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12 books match the query 'Edges'

cover of Affect, Animals, and Autists: Feeling Around the Edges of the Human in Performance

Affect, Animals, and Autists

Feeling Around the Edges of the Human in Performance

Marla Carlson

University of Michigan Press, 2018

When theater and related forms of live performance explore the borderlands labeled animal and autism, they both reflect and affect their audiences’ understanding of what it means to be human. Affect, Animals, and Autists maps connections across  performances that question the borders of the human whose neurodiverse experiences have been shaped by the diagnostic label of autism, and animal-human performance relationships that dispute and blur anthropocentric edges.

By analyzing specific structures of affect with the vocabulary of emotions, Marla Carlson builds upon the conception of affect articulated by psychologist Silvan Tomkins. The book treats a diverse selection of live performance and archival video and analyzes the ways in which they affect their audiences. The range of performances includes commercially successful productions such as The Curious Incident of the Dog in the Night-Time, War Horse, and The Lion King as well as to the more avant-garde and experimental theater created by Robert Wilson and Christopher Knowles, Back to Back Theatre, Elevator Repair Service, Pig Iron Theatre, and performance artist Deke Weaver.
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cover of Common Ground: Encounters with Nature at the Edges of Life

Common Ground

Encounters with Nature at the Edges of Life

Rob Cowen

University of Chicago Press, 2016

All too often, we think of nature as something distinct from ourselves, something to go and see, a place that’s separate from the ordinary modern world in which we live and work. But if we take the time to look, we soon find that’s not how nature works. Even in our parceled-out, paved-over urban environs, nature is all around us; it is in us. It is us.
 
That’s what Rob Cowen discovered after moving to a new home in northern England. After ten years in London he was suddenly adrift, searching for a sense of connection. He found himself drawn to a square-mile patch of waste ground at the edge of town. Scrappy, weed-filled, this heart-shaped tangle of land was the very definition of overlooked—a thoroughly in-between place that capitalism no longer had any use for, leaving nature to take its course. Wandering its meadows, woods, hedges, and fields, Cowen found it was also a magical, mysterious place, haunted and haunting, abandoned but wildly alive—and he fell in fascinated love.
 
Common Ground is a true account of that place and Cowen’s transformative journey through its layers and lives, but it’s much more too. As the land’s stories intertwine with events in his own life—and he learns he is to become a father for the first time—the divisions between human and nature begin to blur and shift. The place turns out to be a mirror, revealing what we are, what we’re not and how those two things are ultimately inseparable.
 
This is a book about discovering a new world, a forgotten world on the fringes of our daily lives, and the richness that comes from uncovering the stories and lives—animal and human—contained within. It is an unforgettable piece of nature writing, part of a brilliant tradition that stretches from Gilbert White to Robert Macfarlane and Helen Macdonald.
 
“I am dreaming of the edge-land again,” Cowen writes. Read Common Ground, and you, too, will be dreaming of the spaces in between, and what—including us—thrives there.
 
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cover of Cosmic Apprentice: Dispatches from the Edges of Science

Cosmic Apprentice

Dispatches from the Edges of Science

Dorion Sagan

University of Minnesota Press, 2013


In the pursuit of knowledge, Dorion Sagan argues in this dazzlingly eclectic, rigorously crafted, and deliciously witty collection of essays, scientific authoritarianism and philosophical obscurantism are equally formidable obstacles to discovery. As science has become more specialized and more costly, its questing spirit has been constrained by dogma. And philosophy, perhaps the discipline best placed to question orthodoxy, has retreated behind dense theoretical language and arcane topics of learning.


Guided by a capacious, democratic view of science inspired by the examples set by his late parents—Carl Sagan, who popularized the study of the cosmos, and Lynn Margulis, an evolutionary biologist who repeatedly clashed with the scientific establishment—Sagan draws on classical and contemporary philosophy to intervene provocatively in often-charged debates on thermodynamics, linear and nonlinear time, purpose, ethics, the links between language and psychedelic drugs, the search for extraterrestrial intelligence, and the occupation of the human body by microbial others. Informed by a countercultural sensibility, a deep engagement with speculative thought, and a hardheaded scientific skepticism, he advances controversial positions on such seemingly sacrosanct subjects as evolution and entropy. At the same time, he creatively considers a wide range of thinkers, from Socrates to Bataille and Descartes to von Uexküll, to reflect on sex, biopolitics, and the free will of Kermit the Frog.


