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6 books match the query 'Courtesans'
Courtesans and Fishcakes
The Consuming Passions of Classical AthensJames N. Davidson
University of Chicago Press, 2011
As any reader of the Symposium knows, the ancient Greek philosopher Socrates conversed over lavish banquets, kept watch on who was eating too much fish, and imbibed liberally without ever getting drunk. In other words, James Davidson writes, he reflected the culture of ancient Greece in which he lived, a culture of passions and pleasures, of food, drink, and sex before—and in concert with—politics and principles. Athenians, the richest and most powerful of the Greeks, were as skilled at consuming as their playwrights were at devising tragedies. Weaving together Greek texts, critical theory, and witty anecdotes, this compelling and accessible study teaches the reader a great deal, not only about the banquets and temptations of ancient Athens, but also about how to read Greek comedy and history.
Men at the Center
Redemptive Governance under Louis IXWilliam Chester Jordan
Central European University Press, 2012
Taking Professor Natalie Zemon Davis’ fascinating biographical studies of three Women on the Margins in the seventeenth century as an inspiration, the author of this book offers three portraits of men who were at the very center of governance in thirteenth-century France, men who strove in the shadow of King Louis IX (Saint Louis) to impose a redemptive regime on the realm. Professor Jordan treats them as individuals, but in a sense they are also types: Robert of Sorbon, a churchman; Etienne Boileau, a bourgeois; and Simon de Nesle, an aristocrat. Robert was the founder of the Sorbonne; Boileau was the prévôt or royal administrator of Paris; and Simon was twice co-regent of the kingdom. Thinking about them and their relations with Louis IX opens up a new and altogether sobering vista for exploring the nature of the king’s rule and the impact of his rule on his subjects.
Prostitutes and Courtesans in the Ancient World
Edited by Christopher A. Faraone and Laura K. McClure
University of Wisconsin Press, 2006
Prostitutes and Courtesans in the Ancient World explores the implications of sex-for-pay across a broad span of time, from ancient Mesopotamia to the early Christian period. In ancient times, although they were socially marginal, prostitutes connected with almost every aspect of daily life. They sat in brothels and walked the streets; they paid taxes and set up dedications in religious sanctuaries; they appeared as characters—sometimes admirable, sometimes despicable—on the comic stage and in the law courts; they lived lavishly, consorting with famous poets and politicians; and they participated in otherwise all-male banquets and drinking parties, where they aroused jealousy among their anxious lovers.
The chapters in this volume examine a wide variety of genres and sources, from legal and religious tracts to the genres of lyric poetry, love elegy, and comic drama to the graffiti scrawled on the walls of ancient Pompeii. These essays reflect the variety and vitality of the debates engendered by the last three decades of research by confronting the ambiguous terms for prostitution in ancient languages, the difficulty of distinguishing the prostitute from the woman who is merely promiscuous or adulterous, the question of whether sacred or temple prostitution actually existed in the ancient Near East and Greece, and the political and social implications of literary representations of prostitutes and courtesans.
The Ambassador and the Courtesan
Political Bodies in Renaissance ItalyPaola De Santo
University of Delaware Press, 2026
The Courtesan's Memory, Voice, and Late Ming Drama
Peng Xu
University of Michigan Press, 2025
This study profoundly remaps the textbook narratives of gender bias, challenges modern prejudices prevalent in the literary history of Chinese drama, and reveals how theatrical conditions and writing styles shifted to accommodate courtesan performances. Utilizing a wide range of sources such as scripts, city guides, biographies, diaries, letters, wood-block illustrations, and paintings, this study distinguishes itself from earlier studies of Chinese courtesans by not thematizing courtesans for their allegorical values, but rather pinpointing their agency in shaping the features of Chinese theater and recognizing courtesans as a source of creativity and development in the medium. Xu’s focus on courtesan performance culture allows for fresh readings of canonical Chinese plays, opening up new ways of understanding the history of Chinese drama written by women, thus deviating from standard historiography based solely on the writings of men.
The Honest Courtesan
Veronica Franco, Citizen and Writer in Sixteenth-Century VeniceMargaret F. Rosenthal
University of Chicago Press, 1992
Margaret F. Rosenthal draws a compelling portrait of Veronica Franco in her cultural social, and economic world. Rosenthal reveals in Franco's writing a passionate support of defenseless women, strong convictions about inequality, and, in the eroticized language of her epistolary verses, the seductive political nature of all poetic contests. It is Veronica Franco's insight into the power conflicts between men and women—and her awareness of the threat she posed to her male contemporaries—that makes her literary works and her dealings with Venetian intellectuals so pertinent today.
Combining the resources of biography, history, literary theory, and cultural criticism, this sophisticated interdisciplinary work presents an eloquent and often moving account of one woman's life as an act of self-creation and as a complex response to social forces and cultural conditions.
"A book . . . pleasurably redolent of Venice in the 16th-century. Rosenthal gives a vivid sense of a world of salons and coteries, of intricate networks of family and patronage, and of literary exchanges both intellectual and erotic."—Helen Hackett, Times Higher Education Supplement
The Honest Courtesan is the basis for the film Dangerous Beauty (1998) directed by Marshall Herskovitz. (The film was re-titled The Honest Courtesan for release in the UK and Europe in 1999.)