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In her Dorset Prize-winning new collection, Lauren Camp explores the lives of a first-generation Arab-American girl and her Jewish-Iraqi parent. One Hundred Hungers tells overlapping stories of food and ritual, immigration and adaptation, evoking her father's boyhood in Baghdad in the 1940s at a time when tensions began to emerge along ethnic and religious lines. She also draws upon memories of Sabbath dinners in her grandparents' new home in America to reveal how family culture persists.

Took House is a disquieting book about intimate relationships and what is seen and hidden. In vulnerable poems of obsession, Camp places motivation deep in the background, following instead a chain reaction between pain and pleasure. Took House navigates a landscape of bone and ash, wine and circumstance. Boundaries shift between reality and allegory. The unknown appears and repeats, eerily echoing need. Blame, power and disorder hover, unsettling what we know of love.