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3 books match the query 'Erotic literature, French'
Sade My Neighbor
Pierre Klossowski
Northwestern University Press, 1991
Enlightenment ideals of a society rooted in liberationist reason and morality were trampled in the wake of the savagery of the Second World War. That era's union of cold technology and ancient hatreds gave rise to a dark, alternative reason—an ethic that was value-free and indifferent with regard to virtue and vice, freedom, and slavery. In a world where "the unthinkable" had become reality, it is small wonder that theorists would turn to the writings of a man whose eighteenth-century imagination preceded twentieth-century history in its unbridled exploration of viciousness, perversion, and monstrosity: the Marquis de Sade.
Klossowski was one of the first philosophers in postwar Europe to ask whether Sade's reason, although aberrant and perverted to evil passions, could be taken seriously. Klossowski's seminal work inspired virtually all subsequent study of Sadean thought, including that of de Beauvoir, Deleuze, Derrida, Bataille, Blanchot, Paulhan, and Lacan.
Klossowski was one of the first philosophers in postwar Europe to ask whether Sade's reason, although aberrant and perverted to evil passions, could be taken seriously. Klossowski's seminal work inspired virtually all subsequent study of Sadean thought, including that of de Beauvoir, Deleuze, Derrida, Bataille, Blanchot, Paulhan, and Lacan.
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Sade
The Invention Of The Libertine BodyMarcel Henaff
University of Minnesota Press, 1999
A new model for examining Sade and his creations.
A new model for examining Sade and his creations.
Decried as a misogynist and pornographer, imprisoned for debauchery and for his writings, there is scarcely a cultural figure as flamboyant and controversial as the Marquis de Sade, the father of the new libertine body. But this is not, Hénaff maintains, the only way to see Sade. In this long-awaited English translation, Hénaff says that Sade should be discussed less for the sensual heat of his writing and more for the larger poetic and economic model his work represents.With unabashed candor, Sade describes bodies in terms not of flesh but of production, use, exchange, and waste. In his writing, this libertine self is unleashed from its constraints, no longer bound by old conceptions of desire and traditions of courtship. Hénaff’s argument that Sade is a sign of his times-exposing the courtly facade of a society unable to preserve itself-reveals dark, disquieting secrets about the direction of civilization. The libertine body, he says, is a child of this new order.ISBN 0-8166-2536-0 Cloth £34.50 $49.95xxISBN 0-8166-2537-9 Paper £14.00 $19.95x296 Pages 5 7/8 x 9 OctoberTranslation inquiries: University of Minnesota Press[more]
The Reinvention of Obscenity
Sex, Lies, and Tabloids in Early Modern FranceJoan DeJean
University of Chicago Press, 2002
The concept of obscenity is an ancient one. But as Joan DeJean suggests, its modern form, the same version that today's politicians decry and savvy artists exploit, was invented in seventeenth-century France.
The Reinvention of Obscenity casts a fresh light on the mythical link between sexual impropriety and things French. Exploring the complicity between censorship, print culture, and obscenity, DeJean argues that mass market printing and the first modern censorial machinery came into being at the very moment that obscenity was being reinvented—that is, transformed from a minor literary phenomenon into a threat to society. DeJean's principal case in this study is the career of Moliére, who cannily exploited the new link between indecency and female genitalia to found his career as a print author; the enormous scandal which followed his play L'école des femmes made him the first modern writer to have his sex life dissected in the press.
Keenly alert to parallels with the currency of obscenity in contemporary America, The Reinvention of Obscenity will concern not only scholars of French history, but anyone interested in the intertwined histories of sex, publishing, and censorship.
The Reinvention of Obscenity casts a fresh light on the mythical link between sexual impropriety and things French. Exploring the complicity between censorship, print culture, and obscenity, DeJean argues that mass market printing and the first modern censorial machinery came into being at the very moment that obscenity was being reinvented—that is, transformed from a minor literary phenomenon into a threat to society. DeJean's principal case in this study is the career of Moliére, who cannily exploited the new link between indecency and female genitalia to found his career as a print author; the enormous scandal which followed his play L'école des femmes made him the first modern writer to have his sex life dissected in the press.
Keenly alert to parallels with the currency of obscenity in contemporary America, The Reinvention of Obscenity will concern not only scholars of French history, but anyone interested in the intertwined histories of sex, publishing, and censorship.
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