Results by title

28 books match the query 'Cultural'

cover of Aboriginal TM: The Cultural and Economic Politics of Recognition

Aboriginal TM

The Cultural and Economic Politics of Recognition

Jennifer Adese

University of Manitoba Press, 2022

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cover of Afro-Caribbean Religions: An Introduction to Their Historical, Cultural, and Sacred Traditions

Afro-Caribbean Religions

An Introduction to Their Historical, Cultural, and Sacred Traditions

Nathaniel Samuel Murrell

Temple University Press, 2009

Religion is one of the most important elements of Afro-Caribbean culture linking its people to their African past, from Haitian Vodou and Cuban Santeria—popular religions that have often been demonized in popular culture—to Rastafari in Jamaica and Orisha-Shango of Trinidad and Tobago. In Afro-Caribbean Religions, Nathaniel Samuel Murrell provides a comprehensive study that respectfully traces the social, historical, and political contexts of these religions. And, because Brazil has the largest African population in the world outside of Africa, and has historic ties to the Caribbean, Murrell includes a section on Candomble, Umbanda, Xango, and Batique.

This accessibly written introduction to Afro-Caribbean religions examines the cultural traditions and transformations of all of the African-derived religions of the Caribbean along with their cosmology, beliefs, cultic structures, and ritual practices. Ideal for classroom use, Afro-Caribbean Religions also includes a glossary defining unfamiliar terms and identifying key figures.
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cover of Ageing with Smartphones in Urban China: From the Cultural to the Digital Revolution in Shanghai

Ageing with Smartphones in Urban China

From the Cultural to the Digital Revolution in Shanghai

Xinyuan Wang

University College London, 2023

An anthropological account of the experience of aging in the smartphone era in China.

The current oldest generation in Shanghai was born at a time when the average household could not afford electric lights, but today they can turn their lights off using smartphone apps. Grounded in extensive ethnographic fieldwork in Shanghai, Ageing with Smartphones in Urban China tackles the intersection between the “two revolutions” experienced by the older generation in Shanghai: the contemporary smartphone-based digital revolution and the earlier communist revolutions and argues that we can only understand the smartphone revolution if we first appreciate the long-term consequences of these people’s experiences during the communist revolutions. Supported by detailed ethnographic material, the observations and analysis here provide a panorama view of the social landscape of contemporary China, addressing such topics the digital and everyday life, aging and healthcare, intergenerational relations and family development, community building and grassroots organizations, collective memories, and political attitudes among ordinary Chinese people.
 
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cover of American Indian Languages: Cultural and Social Contexts

American Indian Languages

Cultural and Social Contexts

Shirley Silver and Wick R. Miller

University of Arizona Press, 1997

This comprehensive survey of indigenous languages of the New World introduces students and general readers to the mosaic of American Indian languages and cultures and offers an approach to grasping their subtleties.

Authors Silver and Miller demonstrate the complexity and diversity of these languages while dispelling popular misconceptions. Their text reveals the linguistic richness of languages found throughout the Americas, emphasizing those located in the western United States and Mexico, while drawing on a wide range of other examples found from Canada to the Andes. It introduces readers to such varied aspects of communicating as directionals and counting systems, storytelling, expressive speech, Mexican Kickapoo whistle speech, and Plains sign language.

The authors have included basics of grammar and historical linguistics, while emphasizing such issues as speech genres and other sociolinguistic issues and the relation between language and worldview. They have incorporated a variety of data that have rarely or never received attention in nontechnical literature in order to underscore the linguistic diversity of the Americas, and have provided more extensive language classification lists than are found in most other texts.

American Indian Languages: Cultural and Social Contexts is a comprehensive resource that will serve as a text in undergraduate and lower-level graduate courses on Native American languages and provide a useful reference for students of American Indian literature or general linguistics. It also introduces general readers interested in Native Americans to the amazing diversity and richness of indigenous American languages.

