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New concerns with the intersections of culture and power, historical agency, and the complexity of social and political life are producing new questions about the United States’ involvement with Latin America. Turning away from political-economic models that see only domination and resistance, exploiters and victims, the contributors to this pathbreaking collection suggest alternate ways of understanding the role that U.S. actors and agencies have played in the region during the postcolonial period.

Exploring a variety of nineteenth- and twentieth-century encounters in Latin America, these theoretically engaged essays by distinguished U.S. and Latin American historians and anthropologists illuminate a wide range of subjects. From the Rockefeller Foundation’s public health initiatives in Central America to the visual regimes of film, art, and advertisements; these essays grapple with new ways of conceptualizing public and private spheres of empire. As such, Close Encounters of Empire initiates a dialogue between postcolonial studies and the long-standing scholarship on colonialism and imperialism in the Americas as it rethinks the cultural dimensions of nationalism and development.

Close Encounters was first published in 1991. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Offers new critical approaches to science fiction as represented in film, television, fan culture, and other non-literary media. Addresses the way conventional notions of sexual difference are reworked by science fiction film. Includes the complete script of Peter Wollen's 1987 film Friendship's Death.

Contributors: Raymond Bellour, Janet Bergstrom, Roger Dadoun, Harvey R. Greenberg, M.D., Henry Jenkins III, Enno Patalas, Constance Penley, Vivian Sobchak, Lynn Spigel, and Peter Wollen.