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Daughter of Damascus presents a personal account of a Syrian woman's youth in the Suq Saruja ("old city") quarter of Damascus in the 1940s. Siham Tergeman wrote this book to preserve the details of a "genuine Arab past" for Syrian young people. In it, she relates the customs pertaining to marriage, birth, circumcision, and death. She writes of Ramadan festivities, family picnics to the orchards of the Ghuta, weekly trips to the public bath, her school experiences, Damascene cooking, peddlers' calls, and proverbs. She includes the well-known dramatic skits, songs, and tales of the Syrian Hakawati storytellers. And, through the words of her father, she describes the difficult period when Syrians were involved in the Balkans War and World War I. All this wealth of ethnographic detail is set in real-life vignettes that make the book lively and entertaining reading.

Little has been published about modern Syrian social life. In this English translation of an Arabic memoir originally published in Syria in 1978, Tergeman appeals to a wide audience. General readers will find a charming story, while scholars can find source material for university courses in anthropology, sociology, family and women's studies, and Middle Eastern area studies. The introduction by anthropologist Andrea Rugh portrays Syrian social life for Western readers and points out some of the nuances that might escape the attention of those unacquainted with Arab culture.

This long overdue biography of the nation's first African American woman judge elevates Jane Matilda Bolin to her rightful place in American history as an activist, integrationist, jurist, and outspoken public figure in the political and professional milieu of New York City before the onset of the modern Civil Rights movement.

Bolin was appointed to New York City's domestic relations court in 1939 for the first of four ten-year terms. When she retired in 1978, her career had extended well beyond the courtroom. Drawing on archival materials as well as a meeting with Bolin in 2002, historian Jacqueline A. McLeod reveals how Bolin parlayed her judicial position to impact significant reforms of the legal and social service system in New York.

Beginning with Bolin's childhood and educational experiences at Wellesley and Yale, Daughter of the Empire State chronicles Bolin's relatively quick rise through the ranks of a profession that routinely excluded both women and African Americans. Deftly situating Bolin's experiences within the history of black women lawyers and the historical context of high-achieving black New Englanders, McLeod offers a multi-layered analysis of black women's professionalization in a segregated America.

Linking Bolin's activist leanings and integrationist zeal to her involvement in the NAACP, McLeod analyzes Bolin's involvement at the local level as well as her tenure on the organization's national board of directors. An outspoken critic of the discriminatory practices of New York City's probation department and juvenile placement facilities, Bolin also co-founded, with Eleanor Roosevelt, the Wiltwyck School for boys in upstate New York and campaigned to transform the Domestic Relations Court with her judicial colleagues. McLeod's careful and highly readable account of these accomplishments inscribes Bolin onto the roster of important social reformers and early civil rights trailblazers.

In the early 1970s, while living at home with her conservative middle-class family and studying at the University of São Paulo, Gabriela Leite decided to become a sex worker. From her first client in a tiny room in downtown São Paulo to the launch of an exuberant clothing line designed for sex workers in Rio de Janeiro thirty years later, Daughter, Mother, Grandmother, and Whore tells the fascinating story of Leite’s bold and unique life in her own words. After helping to organize Brazil’s first protests by sex workers against police brutality, she moved to Rio de Janeiro, where she quickly became ensconced in the city’s storied red-light district. From there, Leite built a national network of politicized sex workers, worked for HIV/AIDS prevention, and participated in Brazil’s robust new civil society after its return to democracy in 1985 following a twenty-one-year military dictatorship. Insistent on advocating for the sex worker’s comprehensive human rights, Leite pioneered an irreverent grassroots Latin American feminism, which critiqued moral hypocrisies and Christian conservatism while affirming pleasure, joy, and agency. Daughter, Mother, Grandmother, and Whore also includes a foreword by artist and activist Carol Leigh.

At once a narrative biography and a medical history, Manon’s World tells the story of a haunted young woman caught in the middle of a love triangle in interwar Germany.

Manon Gropius (1916–1935) was the daughter of Alma Mahler, the widow of Gustav Mahler, and the architect Walter Gropius, the founder of the Bauhaus, and the stepdaughter of the writer Franz Werfel. In Manon’s World, James Reidel explores the life and death of a child at the center of a broken love triangle. The story takes a unique course, describing a peripheral figure but in a context where her significance and centrality in the lives of her famous parents and circles comes into relief. Reidel reveals a neglected and fascinating life in a world gone by—Vienna, Venice, and Berlin of the interwar years.
 