Coverage includes:

Achumawi, Acoma, Algonquin, Apache, Araucanian, Arawakan, Athapascan, Atsugewi, Ayamara, Bacairi, Bella Coola, Beothuk, Biloxi, Blackfoot, Caddoan, Cahto, Cahuilla, Cakchiquel, Carib, Cayuga, Chemehuevi, Cherokee, Chibchan, Chichimec, Chimakuan, Chimariko, Chinook, Chipewyan, Choctaw-Chickasaw, Chol, Cocopa, Coeur d'Alene, Comanche, Coos, Cora, Cree, Creek, Crow, Cubeo, Cupeño, Dakota, Delaware, Diegueño, Eskimo-Aleut, Esselen, Eyak, Fox, Gros Ventre, Guaraní, Guarijío, Haida, Havasupai, Hill Patwin, Hopi, Huastec, Huave, Hupa, Inuit-Inupiaq, Iroquois, Jaqaru, Je, Jicaque, Kalapuyan, Kamia, Karankawas, Karuk, Kashaya, Keres, Kickapoo, Kiliwa, Kiowa-Tanoan, Koasati, Konkow, Kuna, Kwakiutl, Kwalhioqua-Tlatskanai, Lakota, Lenca, Luiseño, Maidu, Mapuche, Markoosie, Mayan, Mazahua, Mazatec, Métis, Mexica, Micmac, Misumalpan, Mitchif, Miwok, Mixe-Zoquean, Mixtec, Mobilian, Mohave, Mohawk, Muskogean, Nahuatl, Natchez, Navajo, Nez Perce, Nheengatú, Nicola, Nomlaki, Nootka, Ojibwa, Oneida, O'odham, Otomí, Paiute, Palaihnihan, Panamint, Panoan, Paya, Pima, Pipil, Pomo, Poplocan, Pueblo, Puquina, Purpecha, Quechua, Quiché, Quileute, Sahaptian, Salish, Seneca, Sequoyah, Seri, Serrano, Shasta, Shoshoni, Sioux, Sirenikski, Slavey, Subtiaba-Tlapanec, Taíno, Takelma, Tanaina, Tarahumara, Tequistlatecan, Tewa, Tlingit, Toba, Toltec, Totonac, Tsimshian, Tubatulabal, Tukano, Tunica, Tupí, Ute, Uto-Aztecan, Vaupés, Venture¤o, Wakashan, Walapai, Wappo, Washo, Wintu, Wiyot, Xinca, Yahi, Yana, Yokuts, Yucatec, Yuchi, Yuki, Yuma, Yurok, Zapotec, Zoquean, and Zuni.
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cover of Central Sites, Peripheral Visions: Cultural and Institutional Crossings in the History of Anthropology

Central Sites, Peripheral Visions

Cultural and Institutional Crossings in the History of Anthropology

Edited by Richard Handler

University of Wisconsin Press, 2006

The terms "center" and "periphery" are particularly relevant to anthropologists, since traditionally they look outward from institutional "centers"-universities, museums, government bureaus-to learn about people on the "peripheries." Yet anthropology itself, as compared with economics, politics, or history, occupies a space somewhat on the margins of academe.  Still, anthropologists, who control esoteric knowledge about the vast range of human variation, often find themselves in a theoretically central position, able to critique the "universal" truths promoted by other disciplines.

Central Sites, Peripheral Visions
presents five case studies that explore the dilemmas, moral as well as political, that emerge out of this unique position. From David Koester's analysis of how ethnographic descriptions of Iceland marginalized that country's population, to Kath Weston's account of an offshore penal colony where officials mixed prison work with ethnographic pursuits; from Brad Evans's reflections on the "bohemianism" of both the Harlem vogue and American anthropology, to Arthur J. Ray's study of anthropologists who serve as expert witnesses in legal cases, the essays in the eleventh volume of the History of Anthropology Series reflect on anthropology's always problematic status as centrally peripheral, or peripherally central. 

Finally, George W. Stocking, Jr., in a contribution that is almost a book in its own right, traces the professional trajectory of American anthropologist Robert Gelston Armstrong, who was unceremoniously expelled from his place of privilege because of his communist sympathies in the 1950s. By taking up Armstrong's unfinished business decades later, Stocking engages in an extended meditation on the relationship between center and periphery and offers "a kind of posthumous reparation," a page in the history of the discipline for a distant colleague who might otherwise have remained in the footnotes.

