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9 books match the query 'Commemoration'

cover of 9/11: The Culture of Commemoration

9/11

The Culture of Commemoration

David Simpson

University of Chicago Press, 2006

After the terrorist attacks of September 11, 2001, a general sense that the world was different—that nothing would ever be the same—settled upon a grieving nation; the events of that day were received as cataclysmic disruptions of an ordered world. Refuting this claim, David Simpson examines the complex and paradoxical character of American public discourse since that September morning, considering the ways the event has been aestheticized, exploited, and appropriated,  while “Ground Zero” remains the contested site of an effort at adequate commemoration. 

In 9/11, Simpson argues that elements of the conventional culture of mourning and remembrance—grieving the dead, summarizing their lives in obituaries, and erecting monuments in their memory—have been co-opted for political advantage. He also confronts those who labeled the event an “apocalypse,” condemning their exploitation of 9/11 for the defense of torture and war. 

In four elegant chapters—two of which expand on essays originally published in the London Review of Books to great acclaim—Simpson analyzes the response to 9/11: the nationally syndicated “Portraits of Grief” obituaries in the New York Times; the debates over the rebuilding of the World Trade Center towers and the memorial design; the representation of American and Iraqi dead after the invasion of March 2003, along with the worldwide circulation of the Abu Ghraib torture photographs; and the urgent and largely ignored critique of homeland rhetoric from the domain of critical theory. 

Calling for a sustained cultural and theoretical analysis, 9/11 is the first book of its kind to consider the events of that tragic day with a perspective so firmly grounded in the humanities and so persuasive about the contribution they can make to our understanding of its consequences.
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cover of Born in the U.S.A.: Birth, Commemoration, and American Public Memory

Born in the U.S.A.

Birth, Commemoration, and American Public Memory

Seth C. Bruggeman

University of Massachusetts Press, 2012

Scores of birthplace monuments and historic childhood homes dot the American landscape. These special places, many dating to the early years of the last century, have enshrined nativity alongside patriotism and valor among the key pillars of the nation's popular historical imagination. The essays in this volume suggest that the way Americans have celebrated famous births reflects evolving expectations of citizenship as well as a willingness to edit the past when those hopes go unfulfilled. The contributors also demonstrate that the reinvention of origin myths at birthplace monuments still factors in American political culture and the search for meaning in an ever-shifting global order.

Beyond asking why it is that Americans care about birthplaces and how they choose which ones to commemorate, Born in the U.S.A. offers insights from historians, curators, interpretive specialists, and others whose experience speaks directly to the challenges of managing historical sites. Each essay points to new ways of telling old stories at these mainstays of American memory. The case of the modern house museum receives special attention in a provocative concluding essay by Patricia West.

In addition to West and the editor, contributors include Christine Arato, Dan Currie, Keith A. Erekson, David Glassberg, Anna Thompson Hajdik, Zachary J. Lechner, Paul Lewis, Hilary Iris Lowe, Cynthia Miller, Laura Lawfer Orr, Robert Paynter, Angela Phelps, and Paul Reber.
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cover of Dethroning historical reputations: universities, museums and the commemoration of benefactors

Dethroning historical reputations

universities, museums and the commemoration of benefactors

Edited by Jill Pellew and Lawrence Goldman

University of London Press, 2018

The campaigns in universities across the world to reject, rename and remove historic benefactions have brought the present into collision with the past. In Britain the attempt to remove a statue of one of Oxford’s most famous benefactors, the imperialist Cecil Rhodes, has spread to other universities and their benefactors, and now also affects civic monuments and statues in towns and cities across the country. In the United States, memorials to leaders of the Confederacy in the American Civil War and to other slaveholders have been the subject of intense dispute. Should we continue to honour benefactors and historic figures whose actions are now deemed ethically unacceptable? How can we reconcile the views held by our ancestors with those we now hold today? Should we even try, acknowledging, in the words of the novelist L. P. Hartley, that ‘the past is another country; they do things differently there’? The essays in this interdisciplinary collection are drawn from a conference at the Institute of Historical Research in the University of London. Historians, fundraisers, a sociologist and a museum director examine these current issues from different perspectives, with an introductory essay by Sir David Cannadine, president of the British Academy. Together they explore an emerging conflict between the past and present, history and ideology, and benefactors and their critics. The open access edition of this book can be found at http://humanities-digital-library.org/index.php/hdl/catalog/book/pellewgoldman.
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cover of Exhibiting Evangelicalism: Commemoration and Religion’s Presence of the Past

Exhibiting Evangelicalism

Commemoration and Religion’s Presence of the Past

Devin C. Manzullo-Thomas

University of Massachusetts Press, 2022

Religion is a subject often overlooked or ignored by public historians. Whether they are worried about inadvertent proselytizing or fearful of contributing to America’s ongoing culture wars, many heritage professionals steer clear of discussing religion’s formative role in the past when they build collections, mount exhibits, and develop educational programming. Yet religious communities have long been active contributors to the nation’s commemorative landscape.

