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4 books match the query 'Côte d'Ivoire'

cover of Hunting the Ethical State: The Benkadi Movement of Côte d'Ivoire

Hunting the Ethical State

The Benkadi Movement of Côte d'Ivoire

Joseph Hellweg

University of Chicago Press, 2011

In the 1990s a nationwide crime wave overtook Côte d’Ivoire. The Ivoirian police failed to control the situation, so a group of poor, politically marginalized, and mostly Muslim men took on the role of the people’s protectors as part of a movement they called Benkadi. These men were dozos—hunters skilled in ritual sacrifice—and they applied their hunting and occult expertise, along with the ethical principles implicit in both forms of knowledge, to the tracking and capturing of thieves. Meanwhile, as Benkadi emerged, so too did the ethnic, regional, and religious divisions that would culminate in Côte d’Ivoire’s 2002–07 rebellion. 

Hunting the Ethical State
reveals how dozos worked beyond these divisions to derive their new roles as enforcers of security from their ritual hunting ethos. Much as they used sorcery to shape-shift and outwit game, they now transformed into unofficial police, and their ritual networks became police bureaucracies. Though these Muslim and northern-descended men would later resist the state, Joseph Hellweg demonstrates how they briefly succeeded at making a place for themselves within it. Ultimately, Hellweg interprets Benkadi as a flawed but ingenious and thoroughly modern attempt by non-state actors to reform an African state.

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cover of Making War in Côte d'Ivoire

Making War in Côte d'Ivoire

Mike McGovern

University of Chicago Press, 2011

After a brief period of active combat in 2002, the conflict in Côte d’Ivoire settled into a pattern of neither war nor peace until the 2010 elections led to a new phase of direct conflict. During these taut years, short bursts of intense violence alternated with long periods of standoff. When things were peaceful, the Ivorian political elite and the press produced inflammatory rhetoric while soldiers and militias used the state of emergency as an excuse to shake down civilians at roadblocks. What kept this perpetually tense, dismal, and destructive situation simmering? In this groundbreaking book, Mike McGovern suggests the answer lies in understanding war as a process, not a series of events, and that rather than focusing on the role of political institutions, we should be paying attention to the flawed and unpredictable people within them.

McGovern argues that only deep knowledge of a region—its history, languages, literature, and popular culture—can yield meaningful insights into political decision making. Putting this theory into action, he examines an array of issues from the micro to the macro, including land tenure disputes, youth boredom, organized crime, and the international cocoa trade. Drawn from McGovern’s academic research and experience working for a conflict resolution think tank and the political access that position gave him, Making War in Côte D’Ivoire will be the definitive work on the Ivorian conflict and an innovative example of how anthropology can address the complexities of politics.

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cover of Prevention: Gender, Sexuality, HIV, and the Media in Côte d'Ivoire

Prevention

Gender, Sexuality, HIV, and the Media in Côte d'Ivoire

Christine Cynn

The Ohio State University Press, 2018

Approximately 70% of the global total of people living with HIV/AIDS in 2016 were in sub-Saharan Africa. After delayed governmental responses, the media has been consistently deployed as an essential tool for prevention. But HIV prevention campaigns reflect multiple conflicting and shifting agendas that encompass far more than the imparting of information about how to limit the spread of the virus. In Prevention: Gender, Sexuality, HIV, and the Media in Côte d’Ivoire, Christine Cynn draws from postcolonial, queer, and feminist film and media studies to critique global HIV prevention efforts and how they attempt to reshape gendered sexualities and notions of family in line with the rationality of neoliberalism.
More specifically, Cynn argues that through the bolstering of normative conceptions of gendered sexualities and families, HIV prevention media campaigns seek to actively create proper subjects, a goal corresponding with nation-building projects and reproducing their terms of belonging. During periods of increasingly virulent political and economic struggles in Côte d’Ivoire, such HIV prevention messages have lent support to lender- and state-mandated structural adjustment policies and to the exclusionary logic that casts some—such as those suffering from AIDS-related illnesses, those labeled as “homosexual,” sex workers, intravenous drug users, and the HIV-positive child—as implicitly unassimilable to the community and nation. Deeply interdisciplinary, Prevention brings to light new forms of exclusion and expands scholarship on gender and sexual normativities as it intersects with that on public health, neoliberalism, and film and media.
 
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cover of The Modernity Bluff: Crime, Consumption, and Citizenship in Côte d’Ivoire

The Modernity Bluff

Crime, Consumption, and Citizenship in Côte d’Ivoire

Sasha Newell

University of Chicago Press, 2012

In Côte d’Ivoire, appearing modern is so important for success that many young men deplete their already meager resources to project an illusion of wealth in a fantastic display of Western imitation, spending far more than they can afford on brand name clothing, accessories, technology, and a robust nightlife. Such imitation, however, is not primarily meant to deceive—rather, as Sasha Newell argues in The Modernity Bluff, it is an explicit performance so valued in Côte d’Ivoire it has become a matter of national pride.

Called bluffeurs, these young urban men operate in a system of cultural economy where reputation is essential for financial success. That reputation is measured by familiarity with and access to the fashionable and expensive, which leads to a paradoxical state of affairs in which the wasting of wealth is essential to its accumulation. Using the consumption of Western goods to express their cultural mastery over Western taste, Newell argues, bluffeurs engage a global hierarchy that is profoundly modern, one that values performance over authenticity­—highlighting the counterfeit nature of modernity itself.

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