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Bridging scholarly research and conservation practice, this volume presents fundamental guidance on the preservation of granite used in built heritage.

The field of stone conservation has long needed a holistic perspective that embraces the needs of conservation professionals and provides scientific support to enable them to better analyze preservation issues and implement efficient, long-lasting treatments. Conservation of Granite in Cultural Heritage offers such a perspective by bridging scholarly research on the available literature related to granite decay and best practices from conservators working in the field and laboratory.

First offering an overview of granitic rocks and their natural weathering, this volume then outlines the issues that arise when removing granite from quarries and incorporating it into what eventually becomes built heritage. Case studies are presented alongside guidelines for assessing conservation problems. This book will serve as a fundamental manual for students, conservation scientists, conservators, and restorers alike.

Breakdown is fascinating to the scientist and frustrating to the engineer! As well as advancing the scientific and engineering understanding of electrical degradation and breakdown in polymers, this book forms a comprehensive and international review of the state-of-the-art. Topics include: water and electrical treeing; charge transport; 'classical' and filamentary thermal, electromechanical, electronic and partial discharge breakdown models; the stochastic nature of breakdown and statistical characterisation techniques; and engineering considerations for breakdown testing and degradation assessment. The treatment presumes little prior knowledge but develops into an advanced understanding of new concepts such as the fractal-like nature of trees. Although the book is primarily aimed at scientists and engineers practising in the field, a broad introductory section has been included to cater for a wide audience including those new to the subject area. This comprises a description of the nature of the polymers, basic solid-state physics and an introduction to degradation and breakdown.

This innovative volume is the first to address the conservation of contemporary art incorporating biological materials such as plants, foods, bodily fluids, or genetically engineered organisms.
 
Eggshells, flowers, onion peels, sponge cake, dried bread, breast milk, bacteria, living organisms—these are just a few of the biological materials that contemporary artists are using to make art. But how can works made from such perishable ingredients be preserved? And what logistical, ethical, and conceptual dilemmas might be posed by doing so?
 
Because they are prone to rapid decay, even complete disappearance, biological materials used in art pose a range of unique conservation challenges. This groundbreaking book probes the issues associated with displaying, collecting, and preserving these unique works of art. The twenty-four papers from the conference present a range of case studies, prominently featuring artists’ perspectives, as well as conceptual discussions, thereby affording a comprehensive and richly detailed overview of current thinking and practices on this topic. Living Matter is the first publication to explore broadly the role of biological materials in the creative process and present a variety of possible approaches to their preservation.
 
The free online edition of this open-access publication is available at www.getty.edu/publications/living-matter/ and includes videos and zoomable illustrations. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.