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cover of Chasing Dragonflies: A Natural, Cultural, and Personal History

Chasing Dragonflies

A Natural, Cultural, and Personal History

Cindy Crosby; Illustrations by Peggy Macnamara

Northwestern University Press, 2020

Chasing Dragonflies: A Natural, Cultural, and Personal History is an engaging, beautifully illustrated introduction to these remarkable insects. Drawing on her experiences as a natural history instructor, dragonfly monitor, cancer survivor, grandmother, and steward, Crosby tells the stories of dragonflies: their roles in poetry and art, their fascinating sex life—unique within the animal kingdom—and their evolution from dark-water dwellers to denizens of the air. We follow Crosby and other citizen-scientists into the prairies, wetlands, and woodlands of the Midwest, where they observe the environment and chronicle dragonfly populations and migration to decipher critical clues about our changing waterways and climate.
 
Woven throughout are personal stories: reflections on the author’s cancer diagnosis and recovery, change, loss, aging, family, joy, and discovering what it means to be at home in the natural world. Crosby draws an intimate portrait of a landscape teeming with variety and mystery, one that deserves our attention and conservation. As warm as it is informative, this book will interest gardeners, readers of literary nonfiction, and anyone intrigued by transformation, whether in nature or our personal lives.

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cover of Class Act: The Cultural and Political Life of Ewan Maccoll

Class Act

The Cultural and Political Life of Ewan Maccoll

Ben Harker

Pluto Press, 2007

Sometimes described as ‘the British Brecht’, Ewan MacColl (1915-1989) was a major twentieth-century political artist. This is the first biography of MacColl, and was prepared with the authorisation of his collaborator and widow, Peggy Seeger. 

MacColl became a communist at fourteen and spent six decades at the cultural forefront of numerous political struggles, producing plays, songs and radio programmes on subjects ranging from the Spanish Civil War to the Poll Tax. Charting his involvement in radical theatre, his ground breaking radio work in the UK and the USA, as well as his musical influences and legacy, his three marriages, and his relationship with his songwriter daughter Kirstie MacColl, this is a lively account of a much-loved icon of 20th century folk music.

Drawing on extensive research, Class Act is a freshly conceived and energetically written account of a highly creative and controversial activist.
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cover of Cultural and Environmental History of Cienega Valley, Southeastern Arizona

Cultural and Environmental History of Cienega Valley, Southeastern Arizona

Frank W. Eddy and Maurice E. Cooley

University of Arizona Press, 1983

The Anthropological Papers of the University of Arizona is a peer-reviewed monograph series sponsored by the School of Anthropology. Established in 1959, the series publishes archaeological and ethnographic papers that use contemporary method and theory to investigate problems of anthropological importance in the southwestern United States, Mexico, and related areas.
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cover of Heritage Keywords: Rhetoric and Redescription in Cultural Heritage

Heritage Keywords

Rhetoric and Redescription in Cultural Heritage

Kathryn Lafrenz Samuels

University Press of Colorado, 2015

Situated at the intersection of scholarship and practice, Heritage Keywords positions cultural heritage as a transformative tool for social change. This volume unlocks the persuasive power of cultural heritage—as it shapes experiences of change and crafts present and future possibilities from historic conditions—by offering new ways forward for cultivating positive change and social justice in contemporary social debates and struggles. It draws inspiration from deliberative democratic practice, with its focus on rhetoric and redescription, to complement participatory turns in recent heritage work.

Through attention to the rhetorical edge of cultural heritage, contributors to this volume offer innovative reworkings of critical heritage categories. Each of the fifteen chapters examines a key term from the field of heritage practice—authenticity, civil society, cultural diversity, cultural property, democratization, difficult heritage, discourse, equity, intangible heritage, memory, natural heritage, place, risk, rights, and sustainability—to showcase the creative potential of cultural heritage as it becomes mobilized within a wide array of social, political, economic, and moral contexts.

This highly readable collection will be of interest to students, scholars, and professionals in heritage studies, cultural resource management, public archaeology, historic preservation, and related cultural policy fields.

Contributors include Jeffrey Adams, Sigrid Van der Auwera, Melissa F. Baird, Alexander Bauer, Malcolm A. Cooper, Anna Karlström, Paul J. Lane, Alicia Ebbitt McGill, Gabriel Moshenska, Regis Pecos, Robert Preucel, Trinidad Rico, Cecelia Rodéhn, Joshua Samuels, Kathryn Lafrenz Samuels, and Klaus Zehbe.


