Results by title
20 books match the query 'Catastrophe'
Affective Intellectuals and the Space of Catastrophe in the Americas
Judith Sierra-Rivera
The Ohio State University Press, 2018
In her groundbreaking Affective Intellectuals and the Space of Catastrophe in the Americas, Judith Sierra-Rivera studies five different contexts of crisis: natural disasters in Mexico, forced displacements between Central America and the United States, a whitewashed transition to democracy in Chile, colonialism and wars in Puerto Rico, and racism and patriarchy in Cuba. All of these scenarios share the common ground of the neoliberal space of catastrophe, which also generates new groups and forms of resistance. Affective Intellectuals argues that a new kind of intellectual emerges from these contemporary configurations to speak and act guided by the stories and desires of those who have been systematically pushed out of the public sphere: indigenous peoples, Afro-descendants, immigrants, LGBTQ sexualities, and inhabitants of poverty.
Pursuing this argument, Sierra-Rivera examines print, radio, and web materials by authors whose emotional discourses have also had a measurable impact on the formation of communities that demand their full political inclusion in society. This book therefore fills a significant gap in the study of the relationship between materiality (space and bodies), emotions, and the political imagination. Affective Intellectuals demonstrates that writers and intellectuals themselves are vital in reshaping their communities and fighting for social justice in the Hemispheric Americas.
Pursuing this argument, Sierra-Rivera examines print, radio, and web materials by authors whose emotional discourses have also had a measurable impact on the formation of communities that demand their full political inclusion in society. This book therefore fills a significant gap in the study of the relationship between materiality (space and bodies), emotions, and the political imagination. Affective Intellectuals demonstrates that writers and intellectuals themselves are vital in reshaping their communities and fighting for social justice in the Hemispheric Americas.
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Ash
Catastrophe, Performance, & the CraftDan O'Brien
Acre Books, 2027
In this collection of essays, an acclaimed poet and playwright searches for meaning amid catastrophe.
The twenty candid essays in Ash: Catastrophe, Performance, & the Craft are the culmination of a ten-year project by acclaimed poet and playwright Dan O’Brien. Divided into three parts, this volume—portions of which originally appeared in The New York Times, Esquire, and The Times Literary Supplement—combines the deeply personal with the artistic and professional, coalescing around the experience of trauma (physical, mental, moral) and the challenges presented by catastrophe and its aftermath.
In the title essay, O'Brien links the smoke and debris of the Los Angeles wildfires to the toxic legacy of September 11, tracing the lasting repercussions of collective disaster. In “Dear Brother,” he revisits a sibling’s suicide attempt and the family silences that shaped both his life and his writing. Elsewhere, in reflections on documentary theater, political violence, and a long collaboration with Pulitzer Prize–winning war reporter Paul Watson, he weighs the responsibility and the cost of bearing witness to suffering.
Running through the book, and indeed through O’Brien’s career as poet, playwright, essayist, and memoirist, is a search for meaning in the midst of calamity, whether it results from terrorism, from conflagration, from cancer, or from victimhood and abuse. Written over a decade marked by devastating illness, profound cultural upheaval, and hard-won hope, Ash is both an intimate record of survival and a searching meditation on the resilience and reinvention to be found in the creative act.
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Catastrophe and Meaning
The Holocaust and the Twentieth CenturyEdited by Moishe Postone and Eric Santner
University of Chicago Press, 2003
How should we understand the relation of the Holocaust to the broader historical processes of the century just ended? How do we explain the bearing of the Holocaust on problems of representation, memory, memorialization, and historical practice? These are some of the questions explored by an esteemed group of scholars in Catastrophe and Meaning, the most significant multiauthored book on the Holocaust in over a decade.
This collection features essays that consider the role of anti-Semitism in the recounting of the Holocaust; the place of the catastrophe in the narrative of twentieth-century history; the questions of agency and victimhood that the Holocaust inspires; the afterlife of trauma in literature written about the tragedy; and the gaps in remembrance and comprehension that normal historical works fail to notice.