Not just a narrative biography, Manon’s World is also a medical history of the polio that killed Manon and a personal cultural history of the aspirations projected on her—and seen as lost by such keen observers as Elias Canetti, who devoted two chapters of his Nobel Prize–winning memoirs to his encounters with Manon and her funeral. That event led Alban Berg to dedicate his signature Violin Concerto “to an angel.” Reidel reveals a more complex image of a young woman who desired to be an actress and artist in her own right despite being her mother’s intended protégé, an inspiration to her father who rarely saw her, and her stepfather Franz Werfel, who obsessively wrote her into his novels, beginning with The Forty Days of Musa Dagh and as a revenant in all the books that followed.
 

Brigham Young had dozens of wives and numerous children, but none have better name recognition than Susa Young Gates. Yet she, like so many women of Mormonism’s past, has remained a mystery to most church members. In Susa Young Gates, Romney Burke paints a portrait of a strong woman who rose to prominence within the church, fought for the rights of women throughout the country, yet dealt with personal trials and her share of heartbreak. 

After divorcing her first husband, Alma Dunford, the trauma associated with that union was such that she steadfastly refused to mention it ever again. She also lost some of her children over the course of her life and was unable to reconcile her older sister’s departure from the LDS Church and conversion to Catholicism. Yet despite her trials, Susa found fulfillment in her faith through service, as a prolific writer—co-authoring with her daughter Leah Dunford Widtsoe the 1930 biography of her father, Life Story of Brigham Young, founding the Young Women’s Journal in 1889, the Relief Society Magazine in 1915, and in her associations with such prominent women’s advocates such as Susan B. Anthony. 

The Daughter as Reader juxtaposes personal narrative with literary criticism to celebrate the ways in which literature enriches and shapes individual experience. Paula Marantz Cohen's lucidly written and compelling autobiographical essays read a variety of literary texts and cultural themes in provocative new ways, illuminated by feminist theory, psychoanalytic criticism, and literary history as well as by her experiences as daughter, sister, wife and mother. A Thomas Wyatt poem illuminates the author's reactions to an episode of sexual harassment; her private struggle with anorexia nervosa inspires questions on the significance of eating disorders within a larger feminine aesthetic; an analysis of Henry James's The Turn of the Screw yields startling insights into the art of child-rearing.The growing genre of autobiographical literary criticism -- popularized by such works as Alice Kaplan's French Lessons: A Memoir and Marianna De Marco Torgovnik's Crossing Ocean Parkway: Readings by an Italian American Daughter -- gains new ground with the publication of The Daughter as Reader. Courageously and creatively attempting to heal the breach between the private and the public -- the literary and the critical, the mother and the professional, the wife and the feminist -- it is essential reading for anyone interested in the connections between the personal, the literary, and the philosophical."...provides stimulating readings of the various texts, but also a provocative commentary on such issues as the problem of father-pleasing among feminist scholars, the limitations of Freudian literalness in assessing fantasy and repression, and the relationship between (Blakean) experience and variant readings." --Annis Pratt, University of Wisconsin, Madison

After immigrating from Lebanon to Haiti as a young girl, Merjan comes of age in an insular, conservative community, where it seems as though her sole escape is marriage. Striking a bargain with a young art dealer, she marries and dreams of becoming a painter, only to discover her husband’s support tethered with expectations.

In the late 1970s, Merjan’s daughter Yvonne is a young woman on the cusp of a marriage of convenience. Though resentful of her mother, Yvonne dreams of establishing a Haitian art gallery in New York with the help of a well-connected older man—but her time there ends disastrously, creating a deep rift between her and her family.

In the present day, Yvonne’s daughter Eva is a student whose art draws inspiration from her grandmother Merjan’s largely undiscovered work. When Eva becomes unexpectedly pregnant, she moves back to her childhood home in Miami to sort out her ambivalent feelings, where she finds her family upended by feuds. An intimate family saga, The Meaning of Daughter explores questions about maternal ambivalence, ambition, artmaking, and how desire resists gendered expectations.