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cover of Justice as Translation: An Essay in Cultural and Legal Criticism

Justice as Translation

An Essay in Cultural and Legal Criticism

James Boyd White

University of Chicago Press, 1990

White extends his conception of United States law as a constitutive rhetoric shaping American legal culture that he proposed in When Words Lose Their Meaning, and asks how Americans can and should criticize this culture and the texts it creates. In determining if a judicial opinion is good or bad, he explores the possibility of cultural criticism, the nature of conceptual language, the character of economic and legal discourse, and the appropriate expectations for critical and analytic writing. White employs his unique approach by analyzing individual cases involving the Fourth Amendment of the United States constitution and demonstrates how a judge translates the facts and the legal tradition, creating a text that constructs a political and ethical community with its readers.

"White has given us not just a novel answer to the traditional jurisprudential questions, but also a new way of reading and evaluating judicial opinions, and thus a new appreciation of the liberty which they continue to protect."—Robin West, Times Literary Supplement

"James Boyd White should be nominated for a seat on the Supreme Court, solely on the strength of this book. . . . Justice as Translation is an important work of philosophy, yet it is written in a lucid, friendly style that requires no background in philosophy. It will transform the way you think about law."—Henry Cohen, Federal Bar News & Journal

"White calls us to rise above the often deadening and dreary language in which we are taught to write professionally. . . . It is hard to imagine equaling the clarity of eloquence of White's challenge. The apparently effortless grace of his prose conveys complex thoughts with deceptive simplicity."—Elizabeth Mertz, Yale Journal of Law and the Humanities

"Justice as Translation, like White's earlier work, provides a refreshing reminder that the humanities, despite the pummelling they have recently endured, can be humane."—Kenneth L. Karst, Michigan Law Review
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cover of Last Water on the Devil's Highway: A Cultural and Natural History of Tinajas Altas

Last Water on the Devil's Highway

A Cultural and Natural History of Tinajas Altas

Bill Broyles, Gayle Harrison Hartmann, Thomas E. Sheridan, Gary Paul Nabhan, and Mary Charlotte Thurtle

University of Arizona Press, 2013

The Devil’s Highway—El Camino del Diablo—crosses hundreds of miles and thousands of years of Arizona and Southwest history. This heritage trail follows a torturous route along the U.S. Mexico border through a lonely landscape of cactus, desert flats, drifting sand dunes, ancient lava flows, and searing summer heat. The most famous waterhole along the way is Tinajas Altas, or High Tanks, a series of natural rock basins that are among the few reliable sources of water in this notoriously parched region.

Now an expert cast of authors describes, narrates, and explains the human and natural history of this special place in a thorough and readable account. Addressing the latest archaeological and historical findings, they reveal why Tinajas Altas was so important and how it related to other waterholes in the arid borderlands. Readers can feel like pioneers, following in the footsteps of early Native Americans, Spanish priests and soldiers, gold seekers and borderland explorers, tourists, and scholars.

Combining authoritative writing with a rich array of more than 180 illustrations and maps as well as detailed appendixes providing up-to-date information on the wildlife and plants that live in the area, Last Water on the Devil’s Highway allows readers to uncover the secrets of this fascinating place, revealing why it still attracts intrepid tourists and campers today.
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cover of Louise Erdrich's Justice Trilogy: Cultural and Critical Contexts

Louise Erdrich's Justice Trilogy

Cultural and Critical Contexts

Connie A. Jacobs

Michigan State University Press, 2021

Louise Erdrich is one of the most important, prolific, and widely read contemporary Indigenous writers. Here leading scholars analyze the three critically acclaimed recent novels—The Plague of Doves (2008), The Round House (2012), and LaRose (2016)—that make up what has become known as Erdrich’s “justice trilogy.” Set in small towns and reservations of northern North Dakota, these three interwoven works bring together a vibrant cast of  characters whose lives are shaped by history, identity, and community. Individually and collectively, the essays herein illuminate Erdrich’s storytelling abilities; the complex relations among crime, punishment, and forgiveness that characterize her work; and the Anishinaabe contexts that underlie her presentation of character, conflict, and community. The volume also includes a reader’s guide to each novel, a glossary, and an interview with Erdrich that will aid in readers’ navigation of the justice novels. These timely, original, and compelling readings make a valuable contribution to Erdrich scholarship and, subsequently, to the study of Native literature and women’s authorship as a whole.
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cover of Mammography Wars: Analyzing Attention in Cultural and Medical Disputes

