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3 books match the query 'Czech literature'

cover of Anne’s Bohemia: Czech Literature And Society, 1310-1420

Anne’s Bohemia

Czech Literature And Society, 1310-1420

Alfred Thomas

University of Minnesota Press, 1998

The first book in English on medieval Czech literature.

Anne’s Bohemia is the first general book in English to introduce the little-known riches of medieval Bohemian culture. Alfred Thomas considers the development of Czech literature and society from the election of Count John of Luxembourg as king of Bohemia in 1310 to the year 1420, when the papacy declared a Catholic crusade against the Hussite reformers. This period is of particular relevance to the study of medieval England because of the marriage of Richard II to Anne of Bohemia, the figure around whom this book is focused.

Anne’s Bohemia provides a social context for the most important works of literature written in the Czech language, from the earliest spiritual songs and prayers to the principal Hussite and anti-Hussite tracts of the fifteenth century. The picture that emerges from Thomas’s close readings of these texts is one of a society undergoing momentous political and religious upheavals in which kings, queens, clergy, and heretics all played crucial roles. During the reign of Charles IV (1346-78), the Bohemian Lands became the administrative and cultural center of the Holy Roman Empire and Prague its splendid capital. Comparing and contrasting the situation in Bohemia with the England of Richard II, Anne’s Bohemia charts the growth and decline of the international court culture and the gradual ascendancy of the Hussite reformers in the fifteenth century. Expert but accessibly written, the book offers an engaging overview of medieval Bohemian culture for specialist and nonspecialist alike.ISBN 0-8166-3053-4 Cloth $49.95xxISBN 0-8166-3054-2 Paper $19.95x232 pages 6 black-and-white photos 5 7/8 x 9 AprilMedieval Cultures Series, volume 13Translation inquiries: University of Minnesota Press
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cover of The Bohemian Body: Gender and Sexuality in Modern Czech Culture

The Bohemian Body

Gender and Sexuality in Modern Czech Culture

Alfred Thomas

University of Wisconsin Press, 2007

     The Bohemian Body examines the modernist forces within nineteenth- and twentieth-century Europe that helped shape both Czech nationalism and artistic interaction among ethnic and social groups—Czechs and Germans, men and women, gays and straights. 
     By re-examining the work of key Czech male and female writers and poets from the National Revival to the Velvet Revolution, Alfred Thomas exposes the tendency of Czech literary criticism to separate the political and the personal in modern Czech culture. He points instead to the complex interplay of the political and the personal across ethnic, cultural, and intellectual lines and within the works of such individual writers as Karel Hynek Mácha, Bozena Nemcová, and Rainer Maria Rilke, resulting in the emergence and evolution of a protean modern identity. The product is a seemingly paradoxical yet nuanced understanding of Czech culture (including literature, opera, and film), long overlooked or misunderstood by Western scholars.
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cover of Writing Underground: Reflections on Samizdat Literature in Totalitarian Czechoslovakia

Writing Underground

Reflections on Samizdat Literature in Totalitarian Czechoslovakia

Martin Machovec

Karolinum Press, 2019

In this collection of writings produced between 2000 and 2018, the pioneering literary historian of the Czech underground, Martin Machovec, examines the multifarious nature of the underground phenomenon. After devoting considerable attention to the circle surrounding the band The Plastic People of the Universe and their manager, the poet Ivan M. Jirous, Machovec turns outward to examine the broader concept of the underground, comparing the Czech incarnation not only with the movements of its Central and Eastern European neighbors, but also with those in the world at large. In one essay, he reflects on the so-called Půlnoc Editions, which published illegal texts in the darkest days of the late forties and early fifties. In other essays, Machovec examines the relationship between illegal texts published at home (samizdat) and those smuggled out to be published abroad (tamizdat), as well as the range of literature that can be classified as samizdat, drawing attention to movements frequently overlooked by literary critics. In his final, previously unpublished essay, Machovec examines Jirous’s “Report on the Third Czech Musical Revival” not as a merely historical document, but as literature itself.
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