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4 books match the query 'Edwards, David'

cover of Guardians of Power: The Myth of the Liberal Media

Guardians of Power

The Myth of the Liberal Media

David Edwards and David Cromwell, Foreword by John Pilger

Pluto Press, 2005


"Guardians of Power ought to be required reading in every media college. It is the most important book about journalism I can remember."
- John Pilger

"Regular critical analysis of the media, filling crucial gaps and correcting the distortions of ideological prisms, has never been more important. Media Lens has performed a major public service by carrying out this task with energy, insight, and care."
- Noam Chomsky

"Media Lens is doing an outstanding job of pressing the mainstream media to at least follow their own stated principles and meet their public service obligations. [This is] fun as well as enlightening."
- Edward S. Herman


Can a corporate media system be expected to tell the truth about a world dominated by corporations?

Can newspapers, including the 'liberal' Guardian and the Independent, tell the truth about catastrophic climate change -- about its roots in mass consumerism and corporate obstructionism -- when they are themselves profit-oriented businesses dependent on advertisers for 75% of their revenues?

Can the BBC tell the truth about UK government crimes in Iraq when its senior managers are appointed by the government? Has anything fundamentally changed since BBC founder Lord Reith wrote of the establishment: "They know they can trust us not to be really impartial"?

Why did the British and American mass media fail to challenge even the most obvious government lies on Iraqi weapons of mass destruction before the invasion in March 2003? Why did the media ignore the claims of UN weapons inspectors that Iraq had been 90-95% "fundamentally disarmed" as early as 1998?

This book answers these questions, and more.

Since July 2001, Media Lens has encouraged thousands of readers to email senior editors and journalists, challenging them to account for their distorted reporting on Iraq, Afghanistan, Kosovo, Haiti, East Timor, climate change, Western crimes in Central America, and much more. The responses -- often surprising, sometimes outrageous -- reveal the arrogance, unaccountability and servility to power of even our most respected media.

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cover of NEWSPEAK in the 21st Century

NEWSPEAK in the 21st Century

David Cromwell and David Edwards

Pluto Press, 2009

Since 2001, Media Lens has encouraged thousands of readers to challenge the filtered and distorted version of the world provided by major newspapers and broadcasters. The media responses, collected in Newspeak, are an exposé of the arrogance and servility to power of our leading journalists and editors, starring Andrew Marr, Alan Rusbridger, Roger Alton, Jon Snow, Jeremy Bowen and even George Monbiot.

Picking up where the highly acclaimed and successful Guardians of Power (2006) left off, Newspeak is packed with forensic media analysis, revealing the lethal bias in "balanced" reporting. Even the "best" UK media -- the Guardian, the Independent, Channel 4 News and the BBC -- turn out to be cheerleaders for government, business and war.

Alongside an A-Z of BBC propaganda and chapters on Iraq and climate change, Newspeak focuses on the demonisation of Iran and Venezuela, the Israel-Palestine conflict, the myth of impartial reporting and the dark art of smearing dissidents.

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cover of Propaganda Blitz: How the Corporate Media Distort Reality

Propaganda Blitz

How the Corporate Media Distort Reality

David Edwards and David Cromwell

Pluto Press, 2018

Do you trust the liberal media? While the tabloid and right-wing press - the Sun, The Times, the Mail and the Express - are constantly criticised for dangerous bias, outlets like the BBC and the Guardian are trusted by their readers to report in the interests of the public. However, the reality is that all corporate media is systematically filtered by the powerful interests that own, manage and fund it.

Propaganda Blitz shows that the corporate media does not just 'spin' the news - it fundamentally distorts everything it touches, hiding the real issues from public view, and often completely reversing the truth. This book uncovers a storm of top-down campaigns behind war reporting from Iraq, Syria and Palestine, as well as the destruction of the credibility of figures on the left, including Jeremy Corbyn and Hugo Chavez.

Exposing propagandists at the top levels of the BBC, as well as their reporting on the Scottish independence referendum, the dismantling of the NHS and looming climate chaos, Propaganda Blitz explains the real meaning of 'objective' journalism, exposes the fake news about 'fake news' and outlines a model for anti-business media activism.
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cover of The Painted Desert: Land of Wind and Stone

The Painted Desert

Land of Wind and Stone

Text by Scott Thybony; Photographs by David Edwards

University of Arizona Press, 2006

Most people who are familiar with the Painted Desert of northeastern Arizona know it only from having pulled off at the Petrified Forest exit on Interstate 40. If they happen to come by it at midday, as most do, they find a landscape drained of color and flattened under the direct sunlight.

But this remote pocket of the Arizona desert, sandwiched between the Little Colorado River on one side and bold escarpments on the other, is much more than most tourists ever experience. An ethereal landscape of sculpted rock, wind-fluted cliffs, and elegantly drifting sand, the Painted Desert is a rich storehouse of natural beauty, colorful history, and scientific wonders. Here the strongest winds in Arizona blow across extensive dunefields, where less than ten inches of rain falls each year and only a few desert-savvy Navajo are able to live.

Now, for the first time award-winning writer Scott Thybony and freelance photographer David Edwards offer an intimate look at a place that remains inhospitable and inaccessible to so many. They share insights about the geology, paleontology, anthropology, and human history of the region as well as personal stories that dispel the misconceptions and mysteries that surround this delicate and difficult landscape.

With fifteen stunning photographs gracing the text, this book offers a vibrant portrait of one of the Southwest’s most barren, and most colorful landscapes.
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