5 books match the query 'Civilization, Anglo-Saxon'
ALLEN J. FRANTZEN
West Virginia University Press, 2007
The essays in this book use the nine-line poem known as Cædmon’s Hymn as a lens on the world of Bede’s Ecclesiastical History. A cowherd who is given a divine gift, Cædmon retells the great narratives of Christian history in the traditional form of Anglo-Saxon verse. An immense amount has been written about this episode, much of it concentrating on the hymn’s significance in the history of English literature. Relatively little attention, however, has been paid to what the story of Cædmon and his hymn might tell us about the material, as well as the textual, culture of Bede’s world. The essays in this collection seek to connect Cædmon’s Hymn to Bede’s material world in various ways. Each chapter begins with the hymn and moves from the text to the worlds of scientific thought, settlements and social hierarchy, monastic reform, and ordinary things. The connections explored here are a sampling of the material concerns Cædmon’s Hymn raises.
Mary Clayton
Arizona Center for Medieval and Renaissance Studies, 2017
ISAS Dublin 2013. England, Ireland and the Insular World: Textual and Material Connections in the Early Middle Ages is a collection of twelve essays related to the theme of the 2013 conference of the International Society of Anglo-Saxonists, ‘Insular Cultures’. Contributors cover a broad range of topics, from early medieval agriculture in Ireland and England, to sculpture, manuscript illumination and script, homilies, hagiography, aristocratic gift-giving, relics, calendars, Beowulf, and Anglo-Saxon perceptions of the Celtic peoples, considering connections, parallels and differences between Anglo-Saxon England and its insular neighbors. The volume will be of interest to all those working on Early Medieval history, literature, archaeology, liturgy, art, and manuscripts.
BENJAMIN C. WITHERS
West Virginia University Press, 2003
At different times and in different places, the human form has been regarded in different ways. The Ancient Greeks thought it was the most admirable subject for art, whereas early Christians often viewed it as lascivious in our post-lapsarian state. With illustrations taken from manuscripts, statuary and literary, this is a fascinating collection of essays with much that will be new to scholars and general readers alike.
Carole Biggam
Arizona Center for Medieval and Renaissance Studies, 2017
Stacy S. Klein
Arizona Center for Medieval and Renaissance Studies, 2014