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  William F. Woo, born in China, was the first person outside the Pulitzer family to edit the St. Louis Post-Dispatch and the first Asian American to edit a major American newspaper. After forty years in the newsroom, Woo embarked on a second career in 1996 teaching journalism at Stanford University, where he wrote weekly informal essays to his students in the same personal style that characterized his columns for the Post-Dispatch. Each made a philosophical point about journalism and society and their delicate relationship over the last half of the twentieth century.

            Woo was revered as both a writer and a reporter, and this volume collects some of the best of those essays to the next generation of journalists on their craft’s high purpose. As inspiration for students from someone who knew the ropes, it distills the essence of the values that define independent journalism while offering them invaluable food for thought about their future professions.

            The essays touch on a wide range of subjects. Woo reflects on journalism as a public trust, requiring the publication of stories that give readers a better understanding of society and equip them to change it for the better. He also ponders print journalism conducted in the face of broadcast and online competition along with the transformation of newspapers from privately owned to publicly traded companies. Here too are personal reflections on the Pulitzer family’s impact on journalism and on the tensions between a journalist’s personal and professional life, as well as the conflicts posed by political advocacy versus free speech or a reporter’s expertise versus a newspaper’s credibility.

            Woo’s idealistic spirit conveys the virtues of his era’s newspaper journalism to the next generation of journalists—and most likely to the next generation of news media as well. Even as new students of journalism have an eye on an electronic future, Woo’s essays come straight from a newsman’s heart and soul to remind them of values worth preserving.

Whether he was taking us along for a journey down the Mississippi with a couple of runaways or delivering speeches on the importance of careful lying, Mark Twain had an innate ability to captivate readers and listeners alike with his trademark humor and sarcasm. Twain never lacked for material, either, as his strong opinions regarding most issues gave him countless opportunities to articulate his thoughts in the voice that only he could provide.

In early twentieth-century U.S. culture, sex sold.  While known mainly for its social reforms, the Progressive Era was also obsessed with prostitution, sexuality, and the staging of women’s changing roles in the modern era. By the 1910s, plays about prostitution (or “brothel dramas”) had inundated Broadway, where they sometimes became long-running hits and other times sparked fiery obscenity debates. In Sex for Sale, Katie N. Johnson recovers six of these plays, presenting them with astute cultural analysis, photographs, and production histories. The result is a new history of U.S. theatre that reveals the brothel drama’s crucial role in shaping attitudes toward sexuality, birth control, immigration, urbanization, and women’s work.

The volume includes the work of major figures including Eugene O’Neill, John Reed, Rachel Crothers, and Elizabeth Robins. Now largely forgotten and some previously unpublished, these plays were among the most celebrated and debated productions of their day.  Together, their portrayals of commercialized vice, drug addiction, poverty, white slavery, and interracial desire reveal the Progressive Era’s fascination with the underworld and the theatre’s power to regulate sexuality.  Additional plays, commentary, and teaching materials are available at brotheldrama.lib.miamioh.edu.
 
Plays included:
Ourselves (1913) by Rachel Crothers
The Web (1913) by Eugene O’Neill
My Little Sister (1913) by Elizabeth Robins
Moondown (1915) by John Reed
Cocaine (1916) by Pendleton King
A Shanghai Cinderella (renamed East is West, 1918) by Samuel Shipman and John B. Hymer

Set against the backdrop of anthropology’s recent focus on various “turns” (whether ontological, ethical, or otherwise), this pathbreaking volume returns to the question of knowledge and the role of translation as a theoretical and ethnographic guide for twenty-first century anthropology, gathering together contributions from leading thinkers in the field.

Since Ferdinand de Saussure and Franz Boas, languages have been seen as systems whose differences make precise translation nearly impossible. And still others have viewed translation between languages as principally indeterminate. The contributors here argue that the challenge posed by the constant confrontation between incommensurable worlds and systems may be the most fertile ground for state-of-the-art ethnographic theory and practice. Ranging from tourism in New Guinea to shamanism in the Amazon to the globally ubiquitous restaurant menu, the contributors mix philosophy and ethnography to redefine translation not only as a key technique for understanding ethnography but as a larger principle in epistemology.