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4 books match the query 'Brater, Enoch'

cover of Around the Absurd: Essays on Modern and Postmodern Drama

Around the Absurd

Essays on Modern and Postmodern Drama

Edited by Enoch Brater and Ruby Cohn

University of Michigan Press, 1990

When Martin Esslin published The Theatre of the Absurd in 1961 he caught the pulse of Western drama as it burst into bold and surprising new forms after the Second World War. Around the Absurd is the first book to examine the history, impact, and legacy of that theater. In provocative essays by leading critics from both sides of the Atlantic (including Jan Kott, Herbert Blau, Katharine Worth, Theodore Shank, and Benedict Nightingale), this forum carries forward Esslin's seminal work by surveying the theater terrain both before and after that time. Featuring original studies of Maeterlinck, O'Neill, Ionesco, Beckett, Pinter, Fornes, and the international scene of performance art, this timely collection details the key role of the absurd in the transformation from a modern to a postmodern repertory. Around the Absurd will appeal to scholars, students, and critics of the dramatic arts as well as to the theater-going public.
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cover of Arthur Miller's America: Theater and Culture in a Time of Change

Arthur Miller's America

Theater and Culture in a Time of Change

Enoch Brater, Editor

University of Michigan Press, 2005

Perspectives on America's greatest living playwright that explore his longstanding commitment to forging a uniquely American theater

Arthur Miller's America collects new writing by leading international critics and scholars that considers the dramatic world of icon, activist, and playwright Arthur Miller's theater as it reflects the changing moral equations of his time. Written on the occasion of Miller's 85th year, the original essays and interviews in Arthur Miller's America treat the breadth of Miller's work, including his early political writings for the campus newspaper at the University of Michigan, his famous work with John Huston, Clark Gable and Marilyn Monroe on The Misfits, and his signature plays like Death of a Salesman and All My Sons.
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cover of Arthur Miller's Global Theater

Arthur Miller's Global Theater

Enoch Brater, Editor

University of Michigan Press, 2010

No American playwright is more revered on the international stage than Arthur Miller. In Arthur Miller’s Global Theater—a fascinating collection of new essays by leading international critics and scholars—readers learn how and why audiences around the world have responded to the work of the late theatrical icon. With perspectives from diverse corners of the globe, from Israel to Japan to South Africa, this groundbreaking volume explores the challenges of translating one of the most American of American playwrights and details how disparate nations have adapted meaning in Miller’s most celebrated dramas.

An original and engaging collection that will appeal to theater aficionados, scholars, students, and all those interested in Miller and his remarkable oeuvre, Arthur Miller’s Global Theater illustrates how dramas such as Death of a Salesman,The Crucible, and A View from the Bridge developed a vigorous dialogue with new audiences when they crossed linguistic and national borders. In these times when problems of censorship, repressive regimes, and international discord are increasingly in the news, Arthur Miller’s voice has never been more necessary as it continues to be heard and celebrated around the world.

           

Enoch Brater is the Kenneth T. Rowe Collegiate Professor of Dramatic Literature at the University of Michigan. His other books include Arthur Miller: A Playwright’s Life and Works and Arthur Miller’s America.

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cover of Theatrical Gamut: Notes for a Post-Beckettian Stage

Theatrical Gamut

Notes for a Post-Beckettian Stage

Enoch Brater, Editor

University of Michigan Press, 1995

This collection of original essays in honor of American drama critic Ruby Cohn captures the rich mixture of discourses on the act of theater. The variety of approaches -- from formalist to feminist -- pays tribute to the centrality of Beckett in any evaluation of just what constitutes the "modern" in modern, contemporary, postmodern, and experimental drama. The essays devote attention to playwrights like Sam Shepard, Caryl Churchill, David Hare, Jane Bowles, Arthur Miller, and Suzan-Lori Parks and urge us as well to reconsider Shakespeare, Strindberg, and such visionary theater practitioners as Antonin Artaud and Joseph Chaikin. They also investigate the dynamics of actor, character, and audience, and offer insights into contemporary German theater, Noh drama, and Balinese theatrical practices. Whatever their subject, these suggestive and original pieces always bring us back to Beckett in fresh and surprising ways.The contributors are H. Porter Abbott, Linda Ben-Zvi, Herbert Blau, John Russell Brown, Sue-Ellen Case, William Coco, Elin Diamond, Bernard Dort, James Eigo, Martin Esslin, Carla Locatelli, John Orr, Janelle Reinelt, Antonia Rodriguez-Gago, Yasunari Takahashi, and Hersh Zeifman."Any enthusiastic student of drama--whether professor or undergraduate, theater historian or theater critic, member of acting company or member of an audience--will find The Theatrical Gamut both enlightening and provocative."--Jill Levenson, University of Toronto
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