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8 books match the query 'Early'

cover of Baseball Fever: Early Baseball in Michigan

Baseball Fever

Early Baseball in Michigan

Peter Morris

University of Michigan Press, 2003

Baseball seems tailor-made for the historian, yet even today, after almost a century and a half of organized play, baseball's origins remain unclear. Most accounts focus on Eastern teams and the advent of professionals, but how the game spread across a predominantly rural America to become our national pastime is a question still largely unresolved.

In this well-researched study of Michigan baseball from the 1830s to the 1870s, baseball scholar Peter Morris offers many answers. Drawing on such sources as personal memoirs, period photographs, and an extensive, often hilarious variety of newspaper accounts, he paints a vivid portrait of a game that was widely---if erratically---played well before the Civil War and gradually evolved from an informal amusement into an activity for local groups of young men and finally into a serious, organized sport.

Baseball began with pick-up "raisin'" games---so called because they took place after rural roof-raisings---played purely for fun by any number of participants, with myriad local variations. The first amateur clubs appeared in the 1850s and were often ridiculed for playing a child's game---"baseball fever" was then a term of mockery---but as they persevered and issued challenges to other teams from nearby towns, rivalries developed, rules began to conform, and a tradition started to take shape.

Tournaments, often connected with county fairs, and increased newspaper coverage gave the game new momentum after the Civil War, and what had been sociable matches became serious contests, sometimes marred by bad blood. Enclosed grounds changed the nature of the game--most notably with respect to home runs--and allowed teams to charge admission, which introduced a new element of commercialism, community involvement, and a heightened sense of competition. Ultimately, it brought about a level of play that made the best "amateur" clubs able to challenge professional teams from the East when they toured the country.

As he traces the exploits of clubs like the Excelsiors, the Wahoos, and the Unknowns, season by season and often game by game, Morris adds a wealth of new detail to the story of baseball's early days, showing how decades of at least nominally amateur play prepared the way for the advent of the National League in the 1870s, and with it the true beginnings of the professional sport we know today. In the process, he also paints a fascinating portrait of the attitudes, values, and lives of rural Americans in the mid-nineteenth century.

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cover of John Leland: De uiris illustribus / On Famous Men

John Leland

De uiris illustribus / On Famous Men

John Leland

Bodleian Library Publishing, 2010

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cover of Objectifying China, Imagining America: Chinese Commodities in Early America

Objectifying China, Imagining America

Chinese Commodities in Early America

Caroline Frank

University of Chicago Press, 2011

With the ever-expanding presence of China in the global economy, Americans more and more look east for goods and trade. But as Caroline Frank reveals, this is not a new development. China loomed as large in the minds—and account books—of eighteenth-century Americans as it does today. Long before they had achieved independence from Britain and were able to sail to Asia themselves, American mariners, merchants, and consumers were aware of the East Indies and preparing for voyages there. Focusing on the trade and consumption of porcelain, tea, and chinoiserie, Frank shows that colonial Americans saw themselves as part of a world much larger than just Britain and Europe

Frank not only recovers the widespread presence of Chinese commodities in early America and the impact of East Indies trade on the nature of American commerce, but also explores the role of the this trade in American state formation. She argues that to understand how Chinese commodities fueled the opening acts of the Revolution, we must consider the power dynamics of the American quest for china—and China—during the colonial period. Filled with fresh and surprising insights, this ambitious study adds new dimensions to the ongoing story of America’s relationship with China.
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cover of The Cinema and Its Shadow: Race and Technology in Early Cinema

The Cinema and Its Shadow

Race and Technology in Early Cinema

Alice Maurice

University of Minnesota Press, 2013


The Cinema and Its Shadow argues that race has defined the cinematic apparatus since the earliest motion pictures, especially at times of technological transition. In particular, this work explores how racial difference became central to the resolving of cinematic problems: the stationary camera, narrative form, realism, the synchronization of image and sound, and, perhaps most fundamentally, the immaterial image—the cinema’s “shadow,” which figures both the material reality of the screen image and its racist past.


