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2 books match the query 'Coming Together'

cover of Coming Together: Singapore and the Idea of the Entrepot

Coming Together

Singapore and the Idea of the Entrepot

Jeff Khoo

National University of Singapore Press, 2027

Explores the circumstances and elements that make for a successful Southeast Asian entrepôt.

What made modern Singapore and fifteenth-century Malacca so exceptional in their success in trade, and why did so many other attempts fail to coalesce? Coming Together recasts the founding of modern Singapore as the culmination of a long tradition of alliance-building within the “straits and peninsula,” that sliver of maritime Southeast Asia that connects the Indian Ocean with the China Seas. From abortive Franco-Siamese projects in the 1680s, through lonely failure at Poulo Condor and stubborn frustration on the Burmese “Eastern Coast,” to the persistent enterprise of Bugis and Malay rulers during the 1770s and 1780s, Coming Together follows an evolving cast of princes, captains, merchants, and missionaries drawn together by a powerful idea: that the trade of Asia could be concentrated at a single and wildly prosperous place.

Long-neglected French archival materials illuminate events long distorted by colonial historiography, revealing the entrepôt as a transcultural project sustained by tributary diplomacy, treaty-making, and the pragmatic exchange of protection for commercial privilege. The result is a fundamental reinterpretation of the origins of Penang and Singapore—and of the alliance-building that lies at the core of modern Singapore.

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cover of Coming Together: The Cinematic Elaboration of Gay Male Life, 1945-1979

Coming Together

The Cinematic Elaboration of Gay Male Life, 1945-1979

Ryan Powell

University of Chicago Press, 2019

In Coming Together, Ryan Powell captures the social and political vitality of the first wave of movies made by, for, and about male-desiring men in the United States between World War II and the 1980s. From the underground films of Kenneth Anger and the Gay Girls Riding Club to the gay liberation-era hardcore films and domestic dramas of Joe Gage and James Bidgood, Powell illuminates how central filmmaking and exhibition were to gay socializing and worldmaking. Unearthing scores of films and a trove of film-related ephemera, Coming Together persuasively unsettles popular histories that center Stonewall as a ground zero for gay liberation and visibility.  Powell asks how this generation of movie-making—which defiantly challenged legal and cultural norms around sexuality and gender—provided, and may still provide, meaningful models for living.
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