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From 1890 to 1960, some of Anglo-America's most heated cultural contests over books, sex, and censorship were staged not at home, but abroad in the City of Light. Paris, with its extraordinary liberties of expression, became a special place for interrogating the margins of sexual culture and literary censorship, and a wide variety of English language “dirty books” circulated through loose expatriate publishing and distribution networks. 

A Publisher's Paradise explores the political and literary dynamics that gave rise to this expatriate cultural flourishing, which included everything from Victorian pornography to the most daring and controversial modernist classics. Colette Colligan tracks the British and French politicians and diplomats who policed Paris editions of banned books and uncovers offshore networks of publishers, booksellers, authors, and readers. She looks closely at the stories the “dirty books” told about this publishing haven and the smut peddlers and literary giants it brought together in transnational cultural formations. The book profiles an eclectic group of expatriates living and publishing in Paris, from relatively obscure figures such as Charles Carrington, whose list included both The Picture of Dorian Gray and the pornographic novel Randiana, to bookshop owner Sylvia Beach, famous for publishing James Joyce's Ulysses in 1922.

A Publisher's Paradise is a compelling exploration of the little-known history of foreign pornography in Paris and the central role it played in turning the city into a modernist outpost for literary and sexual vanguardism, a reputation that still lingers today in our cultural myths of midnight in Paris.

Coming home to Oregon to reconnect with his aging parents, Daniel Dietz discovers the rhythms and relationships of a changing book world. As the internet pushes bibliophiles away from used bookstores and toward digital commerce, Dietz’s stepfather Michael, now nearing eighty, clings to the precarious trade of scouring thrift stores and library sales for rare books to sell. He explores the stacks, from garage sales in Eugene’s Whiteaker neighborhood to Portland’s Powell’s City of Books, for overlooked first editions and valuable rare books from the past.

With humor and tenderness, Rare and Used introduces us to Michael and to a dedicated and zealous community of book people, each with a grail book that they seek above all others. For Dietz, it’s Beat poet Diane di Prima’s debut collection This Kind of Bird Flies Backward—a book once owned by his stepfather. In his quest for the book, Dietz grapples with larger questions about possession, inheritance, and what we can hold onto. A tribute to books and booksellers as well as to family and place, Rare and Used explores what it means to return home to a community that shaped you.

With the overwhelming amount of new information that bombards us each day, it is perhaps difficult to imagine a time when the widespread availability of the printed word was a novelty. In early nineteenth-century Britain, print was not novel—Gutenberg’s printing press had been around for nearly four centuries—but printed matter was still a rare and relatively expensive luxury. All this changed, however, as publishers began employing new technologies to astounding effect, mass-producing instructive and educational books and magazines and revolutionizing how knowledge was disseminated to the general public.