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6 books match the query 'Classical World'

cover of Ancient Anatolia and the Classical World

Ancient Anatolia and the Classical World

Vincent Blanchard

J. Paul Getty Trust, The, 0

A dazzling look at the cultural interactions between the ancient civilizations of Anatolia and the Mediterranean world through some of their finest surviving objects.

From the Neolithic to the Roman periods, ancient Anatolia, encompassing the westernmost peninsula of Asia and occupying most of modern-day Türkiye (Turkey), was home to a diverse range of civilizations. Intensifying artistic and cultural exchanges blurred the distinctions between these disparate peoples and created one of the most significant societal hotbeds of the ancient world. This volume opens new perspectives on the ways in which cultures on both sides of the Aegean Sea shaped each other’s histories and creative achievements.

  • Presents nearly 200 surviving objects, from seals, coins, and jewelry to vases and sculptures.
  • Features works from two of the Seven Wonders of the Ancient World: the Mausoleum of Halikarnassos and Temple of Artemis at Ephesos.
  • Offers the latest research on Anatolian art, archaeology, and philology, with essays by international scholars in the field.
  • Includes three beautifully rendered maps and an illustrated chronology to further illuminate this rich history.

Lush and richly illustrated, Ancient Anatolia and the Classical World is a must-have for those interested in ancient art and ancient cultural interaction.

This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Villa from July 21 to November 29, 2027.

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cover of Ancient Thrace and the Classical World: Treasures from Bulgaria, Romania, and Greece

Ancient Thrace and the Classical World

Treasures from Bulgaria, Romania, and Greece

Jeffrey Spier

J. Paul Getty Trust, The, 2024

A captivating examination of the profound impact Thracian art and culture had on the Greeks and the entire northern Aegean region.

The Thracians—a collection of tribal peoples who inhabited territories north of ancient Greece, an area that comprises present-day Bulgaria, much of Romania, and parts of Greece and Turkey—were renowned for their skill as warriors and horsemen, as well as for their wealth in precious metals. Thracians left few written records, and knowledge of their history and customs has long been dependent on brief accounts from ancient Greek authors. They appeared in Greek myth as formidable adversaries in the Trojan War, cruel kings, and followers of the ecstatic god Dionysos. Spectacular archaeological discoveries made in Thracian lands during modern times, however, have provided firsthand evidence of this remarkable culture, illuminating Thrace’s interactions with Greece, Persia, and Rome.

Ancient Thrace and the Classical World reproduces more than two hundred glorious objects dating from the end of the Bronze Age, around 1200 BC, to the end of the first century AD, when Thrace became part of the Roman Empire. Experts explore topics such as Thracian royal tombs, the Greek colonization of the Black Sea coast, Thracian religion, and more, placing Thracian culture in a broader historical context that highlights its complex relationships with the surrounding region.

This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Villa from November 6, 2024, to March 3, 2025.
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cover of Egypt and the Classical World: Cross-Cultural Encounters in Antiquity

Egypt and the Classical World

Cross-Cultural Encounters in Antiquity

Jeffrey Spier

J. Paul Getty Trust, The, 2022

Presenting dynamic research, this publication explores two millennia of cultural interactions between Egypt, Greece, and Rome.
 
From Mycenaean weaponry found among the cargo of a Bronze Age shipwreck off the Turkish coast to the Egyptian-inspired domestic interiors of a luxury villa built in Greece during the Roman Empire, Egypt and the Classical World documents two millennia of cultural and artistic interconnectedness in the ancient Mediterranean. This volume gathers pioneering research from the Getty scholars' symposium that helped shape the major international loan exhibition Beyond the Nile: Egypt and the Classical World (J. Paul Getty Museum, 2018).
 
Generously illustrated essays consider a range of artistic and other material evidence, including archaeological finds, artworks, papyri, and inscriptions, to shed light on cultural interactions between Egypt, Greece, and Rome from the Bronze Age to the Late Period and Ptolemaic dynasty to the Roman Empire. The military's role as a conduit of knowledge and ideas in the Bronze Age Aegean, and an in-depth study of hieroglyphic Egyptian inscriptions found on Roman obelisks offer but two examples of scholarly lacunae addressed by this publication. Specialists across the fields of art history, archaeology, Classics, Egyptology, and philology will benefit from the volume's investigations into syncretic processes that enlivened and informed nearly twenty-five hundred years of dynamic cultural exchange.
 
