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3 books match the query 'Burnett, D. Graham'

cover of Masters of All They Surveyed: Exploration, Geography, and a British El Dorado

Masters of All They Surveyed

Exploration, Geography, and a British El Dorado

D. Graham Burnett

University of Chicago Press, 2000

Chronicling the British pursuit of the legendary El Dorado, Masters of All They Surveyed tells the fascinating story of geography, cartography, and scientific exploration in Britain's unique South American colony, Guyana. How did nineteenth-century Europeans turn areas they called terra incognita into bounded colonial territories? How did a tender-footed gentleman, predisposed to seasickness (and unable to swim), make his way up churning rivers into thick jungle, arid savanna, and forbidding mountain ranges, survive for the better part of a decade, and emerge with a map? What did that map mean?

In answering these questions, D. Graham Burnett brings to light the work of several such explorers, particularly Sir Robert H. Schomburgk, the man who claimed to be the first to reach the site of Ralegh's El Dorado. Commissioned by the Royal Geographical Society and later by the British Crown, Schomburgk explored and mapped regions in modern Brazil, Venezuela, and Guyana, always in close contact with Amerindian communities. Drawing heavily on the maps, reports, and letters that Schomburgk sent back to England, and especially on the luxuriant images of survey landmarks in his Twelve Views in the Interior of Guiana (reproduced in color in this book), Burnett shows how a vast network of traverse surveys, illustrations, and travel narratives not only laid out the official boundaries of British Guiana but also marked out a symbolic landscape that fired the British imperial imagination.

Engagingly written and beautifully illustrated, Masters of All They Surveyed will interest anyone who wants to understand the histories of colonialism and science.
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cover of The Sounding of the Whale: Science and Cetaceans in the Twentieth Century

The Sounding of the Whale

Science and Cetaceans in the Twentieth Century

D. Graham Burnett

University of Chicago Press, 2011

From the Bible’s “Canst thou raise leviathan with a hook?” to Captain Ahab’s “From Hell’s heart I stab at thee!,” from the trials of Job to the legends of Sinbad, whales have breached in the human imagination as looming figures of terror, power, confusion, and mystery.

In the twentieth century, however, our understanding of and relationship to these superlatives of creation underwent some astonishing changes, and with The Sounding of the Whale, D. Graham Burnett tells the fascinating story of the transformation of cetaceans from grotesque monsters, useful only as wallowing kegs of fat and fertilizer, to playful friends of humanity, bellwethers of environmental devastation, and, finally, totems of the counterculture in the Age of Aquarius. When Burnett opens his story, ignorance reigns: even Nature was misclassifying whales at the turn of the century, and the only biological study of the species was happening in gruesome Arctic slaughterhouses. But in the aftermath of World War I, an international effort to bring rational regulations to the whaling industry led to an explosion of global research—and regulations that, while well-meaning, were quashed, or widely flouted, by whaling nations, the first shot in a battle that continues to this day. The book closes with a look at the remarkable shift in public attitudes toward whales that began in the 1960s, as environmental concerns and new discoveries about whale behavior combined to make whales an object of sentimental concern and public adulation.

A sweeping history, grounded in nearly a decade of research, The Sounding of the Whale tells a remarkable story of how science, politics, and simple human wonder intertwined to transform the way we see these behemoths from below.

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cover of Till the Light Leaps: Essays on Playing Attention

Till the Light Leaps

Essays on Playing Attention

D. Graham Burnett

University of Chicago Press, 2027

A ranging, erudite, and intimate examination of the nature of knowledge, by a thinker and creator who defies categorization.

Attention is in short supply and high demand. But when we bring our minds and time and senses to something—an idea, an object, another person—we tap into a human capacity for observation, patience, candor, and presence. Look long enough, and we can reliably catch a bright flash, a shift in the light, even a dawning.

In Till the Light Leaps, historian of science D. Graham Burnett explores the questions that have been major drivers of his intellectual life: How do we know what we know? And how are we changed by that effort? Written during a period of radical, collective, and creative experimentation with attention, the twenty-six essays collected here span topics like technology, science, art, and religion. Together, they comprise a sustained reflection on the relationship between empirical matters and the shiver-work of the human spirit. A brief history of spectroscopy offers an occasion to consider the solemn power of fire, as well as the righteous lessons of a childhood science experiment gone wrong. Skywriting invokes military might, but also the expressionistic bravura of a solo aeronaut, Art Smith. The Greek ritual of throwing plant matter in celebration is a thread connecting animal sacrifice, confetti production, and capitalist excess. In the final, previously unpublished essay, Galway Kinnell’s 1980 poem “Saint Francis and the Sow” becomes a heroic call to love and an allegory of attention in its richest sense.

Till the Light Leaps, a reference to the writings of Simone Weil, advises us to look at something “until the light leaps,” whether it yields a wink or an illumination. Burnett models the work—and the pleasure—of staying present with the world, and his essays test what science can offer, even as they feel for what it cannot.

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