Results by title

6 books match the query 'Emigration'

cover of A Home in the West: Or, Emigration and Its Consequences

A Home in the West

Or, Emigration and Its Consequences

Rockwell, M. Emilia

University of Iowa Press, 2005

This is the first novel published in Iowa. Printed in Dubuque in 1858, it was written to recruit emigrants to Iowa; what makes it unique among emigration literature is the fact that it was directed at women, using the form of a domestic novel loaded with gentle mothers and stalwart fathers, flower-gemmed prairies and vine-draped cottages, and lots of tender words and humble weddings to encourage women to settle in the new state.
Mary Emilia Rockwell tells the story of Walter and Annie Judson, who one desperate March night decide to move to the West in search of a better life. Walter is an exploited, debt-ridden carpenter who knows that “if we could go to the West, to one of those new States where work is plenty, wages high and land cheap, we could make a more comfortable living, and besides soon have a home of our own.” Annie has “all a woman’s devotion and self-denial”; loving and supportive, she takes the path of duty and moves her little family to “a pleasant little village in Iowa.” In Newburg, everyone is newly arrived, hard-working, and self-sacrificing, facing difficulties with the certainty of prosperity and independence to come. In spite of dramatic setbacks, Walter prospers, and he and Annie build a “beautiful and commodious” house in the growing community of Hastings. The book ends with a return visit to Connecticut, where the Judsons and a series of surprising events persuade Annie’s parents to move to Iowa too, and everyone is reunited in their home in the West.
Teacher, administrator, and writer Emilia Rockwell (born about 1835, died about 1915) writes a conventionally sentimental story. However, she actually divorced her first husband, became the administrator of a juvenile reformatory in Milwaukee, and married a second time; she lived in Lansing, Iowa, for only a few years. Her writing is romantic, but she accurately portrays the economic challenges and transformations of this pioneer period and, historically, touches upon the Panic of 1857, the Mormon Handcart Expedition, and Native Americans in Iowa. Sharon Wood’s illuminating introduction presents Rockwell's biography and places the novel in its historical and literary contexts, including such events as the Spirit Lake massacre and the Dred Scott decision. A Home in the West is a satisfying read and an intriguing combination of boosterism and literature
[more]
cover of Africans in Europe: The Culture of Exile and Emigration from Equatorial Guinea to Spain

Africans in Europe

The Culture of Exile and Emigration from Equatorial Guinea to Spain

Michael Ugarte

University of Illinois Press, 2013

What differentiates emigration from exile? This book delves theoretically and practically into this core question of population movements. Tracing the shifts of Africans into and out of Equatorial Guinea, it explores a small former Spanish colony in central Africa. Michael Ugarte examines the writings of Equatorial Guinean exiles and migrants, considering the underlying causes of such moves and arguing that the example of Equatorial Guinea is emblematic of broader dynamics of cultural exchange in a postcolonial world.

Based on personal stories of people forced to leave and those who left of their own accord, Africans in Europe captures the nuanced realities and widespread impact of mobile populations. By focusing on the geographical, emotional, and intellectual dynamics of Equatorial Guinea's human movements, readers gain an inroad to "the consciousness of an age" and an understanding of the global realities that will define the cultural, economic, and political currents of the twenty-first century.

[more]
cover of Domesticity, Imperialism, and Emigration in the Victorian Novel

Domesticity, Imperialism, and Emigration in the Victorian Novel

Diana C. Archibald

University of Missouri Press, 2002

During the nineteenth century, as millions of British citizens left for the New Worlds, hearth and home were physically moved from the heart of the empire to its very outskirts. In Domesticity, Imperialism, and Emigration in the Victorian Novel, Diana Archibald explores how such demographic shifts affected the ways in which Victorians both promoted and undermined the ideal of the domestic woman. Drawing upon works by Elizabeth Gaskell, Anthony Trollope, Samuel Butler, Charles Dickens, Charles Reade, and William Makepeace Thackeray, the author shows how the ideals of womanhood and home promoted by domestic ideology in many ways conflict with the argument in favor of immigration to imperial destinations. 
According to Coventry Patmore and John Ruskin, and some of their contemporaries, woman’s natural domain is the home, and a woman’s fulfillment lies at the hearthside. But would any hearth do as long as it was hallowed by the presence of a domestic goddess, or was this Victorian definition of home more discriminating? Although the ideal of the domestic woman was certainly affected by these mass movements, in many texts the definition of her becomes narrow and unattainable, for she must not only be an “angel,” but she must also be English and remain at home.
A rather predictable pattern emerges in almost every Victorian novel that encounters the New Worlds: if an English hero is destined for a happy ending, he either marries an English angel-wife and brings her with him to the New World or, more often, abandons thoughts of settling abroad and returns to England to marry and establish a home. This pattern seems to support the supposedly complementary ideologies of domesticity and imperialism. England, according to imperialist dogma, was the righteous center of a powerful empire whose mission was to “civilize” the rest of the world. The purpose of the domestic “angel” was to provide the moral center of a sacred space, and what is more sacred to such a scheme than English soil? A true “angel” should be English. Despite the mass migrations of the nineteenth century, home remains fundamentally English.
 The literary texts, however, reveal much ambivalence toward this domestic ideal. Often the colonial and native women were seen as foils for the English “angels” because they were much more interesting and attractive. At times, domestic and imperialist ideologies themselves conflicted. Female emigrants were desperately needed in the colonies; thus, a woman’s imperial duty was to leave England. Yet her womanly duty
told her to remain an untainted idol beside an English hearthside. The domestic ideal, then, because of its firm alliance with nationalism, seems to have been more in conflict with imperialistic ideology than heretofore supposed.
[more]
cover of Exporting Japan: Politics of Emigration to Latin America

