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3 books match the query 'Century of Progress International Exposition'

cover of Ephemeral City: A People's History of Chicago's Century of Progress World's Fair

Ephemeral City

A People's History of Chicago's Century of Progress World's Fair

Lindsay Fullerton

University of Illinois Press, 2025

Less celebrated than the 1893 Chicago World’s Fair, the 1933–1934 Century of Progress Exposition brought visitors face-to-face with gleaming American consumerism in the midst of the Great Depression. Lindsay Fullerton draws on a wealth of personal photographs, scrapbooks, oral histories, and writings to illuminate the wildly different experiences of fairgoers against the backdrop of a city steeped in poverty and segregation.

The Exposition took place amidst massive changes sparked by expansion of mass media, Franklin Roosevelt’s election, the repeal of Prohibition, and the Great Migration. A diverse cross-section of Chicagoans informs Fullerton’s history of the event in the context of the fast-changing America of the interwar era. These personal accounts tell stories of how attendees interpreted their own experiences while being surrounded by whiz-bang products and full-throated evangelism on the benefits of progress.

A colorful people’s history, Ephemeral City takes readers inside the other Chicago World’s Fair and how visitors interacted with a pivotal moment in American history.

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cover of Races of Mankind: The Sculptures of Malvina Hoffman

Races of Mankind

The Sculptures of Malvina Hoffman

Marianne Kinkel

University of Illinois Press, 2011

In 1930, Chicago's Field Museum of Natural History commissioned sculptor Malvina Hoffman to produce three-dimensional models of racial types for an anthropology display called The Races of Mankind. Marianne Kinkel’s cultural biography of the long-running exhibition measures how Hoffman’s ninety-one bronze and stone sculptures impacted perceptions of race in twentieth-century visual culture. Kinkel looks at how Hoffman's collaborations with curators and anthropologists transformed the commission from a traditional physical anthropology display into a fine art exhibit. She also tracks appearances of statuettes of the works in New York and Paris exhibitions and looks at how publishers used images of the sculptures to illustrate atlases, maps, and encyclopedias. The volume concludes with the dismantling of the exhibit in 1969 and the Field Museum’s redeployment of some of the sculptures in new educational settings.

A fascinating cultural history, Races of Mankind examines how we continually re-negotiate the veracity of race through collaborative processes involved in the production, display, and circulation of visual representations.

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cover of The 1933 Chicago World's Fair: A Century of Progress

The 1933 Chicago World's Fair

A Century of Progress

Cheryl R. Ganz

University of Illinois Press, 2012

Chicago's 1933 world's fair set a new direction for international expositions. Earlier fairs had exhibited technological advances, but Chicago's fair organizers used the very idea of progress to buoy national optimism during the Depression's darkest years. Orchestrated by business leaders and engineers, almost all former military men, the fair reflected a business-military-engineering model that envisioned a promising future through science and technology's application to everyday life. Fair organizers, together with corporate leaders, believed that progress rides on the tide of technological innovation and consumerism.

But not all those who struggled for a voice at Chicago's 1933 exposition had abandoned the traditional notions of progress that entailed social justice and equality, recognition of ethnic and gender-related accomplishments, and personal freedom and expression. The stark pronouncement of the fair's motto, "Science Finds, Industry Applies, Man Conforms," was challenged by iconoclasts such as Sally Rand, whose provocative fan dance became a persistent symbol of the fair, as well as a handful of others, including African Americans, ethnic populations and foreign nationals, groups of working women, and even well-heeled socialites. They all met obstacles but ultimately introduced personal, social definitions of "progress" and thereby influenced the ways the fair took shape.

In this engaging social and cultural history, Cheryl R. Ganz examines Chicago's second world's fair through the lenses of technology, ethnicity, and gender. The book also features eighty-six photographs--nearly half of which are full color--of key locations, exhibits, and people, as well as authentic ticket stubs, postcards, pamphlets, posters, and other items. From fan dancers to fan belts, The 1933 Chicago World's Fair: A Century of Progress offers the compelling, untold stories of fair planners and participants who showcased education, industry, and entertainment to sell optimism during the depths of the Great Depression.

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