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8 books match the query 'Discography & Buyer's Guides'

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Ethnic Music on Records

A Discography of Ethnic Recordings Produced in the United States, 1893-1942. Vol. 1: Western Europe

Richard K. Spottswood

University of Illinois Press, 1990

This impressive compilation offers a nearly complete listing of sound recordings made by American minority artists prior to mid-1942. Organized by national group or language, the seven-volume set cites primary and secondary titles, composers, participating artists, instrumentation, date and place of recording, master and release numbers, and reissues in all formats. Because of its clear arrangements and indexes, it will be a unique and valuable tool for music and ethnic historians, folklorists, and others.

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From Presley to Springsteen

Ten Songs That Defined Rock and Roll

Louis P. Masur

Rutgers University Press, 2027

The first decades of the rock and roll era changed popular music forever and introduced songs that remain beloved standards over a half-century later. But what did it feel like in the rooms where those songs were being written, recorded, and mixed? What creative alchemy and happy accidents transpired to turn these records into classics?

This book examines ten of the rock era’s most iconic songs, including Chuck Berry’s “Johnny B. Goode” and Bruce Springsteen’s “Born to Run.” Along the way, it reveals how singers like Elvis Presley and Aretha Franklin reimagined “Hound Dog” and “Respect” through their sheer force of personality. It also takes you inside the studio to see how producers George Martin, Phil Spector, and Brian Wilson created a symphony of sounds. Other chapters explore how the lyrics of “Satisfaction,” “Like a Rolling Stone,” and “What’s Going On” gave voice to the feelings of a new generation. Writing with a historian’s careful attention to detail and a fan’s love for music, Louis Masur invites us to hear these enduring songs anew.

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Is It Still Good to Ya?

Fifty Years of Rock Criticism, 1967-2017

Robert Christgau

Duke University Press, 2018

Is It Still Good to Ya? sums up the career of longtime Village Voice stalwart Robert Christgau, who for half a century has been America's most widely respected rock critic, honoring a music he argues is only more enduring because it's sometimes simple or silly. While compiling historical overviews going back to Dionysus and the gramophone along with artist analyses that range from Louis Armstrong to M.I.A., this definitive collection also explores pop's African roots, response to 9/11, and evolution from the teen music of the '50s to an art form compelled to confront mortality as its heroes pass on. A final section combines searching obituaries of David Bowie, Prince, and Leonard Cohen with awed farewells to Bob Marley and Ornette Coleman.

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Roadrunner

A Song by Jonathan Richman and the Modern Lovers

Joshua Clover

Duke University Press, 2021

Jonathan Richman and the Modern Lovers' 1972 song “Roadrunner” captures the freedom and wonder of cruising down the highway late at night with the radio on. Although the song circles Boston's beltway, its significance reaches far beyond Richman's deceptively simple declarations of love for modern moonlight, the made world, and rock & roll. In Roadrunner, cultural theorist and poet Joshua Clover charts both the song's emotional power and its elaborate history, tracing its place in popular music from Chuck Berry to M.I.A. He also locates “Roadrunner” at the intersection of car culture, industrialization, consumption, mobility, and politics. Like the song itself, Clover tells a story about a particular time and place—the American era that rock & roll signifies—that becomes a story about love and the modern world.

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The Man in Song

A Discographic Biography of Johnny Cash

John M. Alexander

University of Arkansas Press, 2018

There have been many books written about Johnny Cash, but The Man in Song is the first to examine Cash’s incredible life through the lens of the songs he wrote and recorded. Music journalist and historian John Alexander has drawn on decades of studying Cash’s music and life, from his difficult depression-era Arkansas childhood through his death in 2003, to tell a life story through songs familiar and obscure. In discovering why Cash wrote a given song or chose to record it, Alexander introduces readers anew to a man whose primary consideration of any song was the difference music makes in people’s lives, and not whether the song would become a hit.

The hits came, of course. Johnny Cash sold more than fifty million albums in forty years, and he holds the distinction of being the only performer inducted into the Rock and Roll Hall of Fame, the Country Music Hall of Fame, the Songwriters Hall of Fame, and the Gospel Music Hall of Fame. The Man in Song connects treasured songs to an incredible life. It explores the intertwined experience and creativity of childhood trauma. It rifles through the discography of a life: Cash’s work with the Tennessee Two at Sam Phillips’s Sun Studios, the unique concept albums Cash recorded for Columbia Records, the spiritual songs, the albums recorded live at prisons, songs about the love of his life, June Carter Cash, songs about murder and death and addiction, songs about ramblers, and even silly songs.

Appropriate for both serious country and folk music enthusiasts and those just learning about this musical legend, The Man in Song will appeal to a fan base spanning generations. Here is a biography for those who first heard “I Walk the Line” in 1956, a younger generation who discovered Cash through songs like his cover of Trent Reznor’s “Hurt,” and everyone in between.

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The Music of Bill Monroe

Neil V. Rosenberg and Charles K. Wolfe

University of Illinois Press, 2006

Spanning over 1,000 separate performances, The Music of Bill Monroe presents a complete chronological list of all of Bill Monroe’s commercially released sound and visual recordings. Each chapter begins with a narrative describing Monroe’s life and career at that point, bringing in producers, sidemen, and others as they become part of the story. The narratives read like a “who’s who” of bluegrass, connecting Monroe to the music’s larger history and containing many fascinating stories.

The second part of each chapter presents the discography. Information here includes the session’s place, date, time, and producer; master/matrix numbers, song/tune titles, composer credits, personnel, instruments, and vocals; and catalog/release numbers and reissue data.

The only complete bio-discography of this American musical icon, The Music of Bill Monroe is the starting point for any study of Monroe’s contributions as a composer, interpreter, and performer.

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The Music of the Stanley Brothers

Gary B. Reid

University of Illinois Press, 2015

The Music of the Stanley Brothers brings together forty years of passionate research by scholar and record label owner Gary B. Reid. A leading authority on Carter and Ralph Stanley, Reid augments his own vast knowledge of their music with interviews, documents ranging from books to folios sold by the brothers at shows, and the words of Ralph Stanley, former band members, guest musicians, session producers, songwriters, and bluegrass experts. The result is a reference that illuminates the Stanleys' art and history. It is all here: dates and locations; the roster of players on well-known and obscure sessions alike; master/matrix and catalog/release numbers, with reissue information; a full discography sorting out the Stanleys' complex recording history; the stories behind the music; and exquisitely informed biographical notes that place events in the context of the brothers' careers and lives.

Monumental and indispensable, The Music of the Stanley Brothers provides fans and scholars alike with a guide for immersion in the long career and breathtaking repertoire of two legendary American musicians.

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