Mammography Wars

Analyzing Attention in Cultural and Medical Disputes

Asia Friedman

Rutgers University Press, 2023

Winner of the 2024 Outstanding Book Award, Social Problems Theory Division, Society for the Study of Social Problems

Mammography is a routine health screening performed forty million times each year in the United States, yet it remains one of the most deeply contested topics in medicine, with national health care organizations supporting conflicting guidelines. In Mammography Wars, sociologist Asia Friedman examines cultural and medical disagreements over mammography. At issue is whether to screen women under age fifty, which is rooted in deeper questions about early detection and the assumed linear and progressive development of breast cancer. Based on interviews with doctors and scientists, interviews with women ages 40 to 50, and newspaper coverage of mammography, Friedman uses the sociology of attention to map the cognitive structure of the “mammography wars,” offering insights into the entrenched nature of debates over mammography that often get missed when applying a medical lens. Friedman’s analysis also suggests the sociology of attention’s unique potential for analyzing cultural conflicts beyond mammography, and even beyond medicine.
 
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cover of Mixed Messages: Cultural and Genetic Inheritance in the Constitution of Human Society

Mixed Messages

Cultural and Genetic Inheritance in the Constitution of Human Society

Robert A. Paul

University of Chicago Press, 2015

As social and symbolic animals—animals with language and systems of signs—humans are informed by two different kinds of heritage, one biological, the other cultural. Scholars have tended to study our genetic and symbolic lineages separately, but in recent years some have begun to explore them together, offering a “dual inheritance theory.” In this book, Robert A. Paul offers an entirely new and original consideration of our dual inheritance to date, going deep inside an extensive ethnographic record to outline a fascinating relationship between our genetic codes and symbolic systems.
           
Examining a wide array of cultures, Paul reveals how the inherent tensions between these two modes of transmission generate many of the features of human society, such as marriage rules, initiation rituals, gender asymmetry, and sexual symbolism. Exploring differences in the requirements, range, and agendas of genetic and symbolic reproduction, he shows that a properly conceived dual inheritance model does a better job of accounting for the distinctive character of actual human societies than either evolutionary or socio-cultural construction theories can do alone. Ultimately this book offers a powerful call for a synthesis of the traditions inspired by Darwin, Durkheim, and Freud—one that is critically necessary if we are to advance our understanding of human social life.
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cover of Nazi Culture: Intellectual, Cultural, and Social Life in the Third Reich

Nazi Culture

Intellectual, Cultural, and Social Life in the Third Reich

George L. Mosse

University of Wisconsin Press, 2003

What was life like under the Third Reich? What went on between parents and children?  What were the prevailing attitudes about sex, morality, religion? How did workers perceive the effects of the New Order in the workplace? What were the cultural currents—in art, music, science, education, drama, and on the radio?

Professor Mosse’s extensive analysis of Nazi culture—groundbreaking upon its original publication in 1966—is now offered to readers of a new generation. Selections from newspapers, novellas, plays, and diaries as well as the public pronouncements of Nazi leaders, churchmen, and professors describe National Socialism in practice and explore what it meant for the average German.

By recapturing the texture of culture and thought under the Third Reich, Mosse’s work still resonates today—as a document of everyday life in one of history’s darkest eras and as a living memory that reminds us never to forget.

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cover of Obesity: Cultural and Biocultural Perspectives

Obesity

Cultural and Biocultural Perspectives

Brewis, Alexandra A

Rutgers University Press, 2010

In a world now filled with more people who are overweight than underweight, public health and medical perspectives paint obesity as a catastrophic epidemic that threatens to overwhelm health systems and undermine life expectancies globally. In many societies, being obese also creates profound personal suffering because it is so culturally stigmatized. Yet despite loud messages about the health and social costs of being obese, weight gain is a seemingly universal aspect of the modern human condition.

