7 books match the query 'Dystopias in literature'
Elías J. Palti
Bucknell University Press, 2027
How did nineteenth-century Latin American novelists respond to moments when history itself seemed to come undone? Rather than treating dystopia as a futuristic genre, Palti traces its emergence from concrete political crises in Mexico, Argentina, and Brazil, as writers confronted national defeat, dictatorship, and revolutionary uncertainty. Reading Mexican fiction written after the U.S. occupation; Argentine texts produced under Juan Manuel de Rosas, including works by Esteban Echeverría, Domingo F. Sarmiento, and José Mármol; and Brazilian novels from the transition from Empire to Republic, with particular attention to Machado de Assis, the book shows how narrative form begins to falter. Plots stall, identities fragment, and stories resist closure. These breakdowns constitute early dystopian modes—atopia-atropia, heterotopia, and transtopia—through which literature registers the collapse of historical intelligibility. By locating dystopia in narrative form rather than theme, Palti offers a rich new account of literature under political catastrophe.
Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Brett Cooke
Northwestern University Press, 2002
Patrick Parrinder, ed.
Duke University Press, 2001
Peter Edgerly Firchow
Catholic University of America Press, 2007

Eric S Rabkin
Southern Illinois University Press, 1983
Writers have created fictions of social perfection at least since Plato’s Republic. Sir Thomas More gave this thread of intellectual history a name when he called his contribution to it Utopia, Greek for noplace.
With each subsequent author cognizant of his predecessors and subject to altered real-world conditions which suggest ever-new causes for hope and alarm, “no place” changed. The fourteen essays presented in this book critically assess man’s fascination with and seeking for “no place.”
“In discussing these central fictions, the contributors see ‘no place’ from diverse perspectives: the sociological, the psychological, the political, the aesthetic. In revealing the roots of these works, the contributors cast back along the whole length of utopian thought. Each essay stands alone; together, the essays make clear what ‘no place’ means today. While it may be true that ‘no place’ has always seemed elsewhere or elsewhen, in fact all utopian fiction whirls contemporary actors through a costume dance no place else but here.”—from the Preface
The contributors are Eric S. Rabkin, B. G. Knepper, Thomas J.Remington, Gorman Beauchamp, William Matter, Ken Davis, Kenneth M. Roemer, William Steinhoff, Howard Segal, Jack Zipes, Kathleen Woodward, Merritt Abrash, and James W. Bittner.
David S. Dalton
Vanderbilt University Press, 2023
Harvey L. Johnson Publication Award, Southwest Council of Latin American Studies, 2026
Premio Alambique, Alambique: Revista Académica de Ciencia Ficción y Fantasía, 2025
Robo Sacer engages the digital humanities, critical race theory, border studies, biopolitical theory, and necropolitical theory to interrogate how technology has been used to oppress people of Mexican descent—both within Mexico and in the United States—since the advent of the North American Free Trade Agreement (NAFTA) in 1994. As the book argues, robo-sacer identity emerges as transnational flows of bodies, capital, and technology become an institutionalized state of exception that relegates people from marginalized communities to the periphery.
And yet the same technology can be utilized by the oppressed in the service of resistance. The texts studied here represent speculative stories about this technological empowerment. These texts theorize different means of techno-resistance to key realities that have emerged within Mexican and Chicano/a/x communities under the rise and reign of neoliberalism. The first three chapters deal with dehumanization, the trafficking of death, and unbalanced access to technology. The final two chapters deal with the major forms of violence—feminicide and drug-related violence—that have grown exponentially in Mexico with the rise of neoliberalism. These stories theorize the role of technology both in oppressing and in providing the subaltern with necessary tools for resistance.
Robo Sacer builds on the previous studies of Sayak Valencia, Irmgard Emmelhainz, Guy Emerson, Achille Mbembe, and of course Giorgio Agamben, but it differentiates itself from them through its theorization on how technology—and particularly cyborg subjectivity—can amend the reigning biopolitical and necropolitical structures of power in potentially liberatory ways. Robo Sacer shows how the cyborg can denaturalize constructs of zoē by providing an outlet through which the oppressed can tell their stories, thus imbuing the oppressed with the power to combat imperialist forces.
David Lowenthal
St. Augustine's Press, 2021