Contributors:
Omer Bartov, Dan Diner, Debòrah Dwork, Saul Friedländer, Geoffrey Hartman, Dominick LaCapra, Paul Mendes-Flohr, Anson Rabinbach, Frank Trommler, Shulamit Volkov, Froma Zeitlin
This collection features essays that consider the role of anti-Semitism in the recounting of the Holocaust; the place of the catastrophe in the narrative of twentieth-century history; the questions of agency and victimhood that the Holocaust inspires; the afterlife of trauma in literature written about the tragedy; and the gaps in remembrance and comprehension that normal historical works fail to notice.
Contributors:
Omer Bartov, Dan Diner, Debòrah Dwork, Saul Friedländer, Geoffrey Hartman, Dominick LaCapra, Paul Mendes-Flohr, Anson Rabinbach, Frank Trommler, Shulamit Volkov, Froma Zeitlin
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Catastrophe
Law, Politics, and the Humanitarian ImpulseAustin Sarat
University of Massachusetts Press, 2009
From 9/11 to Katrina, from Darfur to the Minnesota bridge collapse, ours is an "age of catastrophe." In this era, catastrophic events seem to have a revelatory quality: they offer powerful reminders of the fragility of our social and institutional architectures, making painfully evident vulnerabilities in our social organization that were otherwise invisible. By disrupting the operation of fundamental mechanisms and infrastructures of the social order, they lay bare the conditions that make our sense of normalcy possible.
At a time when societies are directing an unprecedented level of resources and ingenuity to anticipating and mitigating catastrophic events, Catastrophe: Law, Politics, and the Humanitarian Impulse examines the tests that catastrophe poses to politics and humanitarianism as well as to the law. It explores legal, political, and humanitarian responses during times when the sudden, discontinuous, and disastrous event has become, perhaps paradoxically, a structural component of our political imagination. It asks whether law, politics, and humanitarianism live up to the tests posed by disaster, and the role all of them play in creating a more resilient world.
Taken together the essays in this book ask us to see through and beyond the myths that surround catastrophe and our responses to it. They ask us to rethink our understanding of catastrophe and to imagine new legal, political, and humanitarian responses.
In addition to the editors, contributors include Thomas Birkland, Michele Landis Dauber, Kim Fortun, Edward Rackley, Peter Redfield, Peter H. Schuck, and Susan Sterett.
At a time when societies are directing an unprecedented level of resources and ingenuity to anticipating and mitigating catastrophic events, Catastrophe: Law, Politics, and the Humanitarian Impulse examines the tests that catastrophe poses to politics and humanitarianism as well as to the law. It explores legal, political, and humanitarian responses during times when the sudden, discontinuous, and disastrous event has become, perhaps paradoxically, a structural component of our political imagination. It asks whether law, politics, and humanitarianism live up to the tests posed by disaster, and the role all of them play in creating a more resilient world.
Taken together the essays in this book ask us to see through and beyond the myths that surround catastrophe and our responses to it. They ask us to rethink our understanding of catastrophe and to imagine new legal, political, and humanitarian responses.
In addition to the editors, contributors include Thomas Birkland, Michele Landis Dauber, Kim Fortun, Edward Rackley, Peter Redfield, Peter H. Schuck, and Susan Sterett.
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Conrad's Shadow
Catastrophe, Mimesis, TheoryNidesh Lawtoo
Michigan State University Press, 2016
Western thought has often dismissed shadows as fictional, but what if fictions reveal original truths? Drawing on an anti-Platonic tradition in critical theory, Lawtoo adopts ethical, anthropological, and philosophical lenses to offer new readings of Joseph Conrad’s novels and the postcolonial and cinematic works that respond to his oeuvre. He argues that Conrad’s fascination with doubles urges readers to reflect on the two sides of mimesis: one side is dark and pathological, and involves the escalation of violence, contagious epidemics, and catastrophic storms; the other side is luminous and therapeutic, and promotes communal survival, postcolonial reconciliation, and plastic adaptations to changing environments. Once joined, the two sides reveal Conrad as an author whose Janus-faced fictions are powerfully relevant to our contemporary world of global violence and environmental crisis.
