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4 books match the query 'Dublin (Ireland)'

cover of Joyce's Ghosts: Ireland, Modernism, and Memory

Joyce's Ghosts

Ireland, Modernism, and Memory

Luke Gibbons

University of Chicago Press, 2015

For decades, James Joyce’s modernism has overshadowed his Irishness, as his self-imposed exile and association with the high modernism of Europe’s urban centers has led critics to see him almost exclusively as a cosmopolitan figure.

In Joyce’s Ghosts, Luke Gibbons mounts a powerful argument that this view is mistaken: Joyce’s Irishness is intrinsic to his modernism, informing his most distinctive literary experiments. Ireland, Gibbons shows, is not just a source of subject matter or content for Joyce, but of form itself. Joyce’s stylistic innovations can be traced at least as much to the tragedies of Irish history as to the shock of European modernity, as he explores the incomplete project of inner life under colonialism. Joyce’s language, Gibbons reveals, is haunted by ghosts, less concerned with the stream of consciousness than with a vernacular interior dialogue, the “shout in the street,” that gives room to outside voices and shadowy presences, the disruptions of a late colonial culture in crisis.

Showing us how memory under modernism breaks free of the nightmare of history, and how in doing so it gives birth to new forms, Gibbons forces us to think anew about Joyce’s achievement and its foundations.
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cover of Newman University Church, Dublin: Architectural Revivalism in the British Isles and the Authority of Form

Newman University Church, Dublin

Architectural Revivalism in the British Isles and the Authority of Form

Niamh Bhalla

University College London, 2024

The first-ever account of the historic relationship between the church and early architecture in Dublin.

Newman University Church, Dublin charts the first ever analysis of University Church’s significance within the history of Victorian revivalist architecture. Author Niamh Bhalla explores the relationship between the church’s context as the first Catholic university in Ireland and the ambiguity of its “early Christian” style, providing an effective lens to understand the architectural revivalism of the nineteenth century, particularly basilican and Byzantine revivalist architectures in the British Isles.
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cover of The Journey Home

The Journey Home

By Dermot Bolger

University of Texas Press, 2008

2008 — Finalist, ForeWord Magazine Book of the Year Awards, Fiction Category

Young Francis Hanrahan dreams desperately of a life different from that of his country-born, suburban-living parents. On his first day at his first job Francis makes his first real friend. Shay, a would-be older brother, introduces "Hano" to Dublin's appealingly seedy after-hours bars and drug-fueled parties. They are joined by Cait, a troubled teenager who spends her days in a stupor. But the noir thrills of underground Dublin cannot conceal the unemployment, corruption, and violence strangling the city. The Plunkett brothers, masters of "the subtle everyday corruption on which a dynasty was built" will use the friends—with tragic results.

Torn between his friends, his family, and his own ideals, Hano ultimately falls victim to these powerful forces and commits a heinous crime. He flees through the countryside with Cait, wondering, as he narrates the events that set him on this path, if there is a home at the end of it.

Controversial for its gritty portrait of Dublin in the 1980s, The Journey Home is Dermot Bolger's unflinching look at the personal cost of social progress, and those, innocent or not, lost during the journey.

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cover of Ulysses: Mahler after Joyce

Ulysses

Mahler after Joyce

Nicolas Mahler

Seagull Books, 2022

A twist on the Irish literary classic Ulysses, told through Nicolas Mahler’s distinctive graphic novel style.
 
Dublin, 16 June 1904: through a day in the life of the advertising agent Leopold Bloom and the sensations of the ordinary, James Joyce created a maximal book from a minimum of matter. Ulysses, the most important novel of modernity, is a defining book of the twentieth century. Joyce’s creation—also spectacularly innovative in form—inspired Nicolas Mahler to attempt a literary retelling that is not a mere illustration or adaption of the novel but an independent and equally as inventive work. Using comics, Mahler transforms the various literary techniques of the original. He assembles his images with humorous and philosophical verve, quoting and rambling along in the spirit of Joyce.
 
With this graphic interpretation of the modern classic, which also constitutes a homage to the golden era of the newspaper comic strip, Ulysses can be newly discovered in a delightfully unexpected form.
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