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12 books match the query 'Depression, Mental'

cover of A Kinder, Gentler America: Melancholia and the Mythical 1950s

A Kinder, Gentler America

Melancholia and the Mythical 1950s

Mary Caputi

University of Minnesota Press, 2005

“In the Norman Rockwell paintings of the 1940s and 1950s,” wrote Newt Gingrich, “there was a clear sense of what it meant to be an American.” Gingrich’s words underline what Mary Caputi sees as a desire of the neoconservative movement to set a foundation for modern America that ennobles the past. 

Analyzing these competing uses of the past, A Kinder, Gentler America reveals how longing for the era of “the greatest generation” actually exposes a disillusionment with the present. Caputi draws on the theoretical frameworks of Julia Kristeva and Walter Benjamin to look at how the decade has been portrayed in movies such as Pleasantville and Far from Heaven and delves further to investigate our disenchantment’s lost origins in early modernity through a reading of the poetry of Baudelaire. What emerges is a stark contrast between the depictions of a melancholic present and a cheerful, shiny past. In the right’s invocation of the mythical 1950s and the left’s criticism of the same, Caputi recognizes a common unfulfilled desire, and proposes that by understanding this loss both sides can begin to accept that American identity, despite chaos and confusion, lies in the here and now. 

Mary Caputi is professor of political science at California State University, Long Beach, and is author of Voluptuous Yearnings: A Feminist Theory of the Obscene.
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cover of American Melancholy: Constructions of Depression in the Twentieth Century

American Melancholy

Constructions of Depression in the Twentieth Century

Hirshbein, Laura D

Rutgers University Press, 2009

As American Melancholy reveals, if you read about depression anywhere today—medical journal, popular magazine, National Institute of Mental Health pamphlet, or pharmaceutical company drug promotional literature--you will find three main pieces of information either explicitly stated or strongly implied: depression is a disease (like any other physical disease); it is extraordinarily prevalent in the world; and it occurs about twice as frequently in women as in men. Yet, depression was not classified as a disease until the 1980 publication of the American Psychiatric Association's Diagnostic and Statistical Manual-III (DSM-III). How is it that such an illness, thought to affect between 14 and 17 million Americans, was not specifically defined until the late twentieth century?

American Melancholy traces the growth of depression as an object of medical study and as a consumer commodity and illustrates how and why depression came to be such a huge medical, social, and cultural phenomenon. It is the first book to address gender issues in the construction of depression, explores key questions of how its diagnosis was developed, how it has been used, and how we should question its application in American society.

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cover of Cognitive Behavioral Therapy for Christians with Depression: A Practical Tool-Based Primer

Cognitive Behavioral Therapy for Christians with Depression

A Practical Tool-Based Primer

Michelle Pearce

Templeton Press, 2016

Does religion belong in psychotherapy?
 
For anyone in the helping profession, whether as mental health professional or religious leader, this question is bound to arise. Many mental health professionals feel uncomfortable discussing religion. In contrast, many religious leaders feel uncomfortable referring their congregants to professionals who do not know their faith or intent to engage with it.
 
And yet Michelle Pearce, PhD, assistant professor and clinical psychologist at the Center for Integrative Medicine at the University of Maryland, argues that if religion is essential to a client, religion will be a part of psychotherapy, whether it is discussed or not. Clients cannot check their values at the door more than the professionals who treat them.
 
To Pearce, the question isn’t really, “does religion belong?” but rather, “how can mental health professionals help their religious clients engage with and use their faith as a healing resource in psychotherapy?”
 
Cognitive Behavioral Therapy for Christian Clientswith Depression is the answer to that question, as the book’s purpose is to educate mental health professionals and pastoral counselors about religion’s role in therapy, as well as equip them to discuss religious issues and use evidence-based, religiously-integrated tools with Christian clients experiencing depression.
 