Discussing early “race subjects,” Alice Maurice demonstrates that these films influenced cinematic narrative in lasting ways by helping to determine the relation between stillness and motion, spectacle and narrative drive. The book examines how motion picture technology related to race, embodiment, and authenticity at specific junctures in cinema’s development, including the advent of narratives, feature films, and sound. In close readings of such films as The Cheat, Shadows, and Hallelujah!, Maurice reveals how the rhetoric of race repeatedly embodies film technology, endowing it with a powerful mix of authenticity and magic. In this way, the racialized subject became the perfect medium for showing off, shoring up, and reintroducing the cinematic apparatus at various points in the history of American film.


Moving beyond analyzing race in purely thematic or ideological terms, Maurice traces how it shaped the formal and technological means of the cinema.


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cover of The Intimacy of Paper in Early and Nineteenth-Century American Literature

The Intimacy of Paper in Early and Nineteenth-Century American Literature

Jonathan Senchyne

University of Massachusetts Press, 2020

The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives saving rags to peddlers collecting them. Making a bold case for the importance of printing and paper technology in the study of early American literature, Jonathan Senchyne presents archival evidence of the effects of this very visible process on American writers, such as Anne Bradstreet, Herman Melville, Lydia Sigourney, William Wells Brown, and other lesser-known figures.

The Intimacy of Paper in Early and Nineteenth-Century American Literature reveals that book history and literary studies are mutually constitutive and proposes a new literary periodization based on materiality and paper production. In unpacking this history and connecting it to cultural and literary representations, Senchyne also explores how the textuality of paper has been used to make social and political claims about gender, labor, and race.
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cover of The Lithic Industries of the Illinois Valley in the Early and Middle Woodland Period

The Lithic Industries of the Illinois Valley in the Early and Middle Woodland Period

Anta Montet-White

University of Michigan Press, 1968

Anta Montet-White analyzes chipped stone tools from more than 30 Woodland and Hopewell sites in the Illinois Valley, including Steuben, Weaver, Havana, Klunk, and Snyders. Contains more than 65 drawings and photographs of various tools, including preforms, projectile points, celts, and hoes.
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cover of The Quest for the Historical Israel: Debating Archaeology and the History of Early Israel

The Quest for the Historical Israel

Debating Archaeology and the History of Early Israel

Israel Finkelstein

SBL Press, 2007

Three decades of dialogue, discussion, and debate within the interrelated disciplines of Syro-Palestinian archaeology, ancient Israelite history, and Hebrew Bible over the question of the relevance of the biblical account for reconstructing early Israel’s history have created the need for a balanced articulation of the issues and their prospective resolutions. This book brings together for the first time and under one cover, a currently emerging “centrist” paradigm as articulated by two leading figures in the fields of early Israelite archaeology and history. Although Finkelstein and Mazar advocate distinct views of early Israel’s history, they nevertheless share the position that the material cultural data, the biblical traditions, and the ancient Near Eastern written sources are all significantly relevant to the historical quest for Iron Age Israel. The results of their research are featured in accessible, parallel syntheses of the historical reconstruction of early Israel that facilitate comparison and contrast of their respective interpretations. The historical essays presented here are based on invited lectures delivered in October of 2005 at the Sixth Biennial Colloquium of the International Institute for Secular Humanistic Judaism in Detroit, Michigan.
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cover of This Side of Early

This Side of Early

Naomi Ayala

Northwestern University Press, 2008

Naomi Ayala’s poems explore wide-ranging themes in an ever-changing landscape—from the city streets to the introspective solace of the woods. These lyrics deconstruct the political world of man, offer hope through a compelling, lyrical, spiritual intimacy, and bridge the gap between the two with words full of ecological intensity. Her deep connections with the working class combine with a love of the land to offer us lilt and dream, revelation and foretelling.

“HOLE”
One morning
they dig up the sidewalk and leave.
No sign of the truck—only the large,
dark shadow digging and digging,
piling up sludge with a hand shovel
beside the only tree.
Two o’clock I come by
and he’s slumbering in the grass beside rat holes.
Three and he’s stretched across a jagged stonewall,
folded hands tucked beneath one ear—
a beautiful young boy smiling,
not the heavy, large shadow who can’t breathe.
Four-thirty and the August heat
takes one down here.
He’s pulled up an elbow joint
some three feet round.
At seven I head home for the night,
pass the fresh gravel mound,
a soft footprint near the manhole
like the “x” abuelo would place beside his name
all the years he couldn’t write.  

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