Refreshingly nonconformist and polemically incisive, Cosmic Apprentice challenges readers to reject both dogma and cliché and instead recover the intellectual spirit of adventure that should—and can once again—animate both science and philosophy.


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cover of Edges of Care: Living and Dying in No Man’s Land

Edges of Care

Living and Dying in No Man’s Land

Noam Leshem

University of Chicago Press, 2025

A firsthand look at the lives of those who reside in no man’s land—the violence they endure and their immense resilience.
 
“No man’s land” invokes stretches of barren landscape, twisted barbed wire, desolation, and the devastation of war. But this is not always the reality. According to Noam Leshem in Edges of Care, the term also reveals radical abandonment by the state. From the Northern Sahara to the Amazon rainforests, people around the world find themselves in places that have been stripped of sovereign care. Leshem is committed to defining these spaces and providing a more intimate understanding of this urgent political reality.
 
Based on nearly a decade of research in some of the world’s most challenging conflict zones, Edges of Care offers a profound account of abandoned lives and lands, and how they endure and sometimes thrive once left to fend for themselves. Leshem interrogates no man’s land as a site of radical uncaring: abandoned by a sovereign power in a relinquishment of responsibility for the space or anyone inside it. To understand the ramifications of such uncaring, Leshem takes readers through a diverse series of abandoned places, including areas in Palestine, Syria, Colombia, Sudan, and Cyprus. He shows that no man’s land is not empty of life, but almost always inhabited and, in fact, often generative of new modes of being. Beautifully written and evocative, Edges of Care reveals the unexamined complexities and political dynamics hidden within and around places governed by callous indifference.
 
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cover of Edges of Exposure: Toxicology and the Problem of Capacity in Postcolonial Senegal

Edges of Exposure

Toxicology and the Problem of Capacity in Postcolonial Senegal

Noémi Tousignant

Duke University Press, 2018

In the industrialized nations of the global North, well-funded agencies like the CDC attend to citizens' health, monitoring and treating for toxic poisons like lead. How do the under-resourced nations of the global South meet such challenges? In Edges of Exposure, Noémi Tousignant traces the work of toxicologists in Senegal as they have sought to warn of and remediate the presence of heavy metals and other poisons in their communities. Situating recent toxic scandals within histories of science and regulation in postcolonial Africa, Tousignant shows how decolonization and structural adjustment have impacted toxicity and toxicology research. Ultimately, as Tousignant reveals, scientists' capacity to conduct research—as determined by material working conditions, levels of public investment, and their creative but not always successful efforts to make visible the harm of toxic poisons—affects their ability to keep equipment, labs, projects, and careers going.
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cover of Edges of Loss: From Modern Drama to Postmodern Theory

Edges of Loss

From Modern Drama to Postmodern Theory

Mark Pizzato

University of Michigan Press, 1998

One of the curious characteristics of much postmodern theory is the attention it has paid to theater, an art form seemingly more in danger of extinction today than perhaps ever in its history. Mark Pizzato interrogates this curiosity, revealing it as an obsession with the destruction of social institutions and the "universal truths" of modernism. Edges of Loss explores the theatrics of loss in the minds of authors, performers, spectators, and the conflicting social orders of perversion, taboo, and the sacred. Theater as a marginal form reveals the unstable edges of community and the ways such community is imagined and staged. The author initiates his approach to the question of loss through an investigation of the psychohistory of modern and postmodern stages: the return to ritual chorus and the belief in poetry in Eliot's modern poetic drama, the nostalgia for a lost ritual "womb" in Nietzsche's proto-postmodern views of ancient tragedy. Building on this approach, Pizzato employs the techniques of psychobiography wth modern, avant-garde playwrights Antonin Artaud, Bertolt Brecht, and Jean Genet to diagnose the significance of their work in relation to various postmdern theorists. In doing so, he reveals a common concern among both modernists and postmodernists for the stage edge as a border, a gap, an ambiguous juncture between the artist as a self and the artist as a voice of the community. In the end, Edges of Loss establishes this concern as a concern for the lost mother and a lost symbiosis with something deeper and more true. Through its initial focus on literary theory, its subsequent investigation of theatre history and performance history, and its persistent use of various psychoanalytic views, especially regarding spectatorship and cultural studies, Edges of Loss becomes increasingly interdisciplinary. For the aesthetics of loss within modern drama reaches beyond New Critical wholeness toward theatrical elements in many disciplines and various epistemologies of loss. Such differing perspectives show the potential of theater today to display new relationships and to unearth forgotten horizons."An extraordinary and original study. . . a book that wrestles with many current issues in theater and theory without submitting to the common vagaries of those fields of study." --Anthony Kubiak
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cover of Edges of the State