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Fascination with the Persecutor
George L. Mosse and the Catastrophe of Modern ManEmilio Gentile and and Stanley G. Payne, translated by John and Anne Tedeschi
University of Wisconsin Press, 2021
In 1933, George L. Mosse fled Berlin and settled in the United States, where he went on to become a renowned historian at the University of Wisconsin–Madison. Through rigorous and innovative scholarship, Mosse uncovered the forces that spurred antisemitism, racism, nationalism, and populism. His transformative work was propelled by a desire to know his own persecutors and has been vital to generations of scholars seeking to understand the cultural and intellectual origins and mechanisms of Nazism.
This translation makes Emilio Gentile’s groundbreaking study of Mosse’s life and work available to English language readers. A leading authority on fascism, totalitarianism, and Mosse’s legacy, Gentile draws on a wealth of published and unpublished material, including letters, interviews, lecture plans, and marginalia from Mosse’s personal library. Gentile details how the senior scholar eschewed polemics and employed rigorous academic standards to better understand fascism and the “catastrophe of the modern man”—how masculinity transformed into a destructive ideology. As long as wars are waged over political beliefs in popular culture, Mosse’s theories of totalitarianism will remain as relevant as ever.
This translation makes Emilio Gentile’s groundbreaking study of Mosse’s life and work available to English language readers. A leading authority on fascism, totalitarianism, and Mosse’s legacy, Gentile draws on a wealth of published and unpublished material, including letters, interviews, lecture plans, and marginalia from Mosse’s personal library. Gentile details how the senior scholar eschewed polemics and employed rigorous academic standards to better understand fascism and the “catastrophe of the modern man”—how masculinity transformed into a destructive ideology. As long as wars are waged over political beliefs in popular culture, Mosse’s theories of totalitarianism will remain as relevant as ever.
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From Crisis to Catastrophe
Care, COVID, and Pathways to ChangeMignon Duffy
Rutgers University Press, 2023
The COVID pandemic has shaken the material and social foundations of the world more than any event in recent history and has highlighted and exacerbated a longstanding crisis of care. While these challenges may be freshly visible to the public, they are not new. Over the last three decades, a growing body of care scholarship has documented the inadequacy of the social organization of care around the world, and the effect of the devaluation of care on workers, families, and communities. In this volume, a diverse group of care scholars bring their expertise to bear on this recent crisis. In doing so, they consider the ways in which the existing social organization of care in different countries around the globe amplified or mitigated the impact of COVID. They also explore the global pandemic's impact on the conditions of care and its role in exacerbating deeply rooted gender, race, migration, disability, and other forms of inequality.
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From Utopia to Apocalypse
Science Fiction and the Politics of CatastrophePeter Y. Paik
University of Minnesota Press, 2010
"I read Peter Y. Paik’s lucid, graceful, ruthless book in one single astonished sitting. I scarred it all over with arrows and exclamation points, so I can read it again as soon as possible." —Bruce Sterling
Revolutionary narratives in recent science fiction graphic novels and films compel audiences to reflect on the politics and societal ills of the day. Through character and story, science fiction brings theory to life, giving shape to the motivations behind the action as well as to the consequences they produce.
In From Utopia to Apocalypse, Peter Y. Paik shows how science fiction generates intriguing and profound insights into politics. He reveals that the fantasy of putting annihilating omnipotence to beneficial effect underlies the revolutionary projects that have defined the collective upheavals of the modern age. Paik traces how this political theology is expressed, and indeed literalized, in popular superhero fiction, examining works including Alan Moore and Dave Gibbons’s graphic novel Watchmen, the science fiction cinema of Jang Joon-Hwan, the manga of Hayao Miyazaki, Alan Moore’s V for Vendetta, and the Matrix trilogy. Superhero fantasies are usually seen as compensations for individual feelings of weakness, victimization, and vulnerability. But Paik presents these fantasies as social constructions concerned with questions of political will and the disintegration of democracy rather than with the psychology of the personal.
What is urgently at stake, Paik argues, is a critique of the limitations and deadlocks of the political imagination. The utopias dreamed of by totalitarianism, which must be imposed through torture, oppression, and mass imprisonment, nevertheless persist in liberal political systems. With this reality looming throughout, Paik demonstrates the uneasy juxtaposition of saintliness and cynically manipulative realpolitik, of torture and the assertion of human dignity, of cruelty and benevolence.
