4 books match the query 'Enlarged Edition'
By Franklin D. Scott. Epilogue by Steven Koblik
Southern Illinois University Press, 1988
Steven Koblik’s epilogue extends Scott’s now standard text with an analysis of contemporary Swedish political, economic, and social behavior. In addition to the epilogue, Scott has made a number of alterations in the text in order to maintain the timeliness and comprehensiveness of the work.
Using a chronological-topical structure, Scott shows how and why Sweden progressed from times of backwardness to an age of military greatness, through two centuries of cultural development and relapse into poverty followed by a sudden outburst of productive energy and the creation of an exceptionally prosperous welfare state where the ideal is consensus rather than confrontation.
Peter Brown
University of Chicago Press, 2014
Michael Bliss
University of Chicago Press, 2021

Sanford Pinsker
Southern Illinois University Press, 1991
The certainty that deep down we are all schlemiels is perhaps what makes America love an inept ball team or a Woody Allen who unburdens his neurotic heart in public.
In this unique, revised history of the schlemiel, Sanford Pinsker uses psychological, linguistic, and anecdotal approaches, as well as his considerable skills as a spritely storyteller, to trace the schlemiel from his beginnings in the Old Testament through his appearance in the nineteenth-century literature of Mendele Mocher Seforim and Sholom Aleichem to his final development as the beautiful loser in the works of Isaac Bashevis Singer, Bernard Malamud, Saul Bellow, Philip Roth, and Woody Allen. Horatio Alger might have once been a good emblem of the American sensibility, but today Woody Allen’s anxious, bespectacled punin (face) seems closer, and truer, to our national experience. His urban, end-of-the-century anxieties mirror—albeit in exaggeration—our own.
This expanded study of the schlemiel is especially relevant now, when scholarship of Yiddish and American Jewish literature is on the increase. By sketching the family tree of that durable anti-hero the schlemiel, Pinsker proves that Jewish humor is built upon the very foundations of the Jewish experience. Pinsker shows the evolution of the schlemiel from the comic butt of Yiddish jokes to a literary figure that speaks to the heart of our modern problems, and he demonstrates the way that Yiddish humor provides a sorely needed correction, a way of pulling down the vanities we all live by.