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6 books match the query 'Environmentalism in art'

cover of Bad Environmentalism: Irony and Irreverence in the Ecological Age

Bad Environmentalism

Irony and Irreverence in the Ecological Age

Nicole Seymour

University of Minnesota Press, 2018

Traces a tradition of ironic and irreverent environmentalism, asking us to rethink the movement’s reputation for gloom and doom

Activists today strive to educate the public about climate change, but sociologists have found that the more we know about alarming issues, the less likely we are to act. Meanwhile, environmentalists have acquired a reputation as gloom-and-doom killjoys. Bad Environmentalism identifies contemporary texts that respond to these absurdities and ironies through absurdity and irony—as well as camp, frivolity, irreverence, perversity, and playfulness. 

Nicole Seymour develops the concept of “bad environmentalism”: cultural thought that employs dissident affects and sensibilities to reflect critically on our current moment and on mainstream environmental activism. From the television show Wildboyz to the short film series Green Porno, Seymour shows that this tradition of thought is widespread—spanning animation, documentary, fiction film, performance art, poetry, prose fiction, social media, and stand-up comedy since at least 1975. Seymour argues that these texts reject self-righteousness and sentimentality, undercutting public negativity toward activism and questioning basic environmentalist assumptions: that love and reverence are required for ethical relationships with the nonhuman and that knowledge is key to addressing problems like climate change.

Funny and original, Bad Environmentalism champions the practice of alternative green politics. From drag performance to Indigenous comedy, Seymour expands our understanding of how environmental art and activism can be pleasurable, even in a time of undeniable crisis.

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cover of Captive Ecologies: The Environmental Afterlives of Slavery

Captive Ecologies

The Environmental Afterlives of Slavery

Jennifer C. James

Duke University Press, 2026

Captive Ecologies makes a case for the ecological significance of slavery’s afterlife, tracing the complex entanglements between racial capitalism and Black ecological freedom. Attending to the ways that racial capitalism implicates both captive bodies and captive land, Jennifer C. James brings into relief the harm that racial capitalism does to Black people as well as the human and non-human worlds they inhabit. James looks to a range of case studies and media from the nineteenth, twentieth, and twenty-first centuries, including Black music, ecopoetics, literature, social history, biography, and Black feminist and queer art, tracing the various ways that the environmental stakes of racial capitalism have shaped the Black ecological imagination. In these works, the concept of captivity signals not only slavery but also Black life in the “wake”: carceral spaces and enclosures, exploitative economic systems, sacrifice zones, and more. James offers novel concepts and frameworks to generate new modes of ecocriticism that are equipped to grapple with the unique demands and stakes of captive ecologies.
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cover of Decolonial Environmentalisms: Climate Justice and Speculative Futures in Latinx Cultural Production

Decolonial Environmentalisms

Climate Justice and Speculative Futures in Latinx Cultural Production

David J. Vázquez

University of Texas Press, 2025

A critical examination of the environmental movement and the Latinx voices that are shifting how to think about a future shaped by climate change.

In Decolonial Environmentalisms, David Vázquez argues that the mainstream environmental movement is implicated in racial capitalism, not least through its ignorance of environmental justice as it pertains to Latinx people. Through close readings of eco-minded novels, films, visual art, and short stories by Chicanx, Puerto Rican, Dominican, Cuban American, Peruvian, and Central American culture makers, Vázquez surfaces diverse Latinx visions for an equitable and sustainable humanity.

In the creations of Helena María Viramontes, Ester Hernández, Salvador Plascencia, the printmaking collective Dominican York Proyecto GRAFICA, and others, Vázquez locates a bracing critique of racist elisions and assumptions in hegemonic environmentalist thought. At the same time, he shows that the roles of Latinx people in the exploitation of the US West and the ruin of Indigenous communities are ripe for self-examination, in hopes of sparking reform. Indeed, Decolonial Environmentalisms is a work of guarded optimism, finding glimmers of possibility even in dystopic science fiction. The overlooked experiences of Latinx people, Vázquez suggests, can inspire environmental movements capable of transformative advocacy.