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Howard Barker Interviews 1980-2010
Conversations in CatastropheEdited and Introduced by Mark Brown
Intellect Books, 2011
British playwright Howard Barker coined the term “theatre of catastrophe” to describe his unique brand of complex, ambiguous, and often unsettling drama. Revered in continental Europe, North America, and Australia as one of the greatest living dramatists working in the English language, Barker is also a celebrated poet, theater theorist, and painter. The first collection of interviews conducted with Barker, Howard Barker Interviews 1980–2010 covers his entire career and gives a strong sense of the life and work of this innovative dramatist.
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In the Blast Zone
Catastrophe and Renewal on Mt. St. HelensCharles Goodrich
Oregon State University Press, 2008
As it erupted in 1980, Mount St. Helens captured the attention of the region, nation, and world, and it continues to fascinate us today: a constant reminder that we live in volcano country. In lucid prose and poetry by some of America's leading writers and scientists, In the Blast Zone explores this story of destruction and renewal in all its human, geological, and ecological dimensions. Most popular accounts of the momentous eruption have focused on the devastation it caused. More recent scientific work on Mount St. Helens tells a story of unexpectedly rapid and varied ecological and geological change.
In the Blast Zone is the first book to present a cross-pollination of literary and scientific perspectives on the mountain's history of cataclysm and renewal. Most of the contributors to this volume camped together on Mount St. Helens for four days, hiking, observing, and sharing ideas. They asked the question: What can this radically altered landscape tell us about nature and how to live our lives? In the Blast Zone collects some of their answers. While introducing ecological and geological insights, it also tells compelling stories about how science and literature inform our lives and our relationship to nature.
These writings will startle readers with new recognition of the matchless gifts of Mount St. Helens: the gifts of beauty, of illumination, of hope. The Contributors Gary Braasch, John Calderazzo, Christine Colasurdo, Charlie Crisafulli, John Daniel, Jerry Franklin, Charles Goodrich, Robin Kimmerer, Ursula K. LeGuin, Tim McNulty, Kathleen Dean Moore, Nalini Nadkarni, Robert Michael Pyle, Scott Russell Sanders, James Sedell, Gary Snyder, Kim Stafford, Frederick J. Swanson, Tony Vogt, Ann Zwinger, Susan Zwinger
In the Blast Zone is the first book to present a cross-pollination of literary and scientific perspectives on the mountain's history of cataclysm and renewal. Most of the contributors to this volume camped together on Mount St. Helens for four days, hiking, observing, and sharing ideas. They asked the question: What can this radically altered landscape tell us about nature and how to live our lives? In the Blast Zone collects some of their answers. While introducing ecological and geological insights, it also tells compelling stories about how science and literature inform our lives and our relationship to nature.
These writings will startle readers with new recognition of the matchless gifts of Mount St. Helens: the gifts of beauty, of illumination, of hope. The Contributors Gary Braasch, John Calderazzo, Christine Colasurdo, Charlie Crisafulli, John Daniel, Jerry Franklin, Charles Goodrich, Robin Kimmerer, Ursula K. LeGuin, Tim McNulty, Kathleen Dean Moore, Nalini Nadkarni, Robert Michael Pyle, Scott Russell Sanders, James Sedell, Gary Snyder, Kim Stafford, Frederick J. Swanson, Tony Vogt, Ann Zwinger, Susan Zwinger
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In the Wake of Disaster
Religious Responses to Terrorism and CatastropheHarold G Koenig
Templeton Press, 2006
In a timely book with a powerful and persuasive message, Dr. Harold G. Koenig addresses federal, state, and local government policy leaders, urging them to more fully integrate religious organizations into the formal disaster response system, and he then provides recommendations on how this can effectively be done. Koenig also advocates faith communities and organizations to learn more about the role they can play in responding to disasters and terrorism.