Edges of the State

John Protevi

University of Minnesota Press, 2019

Using philosophical and scientific work to engage the perennial question of human nature
 

This book takes a look at the formation, and edges, of states: their breakdowns and attempts to repair them, and their encounters with non-state peoples. It draws upon anthropology, political philosophy, neuroscience, evolutionary biology, child developmental psychology, and other fields to look at states as projects of constructing “bodies politic,” where the civic and the somatic intersect. John Protevi asserts that humans are predisposed to “prosociality,” or being emotionally invested in social partners and patterns. With readings from Jean-Jacques Rousseau and James C. Scott; a critique of the assumption of widespread pre-state warfare as a selection pressure for the evolution of human prosociality and altruism; and an examination of the different “economies of violence” of state and non-state societies, Edges of the State sketches a notion of prosocial human nature and its attendant normative maxims.


Forerunners: Ideas First
Short books of thought-in-process scholarship, where intense analysis, questioning, and speculation take the lead 

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cover of Extreme Conservation: Life at the Edges of the World

Extreme Conservation

Life at the Edges of the World

Joel Berger

University of Chicago Press, 2018

"Extraordinary. . . . Berger is a hero of biology who deserves the highest honors that science can bestow."—Tim Flannery, New York Review of Books

On the Tibetan Plateau, there are wild yaks with blood cells thinner than those of horses’ by half, enabling the endangered yaks to survive at 40 below zero and in the lowest oxygen levels of the mountaintops. But climate change is causing the snow patterns here to shift, and with the snows, the entire ecosystem. Food and water are vaporizing in this warming environment, and these beasts of ice and thin air are extraordinarily ill-equipped for the change. A journey into some of the most forbidding landscapes on earth, Joel Berger’s Extreme Conservation is an eye-opening, steely look at what it takes for animals like these to live at the edges of existence. But more than this, it is a revealing exploration of how climate change and people are affecting even the most far-flung niches of our planet.

Berger’s quest to understand these creatures’ struggles takes him to some of the most remote corners and peaks of the globe: across Arctic tundra and the frozen Chukchi Sea to study muskoxen, into the Bhutanese Himalayas to follow the rarely sighted takin, and through the Gobi Desert to track the proboscis-swinging saiga. Known as much for his rigorous, scientific methods of developing solutions to conservation challenges as for his penchant for donning moose and polar bear costumes to understand the mindsets of his subjects more closely, Berger is a guide par excellence. He is a scientist and storyteller who has made his life working with desert nomads, in zones that typically require Sherpas and oxygen canisters. Recounting animals as charismatic as their landscapes are extreme, Berger’s unforgettable tale carries us with humor and expertise to the ends of the earth and back. But as his adventures show, the more adapted a species has become to its particular ecological niche, the more devastating climate change can be. Life at the extremes is more challenging than ever, and the need for action, for solutions, has never been greater.
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cover of Fictionalizing Anthropology: Encounters and Fabulations at the Edges of the Human

Fictionalizing Anthropology

Encounters and Fabulations at the Edges of the Human

Stuart J. McLean

University of Minnesota Press, 2017

What might become of anthropology if it were to suspend its sometime claims to be a social science? What if it were to turn instead to exploring its affinities with art and literature as a mode of engaged creative practice carried forward in a world heterogeneously composed of humans and other than humans? Stuart McLean claims that anthropology stands to learn most from art and literature not as “evidence” to support explanations based on an appeal to social context or history but as modes of engagement with the materiality of expressive media—including language—that always retain the capacity to disrupt or exceed the human projects enacted through them.  