Grounded in a holistic anthropological approach and using a range of ethnographic and ecological case studies, Obesity shows that the human tendency to become and stay fat makes perfect sense in terms of evolved human inclinations and the physical and social realities of modern life. Drawing on her own fieldwork in the rural United States, Mexico, and the Pacific Islands over the last two decades, Alexandra A. Brewis addresses such critical questions as why obesity is defined as a problem and why some groups are so much more at risk than others. She suggests innovative ways that anthropology and other social sciences can use community-based research to address the serious public health and social justice concerns provoked by the global spread of obesity.
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cover of On Interpretation: Sociology for Interpreters of Natural and Cultural

On Interpretation

Sociology for Interpreters of Natural and Cultural

Gary E. Machlis

Oregon State University Press, 1992

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cover of Opening the Books: Essays on the Cultural and Social History of the British Communist Party

Opening the Books

Essays on the Cultural and Social History of the British Communist Party

Geoff Andrews

Pluto Press, 1995

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cover of Pioneering Minds Worldwide: On the Entrepreneurial Principles of the Cultural and Creative Industries

Pioneering Minds Worldwide

On the Entrepreneurial Principles of the Cultural and Creative Industries

Edited by Giep Hagoort, Aukje Thomassen, and Rene Kooyman

Eburon Academic Publishers, 2012

Even after the recent economic crisis, cultural and creative industries are still able to easily draw audience members and consumers, as well as new talent to enrich these fields. Exploring the topic from economic, artistic, and policymaking perspectives, Pioneering Minds Worldwide is an interdisciplinary approach to these trades on a global scale, while making an important distinction between the cultural sector—products that are consumed on the spot, such as concerts or dance performances—and the creative sector, which generates artistic products that we have a protracted interaction with, i.e. design, architecture, and advertising. The authors of these highly informative essays offer new concepts and viewpoints on the entrepreneurial dimension of the cultural and creative industries in sixteen countries and explore how urban area development, new technological innovations, and education all influence these continually expanding industries.

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cover of Prestige Television: Cultural and Artistic Value in Twenty-First-Century America

Prestige Television

Cultural and Artistic Value in Twenty-First-Century America

Seth Friedman

Rutgers University Press, 2023

Prestige Television explores how a growing array of 21st century US programming is produced and received in ways that elevate select series above the competition in a saturated market. Contributing authors demonstrate that these shows are positioned and understood as comprising an increasingly recognizable genre characterized by familiar markers of distinction. In contrast to most accounts of elite categorizations of contemporary US television programming that center on HBO and its primary streaming rivals, these essays examine how efforts to imbue series with prestigious or elevated status now permeate the rest of the medium, including network as well as basic and undervalued premium cable channels. Case study chapters focusing on diverse series, ranging from widely recognized examples such as The Americans (2013-2018) and The Knick (2014-15) to contested examples like Queen of the South (2016-2021) and How I Met Your Mother (2005-2014), highlight how contributing authors extend conceptions of the genre beyond expected parameters.
 
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cover of Sounds of the Underground: A Cultural, Political and Aesthetic Mapping of Underground and Fringe Music

Sounds of the Underground

A Cultural, Political and Aesthetic Mapping of Underground and Fringe Music

Stephen Graham

University of Michigan Press, 2016

In basements, dingy backrooms, warehouses, and other neglected places around the world music is being made that doesn't fit neatly into popular or classical categories and genres, whose often extreme sounds and tiny concerts hover on the fringes of these commercial and cultural mainstreams.

The term “underground music” as it’s being used here connects various forms of music-making that exist outside or on the fringes of mainstream institutions and culture, such as noise, free improvisation, and extreme metal. This is music that makes little money, that’s noisy and exploratory in sound and that’s largely independent from both the market and from traditional high art institutions. It sometimes exists at the fringes of these commercial and cultural institutions, as for example with experimental metal or improv, but for the most part it’s removed from the mainstream, “underground,” as we see with noise artists such as Werewolf Jerusalem or Ramleh, obscure black metal artists such as Lord Foul, and improvisers such as Maggie Nicols. In response to a lack of previous scholarly discussion, Graham provides a cultural, political, and aesthetic mapping of this broad territory. By outlining the historical background but focusing on the digital age, the underground and its fringes can be seen as based in radical anti-capitalist politics or radical aesthetics while also being tied to the political contexts and structures of late capitalism. The book explores these various ideas of separation and captures, through interviews and analysis, a critical account of both the music and the political and cultural economy of the scene.