The chaotic aftermath of Hurricane Katrina made extraordinarily clear the gaps in the United States' disaster policies. At the same time, the contributions of organized faith communities were highlights amidst the bungled federal, state, and local responses. One example is the New York Times, September 9, 2005, headline: "A New Meaning for 'Organized Religion': It Helps the Needy Quickly." But as faith-based organizations look for ways to help, there are few, if any, guidelines for them.
This book provides information on the psychological, social, and spiritual responses to trauma. It addresses how the emergency response system works, and the role that religious communities can play in disaster response and recovery in terms of providing emotional and spiritual care for victims. It advocates integrating mental health into emergency response systems directed at those affected by hurricanes, floods, earthquakes, and terrorism. "The aim is to help victims of disaster to better cope with the stresses they face, as well as help direct care workers (firefighters, police, health care providers, etc.) to deal better emotionally with the trauma to which they are exposed so they can remain effective and functional on the job," explains Dr. Koenig, whose research on the healing power of faith has been published worldwide.
Increasing the resiliency of our communities in the face of disaster is crucial. Religious communities have tremendous potential to contribute to this. Here are guidelines on how to do that more effectively, alongside data on how to facilitate the integration of these contributions with the formal disaster-response system.
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Narrating the Catastrophe
An Artist's Dialogue with Deleuze and RicoeurJac Saorsa
Intellect Books, 2011
An extraordinary collaboration between contemporary art and critical discourse, Narrating the Catastrophe guides readers through unfamiliar textual landscapes where “being” is defined as an act rather than a form. Drawing on Paul Ricoeur’s notion of intersubjective narrative identity as well as the catastrophe theory of Gilles Deleuze, Jac Saorsa establishes an alternative perspective from which to interpret and engage with the world around us. A highly original—and visually appealing—take on a high-profile issue in contemporary critical debate, this book will appeal to all those interested in visual arts and philosophy.
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Pastoral’s End
Art, Ecology, and Catastrophe in Renaissance ItalyJames Pilgrim
University of Chicago Press, 2026
How early modern Italian painting addressed the ways humans shape and are shaped by their environments.
In the sixteenth century, Italian artist Jacopo Bassano painted pictures of herdsmen and animals moving through dark and muddy landscapes. But he also participated in the agricultural development of the region in which he lived, producing topographical maps of local mountains and forests, inventing new methods of drainage and irrigation, and studying the latest techniques of crop rotation and fertilization. The relationship between Bassano’s rustic art and his participation in environmental transformation has, however, never been explored.
One of the first studies of Italian Renaissance art to grapple with the connections between visual culture and the environment, Pastoral’s End explores this crucial, formative relationship. James Pilgrim looks at Bassano’s career holistically, demonstrating how his involvement in a world marked by agricultural expansion, industrialization, resource extraction, environmental degradation, social transformation, and radical philosophical development informed his paintings of country life. Introducing new archival and visual evidence of Bassano’s knowledge of hydrology, agronomy, husbandry, and architecture, Pastoral’s End argues that he transformed the more placid rustic imagery of previous Renaissance artists into visions of dangerous ecological instability.
In the sixteenth century, Italian artist Jacopo Bassano painted pictures of herdsmen and animals moving through dark and muddy landscapes. But he also participated in the agricultural development of the region in which he lived, producing topographical maps of local mountains and forests, inventing new methods of drainage and irrigation, and studying the latest techniques of crop rotation and fertilization. The relationship between Bassano’s rustic art and his participation in environmental transformation has, however, never been explored.
One of the first studies of Italian Renaissance art to grapple with the connections between visual culture and the environment, Pastoral’s End explores this crucial, formative relationship. James Pilgrim looks at Bassano’s career holistically, demonstrating how his involvement in a world marked by agricultural expansion, industrialization, resource extraction, environmental degradation, social transformation, and radical philosophical development informed his paintings of country life. Introducing new archival and visual evidence of Bassano’s knowledge of hydrology, agronomy, husbandry, and architecture, Pastoral’s End argues that he transformed the more placid rustic imagery of previous Renaissance artists into visions of dangerous ecological instability.
