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4 books match the query 'De Grazia, Victoria'

cover of How Fascism Ruled Women: Italy, 1922–1945

How Fascism Ruled Women

Italy, 1922–1945

Victoria de Grazia

University of Wisconsin Press, 2027

“Italy has been made; now we need to make the Italians,” goes a familiar Italian saying. Mussolini was the first head of state to include women in this mandate. How the fascist dictatorship defined women’s place in modern Italy and how women experienced the Duce’s rule are the subjects of Victoria de Grazia’s seminal and influential study. De Grazia draws on an array of sources―memoirs and novels; the images, songs, and events of mass culture; and government statistics and archival reports—to craft a broad yet detailed characterization of Italian women’s ambiguous and ambivalent experience of a regime that promised modernity yet denied women emancipation. Now, thirty-five years after its initial publication, de Grazia has thoroughly revised and expanded her work, adding two new chapters specifically focusing on the Fascist regime’s imperial rule in East Africa.

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cover of Raritan on War: An Anthology

Raritan on War

An Anthology

Jackson Lears

Rutgers University Press, 2025

We are, once again, a world at war. Geopolitical elites are deploying the implacable forces of ethnocentric hatred and religious nationalism; ordinary people are paying a fearful price. Not for the first time: this has been the characteristic pattern of war for more than a century. Every selection in this anthology (except for the timeless Aeneid) casts light on modern war, observed or directly experienced. Most are grounded in particular places—Stalingrad, Halberstadt, Budapest, Baghdad, Algiers, the Tamil ghost towns of Sri Lanka, the six-by-twelve-foot cell in Belmarsh maximum security prison where Julian Assange is held without bail for the act of revealing U.S. war crimes. Some recapture the actual look and feel of war—the sight of a seven-year-old girl clutching her mother's hand, dodging explosions in the Halberstadt public square; the sound of a Mozart concerto in D Minor, heard by a family hiding in a cave, played on their own piano by a Serbian sniper. Others take aim at the vast and vapid abstractions used to justify armed conflict, down to and including the use of nuclear weapons.

Raritan on War collects some of the finest writing on that troubling subject published in Raritan Quarterly between 2003 and 2022. The editors, Jackson Lears and Karen Parker Lears, have selected work that typifies Raritan's wide-ranging sensibility, focusing on a topic that is aesthetically rich, intellectually challenging, and morally disturbing. Ultimately, Raritan on War reveals the power of art and reflection to sustain humane ways of being in the world, even amid constant global violence.

Contributors: C. Felix Amerasinghe; Andrew J. Bacevich; Victoria De Grazia; Tamas Dobozy; David Ferry; M. Fortuna; Cai Guo-Qiang; Emma Dodge Hanson; Jochen Hellbeck; Karl Kirchwey; Ray Klimek; Peter LaBier; Patrick Lawrence; d. mark levitt; Michael Miller; Lyle Jeremy Rubin; Elizabeth D. Samet; Sherod Santos; Robert Westbrook
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cover of Selling Modernity: Advertising in Twentieth-Century Germany

Selling Modernity

Advertising in Twentieth-Century Germany

Pamela E. Swett, S. Jonathan Wiesen, and Jonathan R. Zatlin, eds.

Duke University Press, 2007

The sheer intensity and violence of Germany’s twentieth century—through the end of an empire, two world wars, two democracies, and two dictatorships—provide a unique opportunity to assess the power and endurance of commercial imagery in the most extreme circumstances. Selling Modernity places advertising and advertisements in this tumultuous historical setting, exploring such themes as the relationship between advertising and propaganda in Nazi Germany, the influence of the United States on German advertising, the use of advertising to promote mass consumption in West Germany, and the ideological uses and eventual prohibition of advertising in East Germany.

While the essays are informed by the burgeoning literature on consumer society, Selling Modernity focuses on the actors who had the greatest stake in successful merchandising: company managers, advertising executives, copywriters, graphic artists, market researchers, and salespeople, all of whom helped shape the depiction of a company’s products, reputation, and visions of modern life. The contributors consider topics ranging from critiques of capitalism triggered by the growth of advertising in the 1890s to the racial politics of Coca-Cola’s marketing strategies during the Nazi era, and from the post-1945 career of an erotica entrepreneur to a federal anti-drug campaign in West Germany. Whether analyzing the growing fascination with racialized discourse reflected in early-twentieth-century professional advertising journals or the postwar efforts of Lufthansa to lure holiday and business travelers back to a country associated with mass murder, the contributors reveal advertising’s central role in debates about German culture, business, politics, and society.

Contributors. Shelley Baranowski, Greg Castillo, Victoria de Grazia, Guillaume de Syon, Holm Friebe, Rainer Gries, Elizabeth Heineman, Michael Imort, Anne Kaminsky, Kevin Repp , Corey Ross, Jeff Schutts, Robert P. Stephens, Pamela E. Swett, S. Jonathan Wiesen, Jonathan R. Zatlin

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cover of The Nationalization of the Masses: Political Symbolism and Mass Movements in Germany from the Napoleonic Wars Through the Third Reich

The Nationalization of the Masses

Political Symbolism and Mass Movements in Germany from the Napoleonic Wars Through the Third Reich

George L. Mosse

University of Wisconsin Press, 2023

First published in 1975, The Nationalization of the Masses is George L. Mosse’s major statement about political symbols and the means of their diffusion. Focusing on Germany and, to a lesser degree, France and Italy, Mosse analyzes the role of symbols in fueling mass politics, mass movements, and nationalism in a way that is broadly applicable and as relevant today as it was almost fifty years ago. In this analysis Mosse introduces terms like “secular religion,” “political liturgy,” “national mystique,” “the new politics,” and “the aesthetics of politics” that are now standard in studies of nationalism and fascism, demonstrating the importance of his cultural, anthropologically informed lens to contemporary discourse. This new edition contains a critical introduction by Victoria de Grazia, Moore Collegiate Professor of History at Columbia University, contextualizing Mosse’s research and exploring its powerful influence on subsequent generations of historians.
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