Results by title

4 books match the query 'Bracey, John H.'

cover of African American Women and the Vote, 1837–1965

African American Women and the Vote, 1837–1965

Ann D. Gordon

University of Massachusetts Press, 1997

Written by leading scholars of African American and women's history, the essays in this volume seek to reconceptualize the political history of black women in the United States by placing them “at the center of our thinking.” The book explores how slavery, racial discrimination, and gender shaped the goals that African American women set for themselves, their families, and their race and looks at the political tools at their disposal. By identifying key turning points for black women, the essays create a new chronology and a new paradigm for historical analysis. The chronology begins in 1837 with the interracial meeting of antislavery women in New York City and concludes with the civil rights movement of the 1960s.

The contributors focus on specific examples of women pursuing a dual ambition: to gain full civil and political rights and to improve the social conditions of African Americans. Together, the essays challenge us to rethink common generalizations that govern much of our historical thinking about the experience of African American women.

Contributors include Bettina Aptheker, Elsa Barkley Brown, Willi Coleman, Gerald R. Gill, Ann D. Gordon, Evelyn Brooks Higginbotham, Cynthia Neverdon-Morton, Martha Prescod Norman, Janice Sumler-Edmond, Rosalyn Terborg-Penn, and Bettye Collier-Thomas.

[more]
cover of SOS—Calling All Black People: A Black Arts Movement Reader

SOS—Calling All Black People

A Black Arts Movement Reader

John H. Bracey

University of Massachusetts Press, 2014

This volume brings together a broad range of key writings from the Black Arts Movement of the 1960s and 1970s, among the most significant cultural movements in American history. The aesthetic counterpart of the Black Power movement, it burst onto the scene in the form of artists' circles, writers' workshops, drama groups, dance troupes, new publishing ventures, bookstores, and cultural centers and had a presence in practically every community and college campus with an appreciable African American population. Black Arts activists extended its reach even further through magazines such as Ebony and Jet, on television shows such as Soul! and Like It Is, and on radio programs.

Many of the movement's leading artists, including Ed Bullins, Nikki Giovanni, Woodie King, Haki Madhubuti, Sonia Sanchez, Askia Touré, and Val Gray Ward remain artistically productive today. Its influence can also be seen in the work of later artists, from the writers Toni Morrison, John Edgar Wideman, and August Wilson to actors Avery Brooks, Danny Glover, and Samuel L. Jackson, to hip hop artists Mos Def, Talib Kweli, and Chuck D.

SOS—Calling All Black People includes works of fiction, poetry, and drama in addition to critical writings on issues of politics, aesthetics, and gender. It covers topics ranging from the legacy of Malcolm X and the impact of John Coltrane's jazz to the tenets of the Black Panther Party and the music of Motown. The editors have provided a substantial introduction outlining the nature, history, and legacy of the Black Arts Movement as well as the principles by which the anthology was assembled.
[more]
cover of Strangers and Neighbors: Relations between Blacks and Jews in the United States

Strangers and Neighbors

Relations between Blacks and Jews in the United States

Maurianne Adams

University of Massachusetts Press, 1999

Much has been written about the historic relationship between American blacks and Jews. Some accounts stress the strong alliance for social justice between the two groups during the civil rights movement, while others portray bleaker moments and include accusations of Jewish racism or black anti-Semitism. What is often missing is a larger historical perspective. This volume provides a wide range of analyses and documents that help us move beyond stereotypes and portray the full complexity of black-Jewish relations in America over the past three hundred years. 

Following two introductory sections addressing “Themes and Issues” and “African Americans as the Chosen People,” the book is divided into five historical periods: the Atlantic slave trade and slavery in the New World; emancipation to the Great Depression; the era of the Depression and World War II; World War II through 1967; and 1968 to the present. Each section contains a mix of scholarly articles, historical documents, and contemporary perspectives. A final section entitled “Where Do We Go from Here?” suggests ways to rebuild a coalition between blacks and Jews in the twenty-first century. Throughout the volume, the editors' goal is not to achieve closure but to invite further discussion about the historical relationship between two large, evolving, and diverse peoples. The selections reveal that the experiences of American blacks and Jews, although intersecting at several critical junctures, have not been parallel, and that significant geographical, class, political, and religious differences exist within both communities that preclude easy generalizations.

[more]
cover of The World of W.E.B. Du Bois: A Quotation Sourcebook

The World of W.E.B. Du Bois

A Quotation Sourcebook

Meyer Weinberg

University of Massachusetts Press, 2012

W.E.B. Du Bois (1868–1963) was one of the leading public figures of his time—an African American sociologist, historian, civil rights activist, author, and editor. He organized, protested, laid out programs, petitioned, and raised questions of long-term strategy and short-term tactics. He also wrote numerous books and articles and was a commanding speaker and a prodigious correspondent.

Meyer Weinberg created The World of W.E.B. Du Bois to provide a short journey through Du Bois's views on virtually all aspects of twentieth-century life. More than one thousand quotations from his published writings and correspondence are included, arranged into twenty topical chapters. Each quotation begins with a heading designed to summarize its main theme. A subject index provides additional access to the ideas of this complex figure.
[more]