In this book, readers will find the following resources in an easy-to-use format: 
  • An overview of the scientific benefits of integrating clients’ religious  beliefs and practices in psychotherapy
  • An organizing therapeutic approach for doing Christian CBT
  • Seven tools specific to Christian CBT to treat depression
  • Suggested dialogue for therapists to introduce concepts and tools
  • Skill-building activity worksheets for clients
  • Clinical examples of Christian CBT and the seven tools in action
Practitioners will learn the helpful (and sometimes not so beneficial) role a person’s Christian faith can play in psychotherapy. They will be equipped to discuss religious issues and use religiously-integrated tools in their work. At the same time, clergy will learn how Christianity can be integrated into an evidence-based secular mental health treatment for depression, which is sure to increase their comfort level for making referrals to mental health practitioners who provide this form of treatment.
 
Cognitive Behavioral Therapy for Christian Clients with Depression is a practical guide for mental health professionals and pastoral counselors who want to learn how to use Christian-specific CBT tools to treat depression in their Christian clients.
 
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cover of Depression: A Public Feeling

Depression

A Public Feeling

Ann Cvetkovich

Duke University Press, 2012

In Depression: A Public Feeling, Ann Cvetkovich combines memoir and critical essay in search of ways of writing about depression as a cultural and political phenomenon that offer alternatives to medical models. She describes her own experience of the professional pressures, creative anxiety, and political hopelessness that led to intellectual blockage while she was finishing her dissertation and writing her first book. Building on the insights of the memoir, in the critical essay she considers the idea that feeling bad constitutes the lived experience of neoliberal capitalism.

Cvetkovich draws on an unusual archive, including accounts of early Christian acedia and spiritual despair, texts connecting the histories of slavery and colonialism with their violent present-day legacies, and utopian spaces created from lesbian feminist practices of crafting. She herself seeks to craft a queer cultural analysis that accounts for depression as a historical category, a felt experience, and a point of entry into discussions about theory, contemporary culture, and everyday life. Depression: A Public Feeling suggests that utopian visions can reside in daily habits and practices, such as writing and yoga, and it highlights the centrality of somatic and felt experience to political activism and social transformation.

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cover of Down in the Dumps: Place, Modernity, American Depression

Down in the Dumps

Place, Modernity, American Depression

Jani Scandura

Duke University Press, 2007

Mucking around in the messy terrain of American trash, Jani Scandura tells the story of the United States during the Great Depression through evocative and photo-rich portraits of four locales: Reno, Key West, Harlem, and Hollywood. In investigating these Depression-era “dumps,” places that she claims contained and reclaimed the cultural, ideological, and material refuse of modern America, Scandura introduces the concept of “depressive modernity,” an enduring affective component of American culture that exposes itself at those moments when the foundational myths of America and progressive modernity—capitalism, democracy, individualism, secularism, utopian aspiration—are thrown into question. Depressive modernity is modernity at a standstill. Such a modernity is not stagnant or fixed, nor immobile, but is constituted by an instantaneous unstaging of desire, territory, language, and memory that reveals itself in the shimmering of place.

An interpretive bricolage that draws on an unlikely archive of 1930s detritus—office memos, scribbled manuscripts, scrapbooks, ruined photographs, newspaper clippings, glass eyes, incinerated stage sets, pulp novels, and junk washed ashore—Down in the Dumps escorts its readers through Reno’s divorce factory of the 1930s, where couples from across the United States came to quickly dissolve matrimonial bonds; Key West’s multilingual salvage economy and its status as the island that became the center of an ideological tug-of-war between the American New Deal government and a politically fraught Caribbean; post-Renaissance Harlem, in the process of memorializing, remembering, grieving, and rewriting a modernity that had already passed; and Studio-era Hollywood, Nathanael West’s “dump of dreams,” in which the introduction of sound in film and shifts in art direction began to transform how Americans understood place-making and even being itself. A coda on Alcatraz and the Pentagon brings the book into the present, exploring how American Depression comes to bear on post-9/11 America.