Exporting Japan

Politics of Emigration to Latin America

Toake Endoh

University of Illinois Press, 2008

Exporting Japan examines the domestic origins of the Japanese government's policies to promote the emigration of approximately three hundred thousand native Japanese citizens to Latin America between the 1890s and the 1960s. This imperialist policy, spanning two world wars and encompassing both the pre-World War II authoritarian government and the postwar conservative regime, reveals strategic efforts by the Japanese state to control its populace while building an expansive nation beyond its territorial borders.

Toake Endoh compellingly argues that Japan's emigration policy embodied the state's anxieties over domestic political stability and its intention to remove marginalized and radicalized social groups by relocating them abroad. Documenting the disproportionate focus of the southwest region of Japan as a source of emigrants, Endoh considers the state's motivations in formulating emigration policies that selected certain elements of the Japanese population for "export." She also recounts the situations migrants encountered once they reached Latin America, where they were often met with distrust and violence in the "yellow scare" of the pre-World War II period.

[more]
cover of Testaments: Two Novellas of Emigration and Exile

Testaments

Two Novellas of Emigration and Exile

Danuta Mostwin

Ohio University Press, 2005

Translated from Polish by Marta Erdman and Nina Dyke.

Polish émigrés have written poignantly about the pain of exile in letters, diaries, and essays; others, more recently, have recreated Polish-American communities in works of fiction. But it is Danuta Mostwin’s fiction, until now unavailable in English translation, that bridges the divide between Poland and America, exile and emigration.

Mostwin and her husband survived the ravages of World War II, traveled to Britain, and then emigrated to the United States. Mostwin devoted her scholarly career to the study of immigrants trapped between cultural worlds. Winner of international awards for her fiction, Danuta Mostwin here offers two novellas, translated by the late Marta Erdman, which are the first of her works published in English in the United States.

Deeply melancholic and moving in its unsentimental depiction of ordinary people trying to make sense of their uprooted lives, Testaments presents two powerful vignettes of life in immigrant America, The Last Will of Blaise Twardowski and Jocasta. This timely publication provides an introduction to Mostwin’s work that will ensure that she is recognized as the creator of one of the most nuanced and deeply moving pictures of emigration and exile in Polish-American literature.

[more]
cover of Vikings across the Atlantic: Emigration and the Building of a Greater Norway, 1860-1945

Vikings across the Atlantic

Emigration and the Building of a Greater Norway, 1860-1945

Daron W. Olson

University of Minnesota Press, 2013

Around the year 1000 a Viking ship landed on the Atlantic coast of what would one day be North America. Nearly a millennium later, on June 7, 1945, Norway’s King Haakon VII returned from exile under guard of the American Ninety-ninth—or “Viking”—Battalion. In Vikings across the Atlantic, Daron W. Olson reveals how these two moments form narrative poles for the vision of a Greater Norway that expanded the boundaries of the Norwegian nation.

Looking at matters of religion, literature, media, and ethnicity, Olson explores how Norwegian Americans’ myths about themselves changed over time in relation to a broader Anglo-American culture, while at the same time influencing and being influenced by the burgeoning national culture of their homeland. Beginning in the 1920s, homeland Norwegian identity-makers framed the concept of the Greater Norway, which viewed the Norwegian nation as having two halves: Norwegians who resided in the homeland and those who had emigrated from Norway, especially those in America. Far from being merely symbolic, this idea, Olson shows, was actually tested by the ordeal of World War II, when Norwegians the world over demonstrated their willingness to sacrifice and even die for the Greater Norway.

In its transnational approach, Olson’s book brings a new perspective to immigrant studies and theories of nationalism; Vikings across the Atlantic depicts the nation as a larger community in which membership is constructed or imagined, a status of belonging defined not by physical proximity but through qualities such as culture and shared traditions.

[more]