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In the words of guest editor Fernando Coronil, this special issue of the Hispanic American Historical Review on photography contributes “an expanding discussion across disciplinary boundaries of the role of visuality in social life.” Helping to overcome the split between image and word in Western theory, the essays pinpoint the need to recognize the “play of all senses in the construction of reality.” Turning photos and collections of photos into historical documents, the four authors read images as texts to be analyzed in the context of their production and circulation.

Each essay looks at the role of a particular photographic genre in the making of modern Latin American identities. Articles cover the adaptation in late-nineteenth-century Oaxaca of European type photography as a tool of imperialist enterprise and science, state consolidation, and consumer culture; the use of portrait photography by the K’iche Mayans of Quetzaltenango; and the family album—made up of snapshots, postcards, and other memorabilia—as a historical document.

Contributors. Greg Grandin, Daniel James, Mirta Zaida Lobato, Deborah Poole

This extraordinary collection of essays recasts prevailing understandings of the role of violence in the formation of the modern world. By illuminating the links between exceptional ruptures and the routine maintenance of social order, the collection expands and redefines our understanding of political violence.

By means of a combination of detailed historical studies and imaginative reflection, this book explores the often unrecognized violent foundations of modern nations. Focusing on the relations between the state and the domestic order, it directs attention to contests over the establishment and representation of meanings and addresses the impact of state-centered categories and narratives on the organization and collective remembering of violence. The essays cover a wide range of regions, time periods, and processes, including the Middle East, South Asia, Latin America, the United States, and Europe, and span violent uprisings as well as the quotidian administration of the law. As its title suggests, States of Violence brings together the stable and the transient, the institutional and the experiential, the state sanctioned and the insurgent, inviting recognition of the multiple intersections of practices of governance and processes of feeling.

"Few scholars have managed as effectively as these to denature the place of violence in modern social life and thought. They make it abundantly plain that the frank brutality, often associated with colonial contexts, is inseparable from less acknowledged forms of "peaceful violence" that pervade much of our contemporary political life."
-Jean Comaroff, Bernard E. and Ellen C. Distinguished Service Professor, University of Chicago

Fernando Coronil, a Venezuelan citizen, is Associate Professor of Anthropology and History at the University of Michigan and Director of the Latin American and Caribbean Studies Program. His research focuses on contemporary historical transformations in Latin America and on theoretical issues concerning the state, modernity, and postcolonialism. His numerous publications include The Magical State: Nature, Money, and Modernity in Venezuela; "Beyond Occidentalism: Towards Non-Imperial Geohistorical Categories"; and the introductory essay in Cuban Counterpoint: Tobacco and Sugar, by Fernando Ortiz. He is completing a book on the coup against President Chávez of Venezuela.

Julie Skurski teaches in the Departments of Anthropology and History at the University of Michigan and is the Associate Director of the Doctoral Program in Anthropology and History. Her research concerns the intersections of national, racial, and gender relations in Latin America, with a focus on popular religiosity. Her publications include "The Ambiguities of Authenticity in Latin America: Doña Bárbara and the Construction of National Identity," in Becoming National, G. Eley and R. Suny, eds. She is currently completing Civilizing Barbarism, a book on gender, mestizaje, and the state in Venezuela.

In The Fernando Coronil Reader Venezuelan anthropologist Fernando Coronil challenges us to rethink our approaches to key contemporary epistemological, political, and ethical questions. Consisting of work written between 1991 and 2011, this posthumously published collection includes Coronil's landmark essays “Beyond Occidentalism” and “The Future in Question” as well as two chapters from his unfinished book manuscript, "Crude Matters." Taken together, the essays highlight his deep concern with the Global South, Latin American state formation, theories of nature, empire, and postcolonialism, and anthrohistory as an intellectual and ethical approach. Presenting a cross section of Coronil's oeuvre, this volume cements his legacy as one of the most innovative critical social thinkers of his generation.

In 1935, after the death of dictator General Juan Vicente Gómez, Venezuela consolidated its position as the world's major oil exporter and began to establish what today is South America's longest-lasting democratic regime. Endowed with the power of state oil wealth, successive presidents appeared as transcendent figures who could magically transform Venezuela into a modern nation. During the 1974-78 oil boom, dazzling development projects promised finally to effect this transformation. Yet now the state must struggle to appease its foreign creditors, counter a declining economy, and contain a discontented citizenry. In critical dialogue with contemporary social theory, Fernando Coronil examines key transformations in Venezuela's polity, culture, and economy, recasting theories of development and highlighting the relevance of these processes for other postcolonial nations. The result is a timely and compelling historical ethnography of political power at the cutting edge of interdisciplinary reflections on modernity and the state.