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cover of Gut Feminism

Gut Feminism

Elizabeth A. Wilson

Duke University Press, 2015

In Gut Feminism Elizabeth A. Wilson urges feminists to rethink their resistance to biological and pharmaceutical data. Turning her attention to the gut and depression, she asks what conceptual and methodological innovations become possible when feminist theory isn’t so instinctively antibiological. She examines research on anti-depressants, placebos, transference, phantasy, eating disorders and suicidality with two goals in mind: to show how pharmaceutical data can be useful for feminist theory, and to address the necessary role of aggression in feminist politics. Gut Feminism’s provocative challenge to feminist theory is that it would be more powerful if it could attend to biological data and tolerate its own capacity for harm.
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cover of Living Worth: Value and Values in Global Pharmaceutical Markets

Living Worth

Value and Values in Global Pharmaceutical Markets

Stefan Ecks

Duke University Press, 2022

In Living Worth Stefan Ecks draws on ethnographic research on depression and antidepressant usage in India to develop a new theory of value. Framing depressive disorder as a problem of value, Ecks traces the myriad ways antidepressants come to have value, from their ability to help make one’s life worth living to the wealth they generate in the multibillion-dollar global pharmaceutical market. Through case studies that include analyses of the different valuation of generic and brand-name drugs, the origins of rising worldwide depression rates, and the marketing, prescription, and circulation of antidepressants, Ecks theorizes value as a process of biocommensuration. Biocommensurations—transactions that aim or claim to make life better—are those forms of social, medical, and corporate actions that allow value to be measured, exchanged, substituted, and redistributed. Ecks’s theory expands value beyond both a Marxist labor theory of value and a free market subjective theory, thereby offering new insights into how the value of lives and things become entangled under neoliberal capitalism.
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cover of Sage Dreams, Eagle Visions

Sage Dreams, Eagle Visions

Danielle M. Hornett

Michigan State University Press, 2004

Amanda Aaron, a woman of mixed Ojibwe and white heritage, spent twenty years living in Milwaukee, away from her home and family. After the deaths of her parents, a short-lived marriage to an abusive non-Indian, and finally a tragic accident in which her friends were killed, she is pushed into a state of depression. Acting on her doctor’s orders, she returns to her grandparents’ cabin on her home reservation in northern Wisconsin, seeking the solitude she needs to recover.
     Migizi, the Eagle, the Grandfather’s messenger, gifts Amanda with a feather, then visits her one night in her bedroom. Wanting to believe it was a dream, but knowing it was not, Amanda seeks the advice and counsel of Elders on the reservation who, in turn, introduce Amanda to Noah, a spiritual man who can guide and advise her as her life becomes complicated with unwanted responsibilities. Eventually, Amanda is forced to admit that the void she has been experiencing can only be filled by a return to the reservation—a life that has always enriched her and provided her with the needed strength to achieve her goals.

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cover of The Drug, the Soul, and God: A Catholic Moral Perspective on Antidepressants

The Drug, the Soul, and God

A Catholic Moral Perspective on Antidepressants

John-Mark Miravalle

University of Scranton Press, 2010

With The Drug, the Soul, and God, John-Mark Miravelle examines the stance of the Catholic Church regarding the prescription and consumption of antidepressants. After a careful investigation of Catholic moral theology and philosophy, Miravelle argues that treating depression with medication alone fails to address the underlying causes of the depression and does not facilitate the cognitive, interpersonal, and environmental changes necessary for a patient’s long-term health. In addition, he suggests that such medication may deprive sufferers of providential opportunities for personal and communal conversion and sanctification. This controversial volume will engage theologians and medical professionals alike.