The free online edition of this open-access publication is available at www.getty.edu/publications/egypt-classical-world/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.
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cover of Ireland and the Classical World

Ireland and the Classical World

By Philip Freeman

University of Texas Press, 2000

On the boundary of what the ancient Greeks and Romans considered the habitable world, Ireland was a land of myth and mystery in classical times. Classical authors frequently portrayed its people as savages—even as cannibals and devotees of incest—and evinced occasional uncertainty as to the island's shape, size, and actual location. Unlike neighboring Britain, Ireland never knew Roman occupation, yet literary and archaeological evidence prove that Iuverna was more than simply terra incognita in classical antiquity.

In this book, Philip Freeman explores the relations between ancient Ireland and the classical world through a comprehensive survey of all Greek and Latin literary sources that mention Ireland. He analyzes passages (given in both the original language and English) from over thirty authors, including Julius Caesar, Strabo, Tacitus, Ptolemy, and St. Jerome. To amplify the literary sources, he also briefly reviews the archaeological and linguistic evidence for contact between Ireland and the Mediterranean world.

Freeman's analysis of all these sources reveals that Ireland was known to the Greeks and Romans for hundreds of years and that Mediterranean goods and even travelers found their way to Ireland, while the Irish at least occasionally visited, traded, and raided in Roman lands. Everyone interested in ancient Irish history or Classics, whether scholar or enthusiast, will learn much from this pioneering book.

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cover of The Drunken Duchess of Vassar: Communication, Images, and Identity in the Classical World

The Drunken Duchess of Vassar

Communication, Images, and Identity in the Classical World

Maurizio Bettini

The Ohio State University Press, 2011

Though in many respects similar to us moderns, the Greeks and Romans often conceived things differently than we do. The cultural inheritance we have received from them can therefore open our eyes to many “manners of life” we might otherwise overlook. The ancients told fascinating—but different—stories; they elaborated profound—but different—symbols. Above all, they confronted many of the problems we still face today—memory and forgetfulness; identity and its strategies; absolutist moralism and behavioral relativity—only in profoundly different ways, since their own cultural forms and resources were different. In The Ears of Hermes: Communication, Images, and Identity in the Classical World, renowned scholar and author Maurizio Bettini explores these different cultural experiences, choosing paths through this territory that are diverse and sometimes unexpected: a little-known variant of a myth or legend, such as that of Brutus pretending, like Hamlet, to be a Fool; a proverb, like lupus in fabula (the wolf in the tale), that expresses the sense of foreboding aroused by the sudden arrival of someone who was just the subject of conversation; or great works, like Plautus’ Amphitruo and Vergil’s Aeneid, where we encounter the mysteries of the Doppelgänger and of “doubles” fabricated to ease the pain of nostalgia. Or the etymology of a word—its own “story”—leads us down some unforeseen avenue of discovery. While scholarly in presentation, this book, in an elegant English translation by William Michael Short, will appeal not only to classicists but also students, as well as to anthropologists and historians of art and literature beyond classics.
 
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cover of Theater and Society in the Classical World

Theater and Society in the Classical World

Ruth Scodel, Editor

University of Michigan Press, 1993

Powerful and evocative, persuasive, frightening, and inspiring—the comedies and tragedies written in classical antiquity are all of these. In recent years the study of ancient drama has become ever more exciting and controversial. The social context of Greek drama especially has drawn attention, and a new understanding of Roman comedy has arisen.Theater and Society in the Classical World draws together the work of numerous international scholars. Both collectively and individually these works illustrate the continuing power and voice of ancient drama, and they help reveal some of the reasons why these plays still speak to us today.Among the essays are several that investigate the important relations between Greek drama and ritual. A second group examines the value of dramatic texts as sources for social history, while a third looks at the ways in which Roman authors creatively transformed their sources.This volume presents papers delivered at a conference at the University of Michigan, held under the joint auspices of the Institute for the Humanities and the Department of Classical Studies.
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