At once comparative in scope and ethnographically informed, Fictionalizing Anthropology draws on an eclectic range of sources, including ancient Mesopotamian myth, Norse saga literature, Hesiod, Lucretius, Joyce, Artaud, and Lispector, as well as film, multimedia, and performance art, along with the concept of “fabulation” (the making of fictions capable of intervening in and transforming reality) developed in the writings of Bergson and Deleuze. Sharing with proponents of anthropology’s recent “ontological turn,” McLean insists that experiments with language and form are a performative means of exploring alternative possibilities of collective existence, new ways of being human and other than human, and that such experiments must therefore be indispensable to anthropology’s engagement with the contemporary world.

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cover of Kindred Spirits: Friendship and Resistance at the Edges of Modern Catholicism

Kindred Spirits

Friendship and Resistance at the Edges of Modern Catholicism

Brenna Moore

University of Chicago Press, 2021

Kindred Spirits takes us inside a remarkable network of Catholic historians, theologians, poets, and activists who pushed against both the far-right surge in interwar Europe and the secularizing tendencies of the leftist movements active in the early to mid-twentieth century. With meticulous attention to the complexity of real lives, Brenna Moore explores how this group sought a middle way anchored in “spiritual friendship”—religiously meaningful friendship understood as uniquely capable of facing social and political challenges.

For this group, spiritual friendship was inseparable from resistance to European xenophobia and nationalism, anti-racist activism in the United States, and solidarity with Muslims during the Algerian War. Friendship, they believed, was a key to both divine and human realms, a means of accessing the transcendent while also engaging with our social and political existence. Some of the figures are still well known—philosopher Jacques Maritain, Nobel Prize laureate Gabriela Mistral, influential Islamicist Louis Massignon, poet of the Harlem renaissance Claude McKay—while others have unjustly faded from memory. Much more than an idealized portrait of a remarkable group of Catholic intellectuals from the past, Kindred Spirits is a compelling exploration of both the beauty and flaws of a vibrant social network worth remembering.

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cover of Shanghai and the Edges of Empires

Shanghai and the Edges of Empires

Meng Yue

University of Minnesota Press, 2006

Even before the romanticized golden era of Shanghai in the 1930s, the famed Asian city was remarkable for its uniqueness and East-meets-West cosmopolitanism. Meng Yue analyzes a century-long shift of urbanity from China’s heartland to its shore. During the period between the decline of Jiangnan cities such as Suzhou and Yangzhou and Shanghai’s early twentieth-century rise, the overlapping cultural edges of a failing Chinese royal order and the encroachment of Western imperialists converged. Simultaneously appropriating and resisting imposing forces, Shanghai opened itself to unruly, subversive practices, becoming a crucible of creativity and modernism. 

Calling into question conventional ways of conceptualizing modernity, colonialism, and intercultural relations, Meng Yue examines such cultural practices as the work of the commercial press, street theater, and literary arts, and shows that what appear to be minor cultural changes often signal the presence of larger political and economic developments. Engaging theories of modernity and postcolonial and global cultural studies, Meng Yue reveals the paradoxical interdependence between imperial and imperialist histories and the retranslation of culture that characterized the most notable result of China’s urban relocation—the emergence of the international city of Shanghai. 

Meng Yue is assistant professor of East Asian languages and literature at the University of California, Irvine.
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cover of The Edges of the Medieval World

The Edges of the Medieval World

Gerhard Jaritz

Central European University Press, 2009

In the Middles Ages, the edges of one's world could represent different meanings. On the one hand, they might have been situated in far-away regions, mainly in the east and north, that one most often only knew from hearsay and which were inhabited by strange beings: humans with their faces on their chest, without a mouth, or with dog heads. On the other hand, the edges of one's world could just mean the borders of the community where one lived and that one sometimes might not have had the possibility to cross during one's whole life.In this volume specialists from eight European countries offer their ideas about different edges of the medieval world and contribute to a discussion that has been increasing greatly in Medieval Studies in recent times.
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