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4 books match the query 'D'
Hsin-lun (New Treatise) and Other Writings by Huan T'an (43 B.C.–28 A.D.)
An Annotated Translation with Index by Timoteus Pokora
University of Michigan Press, 1975
Better known in his own times than later, Huan T’an (43 BCE–25 CE) was a scholar-official, independent in his thought and unafraid to criticize orthodox currents of his time. A practitioner of the Old Text exegesis of the Classics, he maintained a position on the court during a turbulent time of political crises, uprisings, and civil war, spanning the reigns of four emperors.
His principal work, Hsin-lun, differs from other books on political criticism in that it does not deal primarily with history but takes many examples from contemporary social and political life. While belonging to the Old Text group of court officials and scholars, Huan T’an differed radically from them in his stress on direct knowledge, in his range of practical experience, and in his outspoken criticism of popular opinions. He was not a systematic philosopher, but his ideas were influential in the return to a more worldly conception of Confucianism.
To translate Huan T’an’s writings, one must reconstruct the texts. Timoteus Pokora uses two nineteenth-century fragments as a basis around which to orient quotations from Hsin-lun from sixty-four other sources, primarily encyclopedias and commentaries. Pokora provides notes to give context to these short references and to account for discrepancies between quotations and originals, and he includes a large index to add coherence and points of entry.
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R&D and Productivity
The Econometric EvidenceZvi Griliches
University of Chicago Press, 1998
Zvi Griliches, a world-renowned pioneer in the field of productivity growth, has compiled in a single volume his pathbreaking research on R&D and productivity. Griliches addresses the relationship between research and development (R&D) and productivity, one of the most complex yet vital issues in today's business world. Using econometric techniques, he establishes this connection and measures its magnitude for firm-, industry-, and economy-level data.
Griliches began his studies of productivity growth during the 1950s, adding a variable of "knowledge stock" to traditional production function models, and his work has served as the point of departure for much of the research into R&D and productivity. This collection of essays documents both Griliches's distinguished career as well as the history of this line of thought.
As inputs into production increasingly taking the form of "intellectual capital" and new technologies that are not as easily measured as traditional labor and capital, the methods Griliches has refined and applied to R&D become crucial to understanding today's economy.
Griliches began his studies of productivity growth during the 1950s, adding a variable of "knowledge stock" to traditional production function models, and his work has served as the point of departure for much of the research into R&D and productivity. This collection of essays documents both Griliches's distinguished career as well as the history of this line of thought.
As inputs into production increasingly taking the form of "intellectual capital" and new technologies that are not as easily measured as traditional labor and capital, the methods Griliches has refined and applied to R&D become crucial to understanding today's economy.
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R&D, Patents and Productivity
Edited by Zvi Griliches
University of Chicago Press, 1984
Zvi Griliches, a world-renowned pioneer in the field of productivity growth, has compiled in a single volume his pathbreaking research on R&D and productivity. Griliches addresses the relationship between research and development (R&D) and productivity, one of the most complex yet vital issues in today's business world. Using econometric techniques, he establishes this connection and measures its magnitude for firm-, industry-, and economy-level data.
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The Moment of Self-Portraiture in German Renaissance Art
Joseph Leo Koerner
University of Chicago Press, 1993
In this groundbreaking and elegantly written study, Joseph Koerner establishes the character of Renaissance art in Germany. Opening up new modes of inquiry for historians of art and early modern Europe, Koerner examines how artists such as Albrecht Durer and Hans Baldung Grien reflected in their masterworks the changing status of the self in sixteenth-century Germany.
"[A] dazzling book. . . . He has turned out one of the most powerful, as well as one of the most ambitious, art-historical works of the last decade." — Anthony Grafton, New Republic
"Rich and splendid. . . . Joseph Koerner's book is a dazzling display of scholarship, enfolding Durer's artistic achievement within the broader issues of self and salvation, and like [Durer's] great Self-
Portrait it holds up a mirror to the modern fable of identity." — Bruce Boucher, The Times
"Remarkable and densely argued." — Marcia Pointon, British Journal of Aesthetics
"Herculean and brilliant. . . . Will echo in fields beyond the Sixteenth-Century and Art History." — Larry Silver, Sixteenth Century Journal
"May be the most ambitious of recent American reflections on the mysteries of German art. His elegantly written book deals with the fateful period in the history of German art when it reached its highest point. . . . Offers deeper and more disturbing insights into German Renaissance art than most earlier scholarship." — Willibald Sauerlander, New York Review of Books
"[A] dazzling book. . . . He has turned out one of the most powerful, as well as one of the most ambitious, art-historical works of the last decade." — Anthony Grafton, New Republic
"Rich and splendid. . . . Joseph Koerner's book is a dazzling display of scholarship, enfolding Durer's artistic achievement within the broader issues of self and salvation, and like [Durer's] great Self-
Portrait it holds up a mirror to the modern fable of identity." — Bruce Boucher, The Times
"Remarkable and densely argued." — Marcia Pointon, British Journal of Aesthetics
"Herculean and brilliant. . . . Will echo in fields beyond the Sixteenth-Century and Art History." — Larry Silver, Sixteenth Century Journal
"May be the most ambitious of recent American reflections on the mysteries of German art. His elegantly written book deals with the fateful period in the history of German art when it reached its highest point. . . . Offers deeper and more disturbing insights into German Renaissance art than most earlier scholarship." — Willibald Sauerlander, New York Review of Books
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