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cover of Spanish-Language Television: Cultural and Industrial Transformations

Spanish-Language Television

Cultural and Industrial Transformations

Manuel G. Avilés-Santiago and Jillian M. Báez

University of Texas Press, 2025

How Spanish-language television networks continue to thrive in a rapidly changing media landscape.

The US television industry has suffered blow after blow amid media convergence and the rise of streaming. Those legacy broadcasters that survive are much diminished and highly dependent on live programming—the last redoubt of old media. There is an exception, though: Spanish-language television is thriving.

Spanish-Language Television surveys the Latinx media landscape to better appreciate why Univision and Telemundo have flourished while others faltered. Manuel G. Avilés-Santiago and Jillian M. Báez show that the major Spanish-language networks are unusually flexible and open to innovation in hopes of reaching new demographics. Univision and Telemundo were early to streaming. To appeal to “billennial” audiences—bilingual millennials—who threatened to stray from TV, they rebuilt the telenovela, which now features social commentary, diverse characters, and genre crossovers. Today’s reality programs defy old norms of linguistic correctness, and the airwaves are becoming less hospitable to racism and sexism, resulting in rising ratings and ad revenues. The first book-length treatment of reception patterns in Latinx TV, Spanish-Language Television deepens our understanding of new media in a moment of transformation and possibility.

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cover of The Baseball Film: A Cultural and Transmedia History

The Baseball Film

A Cultural and Transmedia History

Aaron Baker

Rutgers University Press, 2022

Baseball has long been viewed as the Great American Pastime, so it is no surprise that the sport has inspired many Hollywood films and television series. But how do these works depict the game, its players, fans, and place in American society?
 
This study offers an extensive look at nearly one hundred years of baseball-themed movies, documentaries, and TV shows. Film and sports scholar Aaron Baker examines works like A League of their Own (1992) and Sugar (2008), which dramatize the underrepresented contributions of female and immigrant players, alongside classic baseball movies like The Natural that are full of nostalgia for a time when native-born white men could use the game to achieve the American dream. He further explores how biopics have both mythologized and demystified such legendary figures as Ty Cobb, Babe Ruth, Lou Gehrig, Jackie Robinson and Fernando Valenzuela.
 
The Baseball Film charts the variety of ways that Hollywood presents the game as integral to American life, whether showing little league as a site of parent-child bonding or depicting fans’ lifelong love affairs with their home teams. Covering everything from Bull Durham (1988) to The Bad News Bears (1976), this book offers an essential look at one of the most cinematic of all sports.
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cover of The Basketball Film: A Cultural and Transmedia History

The Basketball Film

A Cultural and Transmedia History

Samantha N. Sheppard

Rutgers University Press, 2027

The Basketball Film: A Cultural and Transmedia History reveals how stories about the game extend far beyond the court. From classic Hollywood dramas to independent documentaries, basketball films capture the rhythms of play while reflecting deeper struggles over race, identity, community, and aspiration. This groundbreaking study examines the basketball court as both a stage and a mirror for American life—where questions of belonging, opportunity, and cultural power are played out on and off the court. Moving across film, television, and video games, the book traces how basketball’s visual culture has evolved alongside the sport’s rise to global prominence. Through close readings of both celebrated and overlooked works, The Basketball Film offers an expansive and engaging portrait of how basketball has been imagined, represented, and mythologized across popular culture, revealing what the game continues to mean to audiences and players alike. 