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Surviving Lamentations
Catastrophe, Lament, and Protest in the Afterlife of a Biblical BookTod Linafelt
University of Chicago Press, 2000
Most contemporary interpretations of the biblical book of Lamentations focus on the figure of the "suffering man" as a role model for submission in the face of God's punishment for sin. Yet such a model offers small consolation to survivors of the Holocaust or other mass atrocities and also ignores chapters 1 and 2 of Lamentations, in which the personification of Zion laments her sufferings and demands a response on behalf of her dying children.
In Surviving Lamentations, Tod Linafelt offers an alternative reading of Lamentations in light of the "literature of survival" (works written by survivors of catastrophe) as well as literary and philosophical reflections on "the survival of literature." He refocuses attention on the figure of Zion as a manifestation of a basic need to give voice to suffering, and traces the afterlife of Lamentations in Jewish literature, in which text after text attempts to provide the response to Zion's lament that is lacking in Lamentations itself.
Seen through Linafelt's eyes, Lamentations emerges as uncannily relevant to contemporary discourse on survival.
In Surviving Lamentations, Tod Linafelt offers an alternative reading of Lamentations in light of the "literature of survival" (works written by survivors of catastrophe) as well as literary and philosophical reflections on "the survival of literature." He refocuses attention on the figure of Zion as a manifestation of a basic need to give voice to suffering, and traces the afterlife of Lamentations in Jewish literature, in which text after text attempts to provide the response to Zion's lament that is lacking in Lamentations itself.
Seen through Linafelt's eyes, Lamentations emerges as uncannily relevant to contemporary discourse on survival.
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The Human Body in the Age of Catastrophe
Brittleness, Integration, Science, and the Great WarStefanos Geroulanos and Todd Meyers
University of Chicago Press, 2018
The injuries suffered by soldiers during WWI were as varied as they were brutal. How could the human body suffer and often absorb such disparate traumas? Why might the same wound lead one soldier to die but allow another to recover?
In The Human Body in the Age of Catastrophe, Stefanos Geroulanos and Todd Meyers uncover a fascinating story of how medical scientists came to conceptualize the body as an integrated yet brittle whole. Responding to the harrowing experience of the Great War, the medical community sought conceptual frameworks to understand bodily shock, brain injury, and the vast differences in patient responses they occasioned. Geroulanos and Meyers carefully trace how this emerging constellation of ideas became essential for thinking about integration, individuality, fragility, and collapse far beyond medicine: in fields as diverse as anthropology, political economy, psychoanalysis, and cybernetics.
Moving effortlessly between the history of medicine and intellectual history, The Human Body in the Age of Catastrophe is an intriguing look into the conceptual underpinnings of the world the Great War ushered in.
In The Human Body in the Age of Catastrophe, Stefanos Geroulanos and Todd Meyers uncover a fascinating story of how medical scientists came to conceptualize the body as an integrated yet brittle whole. Responding to the harrowing experience of the Great War, the medical community sought conceptual frameworks to understand bodily shock, brain injury, and the vast differences in patient responses they occasioned. Geroulanos and Meyers carefully trace how this emerging constellation of ideas became essential for thinking about integration, individuality, fragility, and collapse far beyond medicine: in fields as diverse as anthropology, political economy, psychoanalysis, and cybernetics.
Moving effortlessly between the history of medicine and intellectual history, The Human Body in the Age of Catastrophe is an intriguing look into the conceptual underpinnings of the world the Great War ushered in.
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The Iconoclastic Imagination
Image, Catastrophe, and Economy in America from the Kennedy Assassination to September 11Ned O'Gorman
University of Chicago Press, 2015
Bloody, fiery spectacles—the Challenger disaster, 9/11, JFK’s assassination—have given us moments of catastrophe that make it easy to answer the “where were you when” question and shape our ways of seeing what came before and after. Why are these spectacles so packed with meaning?
In The Iconoclastic Imagination, Ned O’Gorman approaches each of these moments as an image of icon-destruction that give us distinct ways to imagine social existence in American life. He argues that the Cold War gave rise to crises in political, aesthetic, and political-aesthetic representations. Locating all of these crises within a “neoliberal imaginary,” O’Gorman explains that since the Kennedy assassination, the most powerful way to see “America” has been in the destruction of representative American symbols or icons. This, in turn, has profound implications for a neoliberal economy, social philosophy, and public policy. Richly interwoven with philosophical, theological, and rhetorical traditions, the book offers a new foundation for a complex and innovative approach to studying Cold War America, political theory, and visual culture.