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cover of The Family Silver: A Memoir of Depression and Inheritance

The Family Silver

A Memoir of Depression and Inheritance

Sharon O'Brien

University of Chicago Press, 2004

Finding herself struggling with depression ("like a rude houseguest, coming and going of its own accord"), Sharon O'Brien set out to understand its origins beyond the biochemical explanations and emotional narratives prevailing in contemporary American culture. Her quest for her inheritance took her straight into the pressures and possibilities of American culture, and then to the heart of her family—the generations who shaped and were shaped by one another and their moment in history. In The Family Silver, as O'Brien travels into her family's past, she goes beyond depression to discover courage, poetry, and grace.

A compassionate and engaging writer, O'Brien uses the biographer's methods to understand her family history, weaving the scattered pieces of the past—her mother's memo books, her father's reading journal, family photographs, tombstones, dance cards, hospital records, the family silver—into a compelling narrative. In the lives of her Irish-American relatives she finds that the American values of upward mobility, progress, and the pressure to achieve sparked both desire and depression, following her family through generations, across the sea, from the Irish famine of the 1840s to Harvard Yard in the late 1960s.

"Many people who write stories of depression or other chronic illnesses tell tales of recovery in the upward-mobility sense, the 'once I was ill, but now I am well' formula that we may find appealing, but doesn't match the messiness of our lives," she writes. "Mine is not such a tale. But it is a recovery tale in another sense—a story of salvage, of rescuing stories from silence." Told with humor and honesty, O'Brien's story will captivate all readers who want to know how they, and their families, have been shaped by the past.
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cover of The Mercy of Eternity: A Memoir of Depression and Grace

The Mercy of Eternity

A Memoir of Depression and Grace

Eric G. Wilson

Northwestern University Press, 2010

In his best-selling book Against Happiness: In Praise of Melancholy, Eric G. Wilson challenged our culture’s blindly insistent pursuit of happiness at all costs. In his harrowing yet ultimately hopeful memoir, The Mercy of Eternity, the author turns an unsparing eye on his own continuing struggle with bipolar depression and finds, within the very illness that causes so much suffering, the resources for hope, forgiveness, and love.

As a bright student-athlete on his way to West Point, Eric Wilson seemed to be well on the way to a fulfilling life. Yet he was haunted by overwhelming feelings of his deep insignificance. As he grew older, the traditional means of fulfillment—marriage and professional success—did nothing to assuage the descents into darkness and destructive behavior. Therapy and medication have offered some relief, but the birth of his daughter ultimately forces his hand. In some ways, the answer has been in front of him the whole time, for English professor Wilson finds in the literature of Coleridge, Blake, and others the lessons that depression might teach. When he comes upon “negative theology”—the school of thought that finds God in the “dark night of the soul”—Wilson discovers the framework for a radical call to forgive depression. 

Only by forgiving this capricious, impersonal force is Wilson able to find the grace to move beyond the cycles of destructive self-absorption.Wilson admits that he continues to struggle, but in facing his depression instead of trying to escape it, he finds wisdom and grace.

Beautifully and accessibly written, The Mercy of Eternity is a brief yet profound meditation on the largest question of life.
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cover of The Sad Citizen: How Politics Is Depressing and Why It Matters

The Sad Citizen

How Politics Is Depressing and Why It Matters

Christopher Ojeda

University of Chicago Press, 2025

For many citizens, politics is depressing. How has this come to be the norm? And, how is it influencing democracy?

From rising polarization to climate change, today’s politics are leaving many Western democracies in the throes of malaise. While anger, anxiety, and fear are loud emotions that powerfully activate voters, depression is quiet, demobilizing, and less visible as a result. Yet its pervasiveness is cause for concern: after all, democracy should empower citizens.

In The Sad Citizen, Christopher Ojeda draws on wide-ranging data from the United States and beyond to explain how politics is depressing, why this matters, and what we can do about it. Integrating insights from political science, sociology, psychology, and other fields, The Sad Citizen exposes the unhappy underbelly of contemporary politics and offers fresh ideas to strengthen democracy and help citizens cope with the stress of politics.

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