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8 books match the query 'Canon'

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A Storied Sage

Canon and Creation in the Making of a Japanese Buddha

Micah L. Auerback

University of Chicago Press, 2016

Since its arrival in Japan in the sixth century, Buddhism has played a central role in Japanese culture. But the historical figure of the Buddha, the prince of ancient Indian descent who abandoned his wealth and power to become an awakened being, has repeatedly disappeared and reappeared, emerging each time in a different form and to different ends. A Storied Sage traces this transformation of concepts of the Buddha, from Japan’s ancient period in the eighth century to the end of the Meiji period in the early twentieth century.

Micah L. Auerback follows the changing fortune of the Buddha through the novel uses for the Buddha’s story in high and low culture alike, often outside of the confines of the Buddhist establishment. Auerback argues for the Buddha’s continuing relevance during Japan’s early modern period and links the later Buddhist tradition in Japan to its roots on the Asian continent. Additionally, he examines the afterlife of the Buddha in hagiographic literature, demonstrating that the late Japanese Buddha, far from fading into a ghost of his former self, instead underwent an important reincarnation. Challenging many established assumptions about Buddhism and its evolution in Japan, A Storied Sage is a vital contribution to the larger discussion of religion and secularization in modernity.

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A Theology of the Christian Bible

Revelation - Inspiration - Canon

Denis Farkasfalvy

Catholic University of America Press, 2018

A Theology of the Christian Bible is built upon the thesis that divine revelation, the inspiration and canonization of Scripture should be viewed as “sequentially linked movements” of a single process wherein God reveals his Word in history and ensures permanent accessibility of revelation for his People, both of Israel and of the Church. The starting point is the view expressed in the Second Vatican Council’s document Dei Verbum that revelation consists of the “words and realities” of Salvation History. This marks a shift away from the neo-scholastic concept that approached revelation primarily as a set of propositional truths. Farkasfalvy begins with the notion of revelation as a historical process: God reveals his Word in a “salvation history,” which culminates in the Incarnation. The transmission of revelation always involves human mediation by chosen individuals or, in the language of the biblical and patristic tradition, “Prophets and Apostles.” Farkasfalvy then moves on to review some of the major contributors to the theology of inspiration around the time of Vatican II (Bea, Rahner, Alonso-Schökel), the teaching of Dei Verbum proper, and finally the 2014 document of the Pontifical Biblical Commission and biblical inspiration and the truth of the Bible, treating each of these in its individual context. According to Farkasfalvy, the theology of inspiration was greatly handicapped by the neo-scholastic notion of God as a “literary author” of the scriptural texts. Advocating God as true and genuine “author” of Scripture, but in a non-literary sense, Farkasfalvy also reviews afresh the tradition inspiration-incarnation analogy. Scripture should be thought of in light of God progressively revealing himself in limited and located contexts to chosen human beings, through whom revelation is transmitted in verbal and, eventually, written form. God guides the complex compositional processes of the biblical books so that his word becomes accessibly and permanently preserved in writing for his people, the Church. The final chapters of A Theology of the Christian Bible take up the extension of these dynamics into canonization. These largely exegetical and historical chapters focus on the transmission of the revelation in Christ through both Testaments by means of Jesus’ Apostles, embracing the Hebrew Scriptures and setting in motion the formation and, in early patristics, the canonization of the New Testament.

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Deaf American Literature

From Carnival to the Canon

Cynthia Peters

Gallaudet University Press, 2000

“The moment when a society must contend with a powerful language other than its own is a decisive point in its evolution. This moment is occurring now in American society.” Cynthia Peters explains precisely how American Sign Language (ASL) literature achieved this moment by tracing its past and predicting its future in Deaf American Literature: From Carnival to the Canon.

Peters connects ASL literature to the literary canon with the archetypal notion of carnival as “the counterculture of the dominated.” Throughout history, carnivals have been opportunities for the “low,” disenfranchised elements of society to displace their “high” counterparts. Citing the Deaf community’s long tradition of “literary nights” and festivals like the Deaf Way, Peters recognizes similar forces at work in the propagation of ASL literature. The agents of this movement, Deaf artists and ASL performers—“Tricksters,” as Peters calls them—jump between the two cultures and languages. Through this process, they create a synthesis of English literary content reinterpreted in sign language, which raises the profile of ASL as a distinct art form in itself.

In this trailblazing study, Peters applies her analysis to the craft’s landmark works, including Douglas Bullard’s novel Islay and Ben Bahan’s video-recorded narrative Bird of a Different Feather. Deaf American Literature, the only work of its kind, is its own seminal moment in the emerging discipline of ASL literary criticism.

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Making a Canon

Ananda K. Coomaraswamy, Sri Lanka, and the Place of Buddhist Art

Janice Leoshko

University of Chicago Press, 2024

The story of how one scholar’s experiences in Sri Lanka shaped the contours of the Buddhist visual canon.