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cover of Loving Orphaned Space: The Art and Science of Belonging to Earth

Loving Orphaned Space

The Art and Science of Belonging to Earth

Mrill Ingram

Temple University Press, 2022

How we relate to orphaned space matters. Voids, marginalia, empty spaces—from abandoned gas stations to polluted waterways—are created and maintained by politics, and often go unquestioned. In Loving Orphaned Space, Mrill Ingram provides a call to action to claim and to cherish these neglected spaces and make them a source of inspiration through art and/or remuneration. 

Ingram advocates not only for “urban greening” and “green planning,” but also for “radical caring.” These efforts create awareness and understanding of ecological connectivity and environmental justice issues—from the expropriation of land from tribal nations, to how race and class issues contribute to creating orphaned space. Case studies feature artists, scientists, and community collaborations in Chicago, New York, and Fargo, ND, where grounded and practical work of a fundamentally feminist nature challenges us to build networks of connection and care. 

The work of environmental artists who venture into and transform these disconnected sites of infrastructure allow us to rethink how to manage the enormous amount of existing overlooked and abused space. Loving Orphaned Space provides new ways humans can negotiate being better citizens of Earth.

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cover of Performing Environmentalisms: Expressive Culture and Ecological Change

Performing Environmentalisms

Expressive Culture and Ecological Change

Edited by John Holmes McDowell, Katherine Borland, Rebecca Dirksen, and Sue Tuohy

University of Illinois Press, 2021

Performing Environmentalisms examines the existential challenge of the twenty-first century: improving the prospects for maintaining life on our planet. The contributors focus on the strategic use of traditional artistic expression--storytelling and songs, crafted objects, and ceremonies and rituals--performed during the social turmoil provoked by environmental degradation and ecological collapse. Highlighting alternative visions of what it means to be human, the authors place performance at the center of people's responses to the crises. Such expression reinforces the agency of human beings as they work, independently and together, to address ecological dilemmas. The essays add these people's critical perspectives--gained through intimate struggle with life-altering force--to the global dialogue surrounding humanity's response to climate change, threats to biocultural diversity, and environmental catastrophe.

Interdisciplinary in approach and wide-ranging in scope, Performing Environmentalisms is an engaging look at the merger of cultural expression and environmental action on the front lines of today's global emergency.

Contributors: Aaron S. Allen, Eduardo S. Brondizio, Assefa Tefera Dibaba, Rebecca Dirksen, Mary Hufford, John Holmes McDowell, Mark Pedelty, Jennifer C. Post, Chie Sakakibara, Jeff Todd Titon, Rory Turner, Lois Wilcken

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cover of Seeing Green: The Use and Abuse of American Environmental Images

Seeing Green

The Use and Abuse of American Environmental Images

Finis Dunaway

University of Chicago Press, 2015

American environmentalism is defined by its icons: the “Crying Indian,” who shed a tear in response to litter and pollution; the cooling towers of Three Mile Island, site of a notorious nuclear accident; the sorrowful spectacle of oil-soaked wildlife following the ExxonValdez spill; and, more recently, Al Gore delivering his global warming slide show in An Inconvenient Truth. These images, and others like them, have helped make environmental consciousness central to American public culture. Yet most historical accounts ignore the crucial role images have played in the making of popular environmentalism, let alone the ways that they have obscured other environmental truths.
 
Finis Dunaway closes that gap with Seeing Green. Considering a wide array of images—including pictures in popular magazines, television news, advertisements, cartoons, films, and political posters—he shows how popular environmentalism has been entwined with mass media spectacles of crisis. Beginning with radioactive fallout and pesticides during the 1960s and ending with global warming today, he focuses on key moments in which media images provoked environmental anxiety but also prescribed limited forms of action. Moreover, he shows how the media have blamed individual consumers for environmental degradation and thus deflected attention from corporate and government responsibility. Ultimately, Dunaway argues, iconic images have impeded efforts to realize—or even imagine—sustainable visions of the future.
 
Generously illustrated, this innovative book will appeal to anyone interested in the history of environmentalism or in the power of the media to shape our politics and public life.
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