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cover of The Boxing Film: A Cultural and Transmedia History

The Boxing Film

A Cultural and Transmedia History

Travis Vogan

Rutgers University Press, 2021

As one of popular culture’s most popular arenas, sports are often the subject of cinematic storytelling. But boxing films are special. There are more movies about boxing, by a healthy margin, than any other sport, and boxing accompanied and aided the medium’s late nineteenth-century emergence as a popular mass entertainment. Many of cinema’s most celebrated directors—from Oscar Micheaux to Martin Scorsese—made boxing films. And while the production of other types of sports movies generally corresponds with the current popularity of their subject, boxing films continue to be made regularly even after the sport has wilted from its once-prominent position in the sports hierarchy of the United States. From Edison’s Leonard-Cushing Fight to The Joe Louis Story, Rocky, and beyond, this book explores why boxing has so consistently fascinated cinema and popular media culture by tracing how boxing movies inform the sport’s meanings and uses from the late nineteenth century to the early twenty-first century.
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cover of The Colorado Plateau: Cultural, Biological, and Physical Research

The Colorado Plateau

Cultural, Biological, and Physical Research

Charles van Riper

University of Arizona Press, 2004

Stretching from the four corners of Arizona, New Mexico, Colorado, and Utah, the Colorado Plateau is a natural laboratory for a wide range of studies. This volume presents 23 original articles drawn from more than 100 research projects presented at the Sixth Biennial Conference of Research on the Colorado Plateau. This scientific gathering revolved around research, inventory, and monitoring of lands in the region. The book's contents cover management techniques for cultural, biological, and physical resources, representing collaborative efforts among federal, university, and private sector scientists and land managers. Chapters on cultural concerns cover benchmarks of modern southwestern anthropological knowledge, models of past human activity and impact of modern visitation at newly established national monuments, challenges in implementing the 1964 Wilderness Act, and opportunities for increased federal research on Native American lands. The section on biological resources comprises sixteen chapters, with coverage that ranges from mammalian biogeography to responses of elk at the urban-wildland interface. Additional biological studies include the effects of fire and grazing on vegetation; research on bald eagles at Grand Canyon and tracking wild turkeys using radio collars; and management of palentological resources. Two final chapters on physical resources consider a proposed rerouting of the Rio de Flag River in urban Flagstaff, Arizona, and an examination of past climate patterns over the Plateau, using stream flow records and tree ring data. In light of similarities in habitat and climate across the Colorado Plateau, techniques useful to particular management units have been found to be applicable in many locations. This volume highlights an abundance of research that will prove useful for all of those working in the region, as well as for others seeking comparative studies that integrate research into land management actions.
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cover of The Social Use of Media: Cultural and Social Scientific Perspectives on Audience Research

The Social Use of Media

Cultural and Social Scientific Perspectives on Audience Research

Edited by Helena Bilandzic, Geoffroy Patriarche, and Paul J. Traudt

Intellect Books, 2012

This collection of essays provides an overview of research on the social uses of media. Drawing on long traditions in both cultural studies and the social sciences, it brings together competing research approaches usually discussed separately. The topics include up-to-date research on activity and interactivity, media use as a social and cultural practice, and participation in a cultural, political, and technological sense. This volume incorporates current audience and reception studies and makes a significant contribution to the development of interdisciplinary approaches to audience and user studies.
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cover of Zapotecs on the Move: Cultural, Social, and Political Processes in Transnational Perspective

Zapotecs on the Move

Cultural, Social, and Political Processes in Transnational Perspective

Cruz-Manjarrez, Adriana

Rutgers University Press, 2013

Through interviews with three generations of Yalálag Zapotecs (“Yaláltecos”) in Los Angeles and Yalálag, Oaxaca, this book examines the impact of international migration on this community. It traces five decades of migration to Los Angeles in order to delineate migration patterns, community formation in Los Angeles, and the emergence of transnational identities of the first and second generations of Yalálag Zapotecs in the United States, exploring why these immigrants and their descendents now think of themselves as Mexican, Mexican Indian immigrants, Oaxaqueños, and Latinos—identities they did not claim in Mexico.

Based on multi-site fieldwork conducted over a five-year period, Adriana Cruz-Manjarrez analyzes how and why Yalálag Zapotec identity and culture have been reconfigured in the United States, using such cultural practices as music, dance, and religious rituals as a lens to bring this dynamic process into focus. By illustrating the sociocultural, economic, and political practices that link immigrants in Los Angeles to those left behind, the book documents how transnational migration has reflected, shaped, and transformed these practices in both their place of origin and immigration.
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