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What has happened to the news? Over the past decade, there has been a major shift in newspaper coverage. Many newspaper executives, paring costs and badly misreading public appetites, have cut back dramatically on all types of public-affairs reporting. Fewer reporters than ever are assigned to the statehouse or the White House, to city hall or foreign capitals. Too often celebrity gossip and movie tips take the place of serious journalism instead of existing alongside it. Newspapers once operated under a mandate to provide the kinds of news that citizens need to function in a democratic society, but many corporations have changed that mandate.
 
For more than two years, legendary editor Gene Roberts led a group of journalists in an unprecedented study of the newspaper industry for the American Journalism Review. This is the second volume of their findings. The first, Leaving Readers Behind: The Age of Corporate Newspapering, documented the storm of buying, selling, and consolidation that is transforming the American press. This second volume explores the consequences of these changes for ordinary communities and for the nation, arguing that they place democracy itself in peril.
 
Contributors include Peter Arnett, Mary Walton, Charles Layton, John Herbers, James McCartney, Carl Sessions Stepp, Lewis M. Simons, Chip Brown and Winnie Hu.

The best-known work by acclaimed Cuban poet Ángel Escobar

Ángel Escobar’s Breach of Trust / Abuso de confianza is known by many as the most devastating book of his poetic generation. It is his first to be offered to an English-speaking audience. Merging personal and collective meditations, these twenty-three poems perform an indictment of violence. Escobar’s poetry delineates lacerations etched on bodies and minds by the sanguinary twentieth century, which unfolded out of a longer modernity spanning the Americas.

Breach of Trust / Abuso de confianza outlived its author, who took his own life in 1997. Brief and implicit appeals for justice and love offset the book’s abject theatricality. Escobar’s tragic masterpiece deftly interweaves themes into a striking synthesis offered in the spirit of survival.

Award-winning translator Kristin Dykstra introduces this collection with a comprehensive examination of Escobar’s life, work, and the times within which he wrote. Dykstra situates Escobar’s poetic abjection as his drive to confront thingification face to (non)face.