In The Iconoclastic Imagination, Ned O’Gorman approaches each of these moments as an image of icon-destruction that give us distinct ways to imagine social existence in American life. He argues that the Cold War gave rise to crises in political, aesthetic, and political-aesthetic representations. Locating all of these crises within a “neoliberal imaginary,” O’Gorman explains that since the Kennedy assassination, the most powerful way to see “America” has been in the destruction of representative American symbols or icons. This, in turn, has profound implications for a neoliberal economy, social philosophy, and public policy. Richly interwoven with philosophical, theological, and rhetorical traditions, the book offers a new foundation for a complex and innovative approach to studying Cold War America, political theory, and visual culture.
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The Text is Myself
Women's Life Writing and CatastropheMiriam Fuchs
University of Wisconsin Press, 2004
Queen Lili‘uokalani, the last monarch of Hawai‘i, was forced to abdicate and faced the annexation of her homeland. American poet H.D. wrote through the London blitz and during the years of less regular bombing. Italian novelist and art critic Anna Banti lost the manuscript of her novel about Artemisia Gentileschi but survived the war devastation to Florence to rewrite it. German-Jewish novelist Grete Weil fled to Holland, but her husband was arrested there and murdered by the Nazis. Chilean novelist Isabel Allende fled her country after her uncle Salvador Allende was assassinated and she later lost her daughter to disease.
In The Text Is Myself, Miriam Fuchs analyzes the impact of catastrophe on the lives and writings of these five women. She shows that, however much the past may be shaped into a discernible storyline, it is the uncertain present that preoccupies these writers. Using a feminist and comparative approach to the texts, Fuchs links the women in creative and insightful ways and displays their many profound connections, despite the differences in their cultural and geographic backgrounds.
Fuchs argues convincingly for a new genre within life writing—the narrative of catastrophe, defined by the writing process that occurs during catastrophic events. Two narratives are being told, and two levels of representation, literal and figurative, are present.
In The Text Is Myself, Miriam Fuchs analyzes the impact of catastrophe on the lives and writings of these five women. She shows that, however much the past may be shaped into a discernible storyline, it is the uncertain present that preoccupies these writers. Using a feminist and comparative approach to the texts, Fuchs links the women in creative and insightful ways and displays their many profound connections, despite the differences in their cultural and geographic backgrounds.
Fuchs argues convincingly for a new genre within life writing—the narrative of catastrophe, defined by the writing process that occurs during catastrophic events. Two narratives are being told, and two levels of representation, literal and figurative, are present.
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W. G. Sebald’s Postsecular Redemption
Catastrophe with SpectatorRussell J. A. Kilbourn
Northwestern University Press, 2018
Focusing on W. G. Sebald's four works of prose fiction—The Rings of Saturn, Vertigo, The Emigrants, and Austerlitz—Russell J. A. Kilbourn traces the author's abiding preoccupation with redemption in a world that has been described as postsecular. He shows that Sebald's work stands between modernism's ironic hopes for redemption and whatever comes after. Out of the spectacle of humankind's slow-motion self-destruction, a "Sebaldian subject"—masculine, melancholic, ironic, potentially queer-emerges across the four prose narratives.
Alongside Sebald studies' traditional subjects, which include memory, historiography, Sebald's critique of an image-based culture, and his highly intermedial poetics, W. G. Sebald's Postsecular Redemption demonstrates Sebald's relevance for affect theory, new materialism, and the posthuman turn. It critiques the possibility of metaphysical or eroto-salvific models of redemption, arguing against the temptation of psychoanalytic interpretations, as Sebald's work of memory rejects the discourse of redemption in favor of restitution.
In its consideration of Sebald's place in twentieth-century literature and after, Kilbourn's book engages with such predecessors as Nabokov, Kafka, Conrad, and Beckett, concluding with comparisons with contemporaries Claudio Magris and Alice Munro.
