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The third volume of the revived Ice Floe series, Ice Floe III features new and exciting works of poetry by authors from Alaska, Canada, Iceland, the Faroe Islands, Norway, Sweden, Finland, and Russia. All work is presented in both its original language and in English translation. The contributors—Nancy Lord, Tom Sexton, Eira Stenberg, and Riina Katajavuori, among others—include established and emerging poets. This dynamic and vibrant collection of voices from the northern latitudes will be a great read for all poetry enthusiasts and devoted readers of international literature.

In the early 1950s, a number of Inuit men, women, and children were loaded on ships and sent to live in the cold and barren lands of the Canadian High Arctic. Spurred by government agents’ promises of plentiful game, virgin land, and a lifestyle untainted by Western Influences, these “voluntary migrants,” who soon numbered nearly ninety, found instead isolation, hunting limited by game preserve regulations, three months of total darkness each winter, and a government suddenly deaf to their pleas to return home. The question, still unresolved forty years later, is whether these “experiments” were a well-intentioned governmental attempt to protect the Inuit way of life or a ploy to lure innocent people to exile, hunger, and deprivation in order to solidify Canada’s Cold War sovereignty in the far North. Alan Rudolph Marcus outlines the motives behind the relocation, case histories of two settlements, and the aftermath of the migration. Relocating Eden provides a timely and provocative inquiry into issues of continuing importance to Canada and all native peoples.

Where the Wind Blows Us unites critical practice with a community-based approach to archaeology. Author Natasha Lyons describes an inclusive archaeology that rests on a flexible but rigorous approach to research design and demonstrates a responsible, ethical practice. She traces the rise and application of community archaeologies, develops a wide-ranging set of methods for community practice, and maps out a “localized critical theory” that is suited to the needs of local and descendant communities as they pursue self-defined heritage goals. Localized critical theory aims to decenter the focus on global processes of capitalism in favor of the local processes of community dynamics. Where the Wind Blows Us emphasizes the role of individuals and the relationships they share with communities of the past and present.
 
Lyons offers an extended case study of her work with the Inuvialuit community of the Canadian Western Arctic. She documents the development of this longstanding research relationship and presents both the theoretical and practical products of the work to date. Integrating knowledge drawn from archaeology, ethnography, oral history, and community interviews, Lyons utilizes a multivocal approach that actively listens to Inuvialuit speak about their rich and textured history.
 
The overall significance of this volume lies in outlining a method of practicing archaeology that embraces local ways of knowing with a critically constructed and evolving methodology that is responsive to community needs. It will serve as a handbook to mine for elements of critical practice, a model of community-based archaeology, and a useful set of concepts and examples for classroom study.