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“With openhearted generosity, Kristin shares not only the story of her amazing journey but complete lesson plans and valuable tips on inter-cultural work. She deepens our understanding of the culture and legends of Belize all the while imparting courage and a can-do philosophy that could truly change the world. Read and be inspired!”

—Diane Edgecomb, author of A Fire in My Heart: Kurdish Tales

Our understanding of vertebrate origins and the backbone of human history evolves with each new fossil find and DNA map. Many species have now had their genomes sequenced, and molecular techniques allow genetic inspection of even non-model organisms. But as longtime Nature editor Henry Gee argues in Across the Bridge, despite these giant strides and our deepening understanding of how vertebrates fit into the tree of life, the morphological chasm between vertebrates and invertebrates remains vast and enigmatic.

As Gee shows, even as scientific advances have falsified a variety of theories linking these groups, the extant relatives of vertebrates are too few for effective genetic analysis. Moreover, the more we learn about the species that do remain—from sea-squirts to starfish—the clearer it becomes that they are too far evolved along their own courses to be of much use in reconstructing what the latest invertebrate ancestors of vertebrates looked like. Fossils present yet further problems of interpretation. Tracing both the fast-changing science that has helped illuminate the intricacies of vertebrate evolution as well as the limits of that science, Across the Bridge helps us to see how far the field has come in crossing the invertebrate-to-vertebrate divide—and how far we still have to go.

Winner of the New Jersey Studies Academic Alliance Author Award, Scholarly Non-fiction
Winner of the Richard P. McCormick Prize from the New Jersey Historical Association
Honorable Mention, 2019 American Sociological Association Book Award - Asia/Asian American Section

In recent decades, the American suburbs have become an important site for immigrant settlement. Beyond the City and the Bridge presents a case study of Fort Lee, Bergen County, on the west side of the George Washington Bridge connecting Manhattan and New Jersey. Since the 1970s, successive waves of immigrants from East Asia have transformed this formerly white community into one of the most diverse suburbs in the greater New York region. Fort Lee today has one of the largest concentrations of East Asians of any suburb on the East Coast, with Chinese, Japanese, and Koreans forming distinct communities while influencing the structure and everyday life of the borough. Noriko Matsumoto explores the rise of this multiethnic suburb—the complex processes of assimilation and reproduction of ethnicities, the changing social relationships, and the conditions under which such transformations have occurred.  

Episodes of racial conflict in Detroit form just one facet of the city’s storied and legendary history, and they have sometimes overshadowed the less widely known but equally important occurrence of interracial cooperation in seeking solutions to the city’s problems. The conflicts also present many opportunities to analyze, learn from, and interrogate the past in order to help lay the groundwork for a stronger, more equitable future. This astute and prudent history poses a number of critical questions: Why and where have race riots occurred in Detroit? How has the racial climate changed or remained the same since the riots? What efforts have occurred since the riots to reduce racial inequality and conflicts, and to build bridges across racial divides? Unique among books on the subject, Detroit pays special attention to post-1967 social and political developments in the city, and expands upon the much-explored black-white dynamic to address the influx of more recent populations to Detroit: Middle Eastern Americans, Hispanic Americans, and Asian Americans. Crucially, the book explores the role of place of residence, spatial mobility, and spatial inequality as key factors in determining access to opportunities such as housing, education, employment, and other amenities, both in the suburbs and in the city.

Beyond Lionel Trilling's classic definition of Modernism as anticultural and subversive, Margaret Dickie posits American Modernist poetry as both conservative and affirmative—conservative because it was dominated by the composition of the long poem, affirmative because these poems aimed to restore public themes to poetry, to instruct and improve, to "affirm the gold thread in the pattern," as Ezra Pound claimed.

Each poet discussed in this new study—T. S. Eliot, Hart Crane, William Carlos Williams, and Ezra Pound—began his career as an experimenter in brief lyrics and then, paradoxically, developed an ambition to write a long public poem. The poems they wrote—The Waste Land, The Bridge, Paterson, and The Cantos—differed in length, in program, and in composition, but all were alike in their idealization of form, their commitment to the long poem, and the troubled and difficult process of their composition. Read together, they offer a new understanding of the Modernist sense of form shared by these quite different writers.

Tracing the development of each poem from the poet's initial announced plans through the lengthy writing and reconsideration of purpose, Dickie offers a new history not only of each poem but of the American Modernists and the ways they adapted the avant-garde tendencies of European Modernism to their own native needs.

A classic novel of war, suffering, and survival in Bosnia
Internationally acclaimed since its original publication just after World War II, The Bridge on the Drina is a vivid historical novel that uses the Mehmed Paša Sokolović Bridge as the centerpiece of the story of Bosnia and its people from the late sixteenth century to the beginning of World War I. As we seek to make sense of the current nightmare in this region, this remarkable, timely book serves as a reliable guide to its people and history. Through powerful stories of the people who make history—and the people suffer under those who do—Ivo Andric traces the story of the Bosnian people from the Ottoman Empire through the domination of Austria-Hungary and into the rising tide of competing nationalist ideologies that set the stage for the tragedy of World War I. 

Written while Andric was under house arrest during the Nazi occupation, The Bridge on the Drina is as gripping as a soap opera, bringing history down to the level of compelling individual lives and experiences. It is one of the landmark works of twentieth-century literature, as powerful today as it ever was.
 

In We Flew over the Bridge, one of the country’s preeminent African American artists—and award-winning children’s book authors—shares the fascinating story of her life. Faith Ringgold’s artworks—startling “story quilts,” politically charged paintings, and more—hang in the Studio Museum in Harlem, the Metropolitan Museum of Art, the Guggenheim Museum, the Museum of Modern Art, and other major museums around the world, as well as in the private collections of Maya Angelou, Bill Cosby, and Oprah Winfrey. Her children’s books, including the Caldecott Honor Book Tar Beach, have sold hundreds of thousands of copies. But Ringgold’s path to success has not been easy. In this gorgeously illustrated memoir, she looks back and shares the story of her struggles, growth, and triumphs. Ringgold recollects how she had to surmount a wall of prejudices as she worked to refine her artistic vision and raise a family. At the same time, the story she tells is one of warm family memories and sustaining friendships, community involvement, and hope for the future.