Alongside Sebald studies' traditional subjects, which include memory, historiography, Sebald's critique of an image-based culture, and his highly intermedial poetics, W. G. Sebald's Postsecular Redemption demonstrates Sebald's relevance for affect theory, new materialism, and the posthuman turn. It critiques the possibility of metaphysical or eroto-salvific models of redemption, arguing against the temptation of psychoanalytic interpretations, as Sebald's work of memory rejects the discourse of redemption in favor of restitution.
In its consideration of Sebald's place in twentieth-century literature and after, Kilbourn's book engages with such predecessors as Nabokov, Kafka, Conrad, and Beckett, concluding with comparisons with contemporaries Claudio Magris and Alice Munro.
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Worst Cases
Terror and Catastrophe in the Popular ImaginationLee Clarke
University of Chicago Press, 2005
Al Qaeda detonates a nuclear weapon in Times Square during rush hour, wiping out half of Manhattan and killing 500,000 people. A virulent strain of bird flu jumps to humans in Thailand, sweeps across Asia, and claims more than fifty million lives. A single freight car of chlorine derails on the outskirts of Los Angeles, spilling its contents and killing seven million. An asteroid ten kilometers wide slams into the Atlantic Ocean, unleashing a tsunami that renders life on the planet as we know it extinct.
We consider the few who live in fear of such scenarios to be alarmist or even paranoid. But Worst Cases shows that such individuals—like Cassandra foreseeing the fall of Troy—are more reasonable and prescient than you might think. In this book, Lee Clarke surveys the full range of possible catastrophes that animate and dominate the popular imagination, from toxic spills and terrorism to plane crashes and pandemics. Along the way, he explores how the ubiquity of worst cases in everyday life has rendered them ordinary and mundane. Fear and dread, Clarke argues, have actually become too rare: only when the public has more substantial information and more credible warnings will it take worst cases as seriously as it should.
A timely and necessary look into how we think about the unthinkable, Worst Cases will be must reading for anyone attuned to our current climate of threat and fear.
We consider the few who live in fear of such scenarios to be alarmist or even paranoid. But Worst Cases shows that such individuals—like Cassandra foreseeing the fall of Troy—are more reasonable and prescient than you might think. In this book, Lee Clarke surveys the full range of possible catastrophes that animate and dominate the popular imagination, from toxic spills and terrorism to plane crashes and pandemics. Along the way, he explores how the ubiquity of worst cases in everyday life has rendered them ordinary and mundane. Fear and dread, Clarke argues, have actually become too rare: only when the public has more substantial information and more credible warnings will it take worst cases as seriously as it should.
A timely and necessary look into how we think about the unthinkable, Worst Cases will be must reading for anyone attuned to our current climate of threat and fear.
[more]
Worst Cases
Terror and Catastrophe in the Popular ImaginationLee Clarke
University of Chicago Press, 2005
This is an auto-narrated audiobook edition of this book.
Al Qaeda detonates a nuclear weapon in Times Square during rush hour, wiping out half of Manhattan and killing 500,000 people. A virulent strain of bird flu jumps to humans in Thailand, sweeps across Asia, and claims more than fifty million lives. A single freight car of chlorine derails on the outskirts of Los Angeles, spilling its contents and killing seven million. An asteroid ten kilometers wide slams into the Atlantic Ocean, unleashing a tsunami that renders life on the planet as we know it extinct.
We consider the few who live in fear of such scenarios to be alarmist or even paranoid. But Worst Cases shows that such individuals—like Cassandra foreseeing the fall of Troy—are more reasonable and prescient than you might think. In this book, Lee Clarke surveys the full range of possible catastrophes that animate and dominate the popular imagination, from toxic spills and terrorism to plane crashes and pandemics. Along the way, he explores how the ubiquity of worst cases in everyday life has rendered them ordinary and mundane. Fear and dread, Clarke argues, have actually become too rare: only when the public has more substantial information and more credible warnings will it take worst cases as seriously as it should.
A timely and necessary look into how we think about the unthinkable, Worst Cases will be must reading for anyone attuned to our current climate of threat and fear.
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