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This narrative history of nursing education is a case study of a single institution set within the context of trends in the nursing profession, nursing education, and health care practices in the Midwest and the United States. The detailed research and analysis in this work make a fundamental contribution not only to the history of nursing but also to the broader history of women's work, the history of women in higher education, and the history of the health care professions. The Midwestern focus of Complete in All Its Parts and its emphasis on the post-World War II emergence of the University of Iowa College of Nursing provide a fresh perspective on the education of nurses, especially the education of nurses within a major teaching-research university. In doing so, this book pushes nursing historiography beyond the profession's early development, details the struggles involved in establishing nursing as a legitimate academic endeavor in the university environment, and provides groundwork for a comparison with other such institutions across the nation. Its core audience includes health care professionals and educators as well as institutional historians, perhaps especially those involved in the history of American health care institutions.

The definitive English translation of the celebrated story collection regarded as a landmark of Norwegian literature and culture—now in paperback

The extraordinary folktales collected by Peter Christen Asbjørnsen and Jørgen Moe began appearing in Norway in 1841. Over the next two decades the publication of subsequent editions under the title Norske folkeeventyr made the names Asbjørnsen and Moe synonymous with Norwegian storytelling traditions. Tiina Nunnally’s vivid translation of their monumental collection is the first new English translation in more than 150 years—and the first ever to include all sixty original tales.

Magic and myth inhabit these pages in figures both familiar and strange. Giant trolls and talking animals are everywhere. The winds take human form. A one-eyed old woman might seem reminiscent of the Norse god Odin. We meet sly aunts, resourceful princesses, and devious robbers. The clever and fearless boy Ash Lad often takes center stage as he ingeniously breaks spells and defeats enemies to win half the kingdom. These stories, set in Norway’s majestic landscape of towering mountains and dense forests, are filled with humor, mischief, and sometimes surprisingly cruel twists of fate. All are rendered in the deceptively simple narrative style perfected by Asbjørnsen and Moe—now translated into an English that is as finely tuned to the modern ear as it is true to the original Norwegian.

Included here—for the very first time in English—are Asbjørnsen and Moe’s Forewords and Introductions to the early Norwegian editions of the tales. Asbjørnsen gives us an intriguing glimpse into the actual collection process and describes how the stories were initially received, both in Norway and abroad. Equally fascinating are Moe’s views on how central characters might be interpreted and his notes on the regions where each story was originally collected. Nunnally’s informative Translator’s Note places the tales in a biographical, historical, and literary context for the twenty-first century.

The Norwegian folktales of Asbjørnsen and Moe are timeless stories that will entertain, startle, and enthrall readers of all ages.

 

The classic translation of this most important medieval Jewish text, presented in one volume for the first time.

The twelfth-century Judeo-Arabic text The Guide of the Perplexed is a monument of rabbinical exegesis and one of the most important works in the history of Jewish thought. Written by Moses ben Maimon,commonly known as Maimonides, the Guide aims to liberate people from the perplexities that arise from an understanding of the Bible based only on its literal meaning.

Shlomo Pines’s translation has served students and scholars for decades, and it is presented here, with Leo Strauss’s influential introduction, in one volume for the first time.

A few years before he died in 1662, Blaise Pascal wrote fifteen interconnected essays on grace, which have collectively come to be known as the Écrits sur la grâce. These were not published before his death, and were not polished and revised by him with an eye to publication, which means that they show his mind at work experimentally, trying out lines of argument and engagements with magisterial and patristic texts without resolving them into anything like a final system. The Écrits are replete with experimental formulations and bursts of literary and intellectual energy; taken together, they provide an intense and extreme presentation of Pascal's version of Augustinianism with respect to grace, election, and predestination, the meaning of the Council of Trent, and much else. These essays provide one of the keys to the entirety of Pascal's thought, and they provide a view of grace's workings -- perhaps better, a grammar of grace -- which still warrants serious attention by Catholic theologians. Less than one-fifth of the Écrits has yet been published in English. This book provides a complete translation, made from the French text provided in Michel Le Guern's edition (1998, 2000) of Pascal's Oeuvres complètes, and annotated to provide full information about Pascal's sources and how he used them. The translation is followed by a substantial interpretive essay in which Pascal's positions and approaches are restated and argued with.