An early interpreter of Buddhist art to the West, Ananda Kentish Coomaraswamy laid the foundation of what would become the South Asian visual canon, particularly through his efforts to understand how Buddhist art emerged and developed. In Making a Canon, Janice Leoshko examines how Coomaraswamy’s experience as the director of a mineralogical survey in Sri Lanka shaped his understanding of South Asian art and religion. Along the way, she reveals how Coomaraswamy’s distinctive repetition of Sri Lankan visual images in his work influenced the direction of South Asia’s canon formation and left a lasting impression on our understanding of Buddhist art.

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Reading the Bible in Ancient Traditions and Modern Editions

Studies in Memory of Peter W. Flint

Andrew B. Perrin

SBL Press, 2017

A collection of essays commemorating the career contributions of Peter W. Flint

An international group of scholars specializing in various disciplines of biblical studies—Dead Sea Scrolls, Septuagint, Hebrew Bible/Old Testament, Second Temple Judaism, and Christian origins—present twenty-seven new contributions that commemorate the career of Peter W. Flint (1951–2016). Each essay interacts with and gives fresh insight into a field shaped by Professor Flint’s life work. Part 1 explores the interplay between text-critical methods, the growth and formation of the Hebrew Scriptures, and the making of modern critical editions. Part 2 maps dynamics of scriptural interpretation and reception in ancient Jewish and Christian literatures of the Second Temple period.

Features

Essays that assess the state of the field and reflect on the methods, aims, and best practices for textual criticism and the making of modern critical text editions
Demonstrations of how the processes of scriptural composition, transmission, and reception converge and may be studied together for mutual benefit
Clarification of the state/forms of scripture in antiquity and how scripture was extended, rewritten, and recontextualized by ancient Jewish and Christian scribes and communities

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The Bible as Christian Scripture

The Work of Brevard S. Childs

Christopher R. Seitz

SBL Press, 2013

This memorial volume both displays and evaluates the canonical approach of Brevard S. Childs, whose attention to history through time animated his interest in the Bible’s use in the church through the ages up to and including the present. Just as Childs wrote on a wide range of topics canonical and theological—both Testaments, Isaiah and Exodus, the Pauline letters, the history of biblical interpretation, biblical theology, and historical, theological, and methodological questions—the contributors to this volume, seasoned colleagues as well as younger scholars who studied with Childs, offer an international collection of historical, theological, and New Testament essays as well as contributions focused on the Old Testament. The contributors are Stephen B. Chapman, Brevard S. Childs, Don Collett, Daniel R. Driver, Mark W. Elliott, Leonard G. Finn, Mark Gignilliat, Bernd Janowski, Jörg Jeremias, Leander E. Keck, Neil B. MacDonald, David L. Petersen, Murray A. Rae, C. Kavin Rowe, and Christopher R. Seitz.

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The Errant Art of Moby-Dick

The Canon, the Cold War, and the Struggle for American Studies

William V. Spanos

Duke University Press, 1995

In The Errant Art of Moby-Dick, one of America’s most distinguished critics reexamines Melville’s monumental novel and turns the occasion into a meditation on the history and implications of canon formation. In Moby-Dick—a work virtually ignored and discredited at the time of its publication—William V. Spanos uncovers a text remarkably suited as a foundation for a "New Americanist" critique of the ideology based on Puritan origins that was codified in the canon established by "Old Americanist" critics from F. O. Matthiessen to Lionel Trilling. But Spanos also shows, with the novel still as his focus, the limitations of this "New Americanist" discourse and its failure to escape the totalizing imperial perspective it finds in its predecessor.
Combining Heideggerian ontology with a sociopolitical perspective derived primarily from Foucault, the reading of Moby-Dick that forms the center of this book demonstrates that the traditional identification of Melville’s novel as a "romance" renders it complicitous in the discourse of the Cold War. At the same time, Spanos shows how New Americanist criticism overlooks the degree to which Moby-Dick anticipates not only America’s self-representation as the savior of the world against communism, but also the emergent postmodern and anti-imperial discourse deployed against such an image. Spanos’s critique reveals the extraordinary relevance of Melville’s novel as a post-Cold War text, foreshadowing not only the self-destructive end of the historical formation of the American cultural identity in the genocidal assault on Vietnam, but also the reactionary labeling of the current era as "the end of history."
This provocative and challenging study presents not only a new view of the development of literary history in the United States, but a devastating critique of the genealogy of ideology in the American cultural establishment.

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When Texts Are Canonized

Timothy H. Lim

SBL Press, 2017

How did canonization take place, and what difference does it make?

Essays in this collection probe the canonical process: Why were certain books, but not others, included in the canon? What criteria were used to select the books of the canon? Was canonization a divine fiat or human act? What was the nature of the authority of the laws and narratives of the Torah? How did prophecy come to be included in the canon? Others reflect on the consequences of canonization: What are the effects in elevating certain writings to the status of “Holy Scriptures”? What happens when a text is included in an official list? What theological and hermeneutical questions are at stake in the fact of the canon? Should the canon be unsealed or reopened to include other writings?

Features:

Essays that contribute to our understanding of the complex processes of canonization
Exploration of early concepts of canonicity
Discussion of reopening the New Testament canon

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