenizing nineteenth- and twentieth-century discourses, and contemporary Andean literature, he rejects the dominance of the written word over oral literature. Cornejo Polar decenters literature as the primary marker of Latin American cultural identity, emphasizing instead the interlacing of multiple narratives that generates the heterogeneity of contemporary Latin American culture.
[more]