Exhibiting Evangelicalism provides the first account of the growth and development of historical museums created by white evangelical Christians in the United States over the twentieth and twenty-first centuries. Exploring the histories of the Museum of the Bible, the Billy Graham Center Museum, the Billy Sunday Home, and Park Street Church, Devin C. Manzullo-Thomas illustrates how these sites enabled religious leaders to develop a coherent identity for their fractious religious movement and to claim the centrality of evangelicalism to American history. In their zeal to craft a particular vision of the national past, evangelicals engaged with a variety of public history practices and techniques that made them major players in the field—including becoming early adopters of public history’s experiential turn.
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cover of Humanist Mystics: Nationalism and the Commemoration of Saints in Turkey

Humanist Mystics

Nationalism and the Commemoration of Saints in Turkey

Mark Soileau

University of Utah Press, 2018

When the Ottoman Empire met its demise in the early twentieth century, the new Republic of Turkey closed down the Sufi orders, rationalizing that they were antimodern. Yet the nascent nation, faced with defining its cultural heritage, soon began to promote the legacies of three Sufi saints: Mevlana Celaleddin Rumi, Hacı Bektaş Veli, and Yunus Emre. Their Turkish ethnicity, along with universalist themes found in their poetry and legends—of love, peace, fellowship, and tolerance—became the focus of their commemoration. With this reinterpretation of their characters—part of a broader secularist project—these saints came to be considered the great Turkish humanists. Their veneration came to play an important role in the nationalist formulation of Turkish culture, but the universalism of their humanism has exposed fissures in society over the place of religion in the nation.
 
Humanist Mystics is the first book to examine Islam and secularism within Turkish nationalist ideology through the lens of commemorated saints. Soileau surveys Anatolian and Turkish religious and political history as the context for his closer attention to the lives and influence of these three Sufi saints. By comparing premodern hagiographic and scholarly representations with twentieth-century monographs, literary works, artistic media, and commemorative ceremonies, he shows how the saints have been transformed into humanist mystics and how this change has led to debates about their character and relevance.
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cover of No Man Is An Island: Community and Commemoration on Norway's Utøya

No Man Is An Island

Community and Commemoration on Norway's Utøya

Jørgen Watne Frydnes, translated by Wendy H. Gabrielsen

University of Massachusetts Press, 2025

On July 22, 2011, a white supremacist killed eight people at Oslo’s Government Center in Norway and then terrorized the idyllic island of Utøya, where he executed sixty-nine more people, mostly teenagers. The country had never suffered such a massacre, and in the aftermath, the entire population was reeling.

Utøya, the Norwegian Labor Party’s summer camp for youth, a beloved place where many Norwegians learned about democratic values and processes, made lifelong friendships, and developed a vision for a just society, became mired in grief and discord. When Jørgen Watne Frydnes took on the daunting task of rebuilding the island and charting its future, he had to figure out a compassionate and just way forward. He made a radical decision: he set out to talk with each family of a murdered person, seeking to understand their needs and their hopes so that the future of the island could include their wishes and concerns. This emotionally grueling work, which was never considered in the scholarly literature on commemoration, led to a true renewal of Utøya, resulting in a meaningful memorial to those who were lost as well as beautiful surroundings for campers who come there to study democracy and peace.

Frydnes’s narrative, originally published in Norwegian, is structured around the seasons of the year and the landscape of the island, and tracks one person’s account of learning how to remember, commemorate, and honor the dead, and acknowledge a mass tragedy, and yet also create a nurturing, aspirational space for hope.

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cover of Screening Auschwitz: Wanda Jakubowska's The Last Stage and the Politics of Commemoration

Screening Auschwitz

Wanda Jakubowska's The Last Stage and the Politics of Commemoration

Marek Haltof

Northwestern University Press, 2018

Winner of The 2019 Waclaw Lednicki Humanities Award

Screening Auschwitz examines the classic Polish Holocaust film The Last Stage (Ostatni etap), directed by the Auschwitz survivor Wanda Jakubowska (1907–1998). Released in 1948, The Last Stage was a pioneering work and the first narrative film to portray the Nazi concentration and extermination camp complex of Auschwitz-Birkenau. Marek Haltof’s fascinating book offers English-speaking readers a wealth of new materials, mostly from original Polish sources obtained through extensive archival research.

With its powerful dramatization of the camp experience, The Last Stage established several quasi-documentary themes easily discernible in later film narratives of the Shoah: dark, realistic images of the camp, a passionate moral appeal, and clear divisions between victims and perpetrators. Jakubowska’s film introduced images that are now archetypal—for example, morning and evening roll calls on the Appelplatz, the arrival of transport trains at Birkenau, the separation of families upon arrival, and tracking shots over the belongings left behind by those who were gassed. These and other images are taken up by a number of subsequent American films, including George Stevens’s The Diary of Anne Frank (1959), Alan Pakula’s Sophie’s Choice (1982), and Steven Spielberg’s Schindler’s List (1993).

Haltof discusses the unusual circumstances that surrounded the film's production on location at Auschwitz-Birkenau and summarizes critical debates surrounding the film’s release. The book offers much of interest to film historians and readers interested in the Holocaust.
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cover of Selective Remembrances: Archaeology in the Construction, Commemoration, and Consecration of National Pasts

Selective Remembrances

Archaeology in the Construction, Commemoration, and Consecration of National Pasts

Edited by Philip L. Kohl, Mara Kozelsky, and Nachman Ben-Yehuda

University of Chicago Press, 2008

When political geography changes, how do reorganized or newly formed states justify their rule and create a sense of shared history for their people? Often, the essays in Selective Remembrances reveal, they turn to archaeology, employing the field and its findings to develop nationalistic feelings and forge legitimate distinctive national identities.

Examining such relatively new or reconfigured nation-states as Iran, Iraq, Turkey, Israel, Russia, Ukraine, India, and Thailand, Selective Remembrances shows how states invoke the remote past to extol the glories of specific peoples or prove claims to ancestral homelands. Religion has long played a key role in such efforts, and the contributors take care to demonstrate the tendency of many people, including archaeologists themselves, to view the world through a religious lens—which can be exploited by new regimes to suppress objective study of the past and justify contemporary political actions.

The wide geographic and intellectual range of the essays in Selective Remembrances will make it a seminal text for archaeologists and historians.
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cover of Unbecoming Nationalism: From Commemoration to Redress in Canada

Unbecoming Nationalism

From Commemoration to Redress in Canada

Helene Vosters

University of Manitoba Press, 2019

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