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5 books match the query 'European Culture'

cover of European Culture and the Media

European Culture and the Media

Edited by Ib Bondebjerg and Peter Golding

Intellect Books, 2004

European Culture and the Media presents new research and thinking on cultural globalisation, with special focus on and in-depth analysis of a number of cases and dimensions in European media culture and its broader social, political and economic context.
 
The book is written by some of the most prominent European media researchers from both the humanities and social sciences.  It offers a provocative and new interdisciplinary look at the modern European media culture, and at the same time introduces new theories, empirical data and analysis of media communciation, genres and media institutions.
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cover of In Times of Crisis: Essays on European Culture, Germans, and Jews

In Times of Crisis

Essays on European Culture, Germans, and Jews

Steven E. Aschheim

University of Wisconsin Press, 2001

The nineteenth- and twentieth-century relationship between European culture, German history, and the Jewish experience produced some of the West’s most powerful and enduring intellectual creations—and, perhaps in subtly paradoxical and interrelated ways, our century’s darkest genocidal moments. In Times of Crisis explores the flashpoints of this vexed relationship, mapping the coordinates of a complex triangular encounter of immense historical import.
    In essays that range from the question of Nietzsche’s legacy to the controversy over Daniel Goldhagen’s Hitler’s Willing Executioners, the distinguished historian Steven E. Aschheim presents this encounter as an ongoing dialogue between two evolving cultural identities. He touches on past dimensions of this exchange (such as the politics of Weimar Germany) and on present dilemmas of grasping and representing it (such as the Israeli discourse on the Holocaust). His work inevitably traces the roots and ramifications of Nazism but at the same time brings into focus historical circumstances and contemporary issues often overshadowed or distorted by the Holocaust.
    These essays reveal the ubiquitous charged inscriptions of Nazi genocide within our own culture and illuminate the projects of some later thinkers and historians—from Hannah Arendt to George Mosse to Saul Friedlander—who have wrestled with its problematics and sought to capture its essence. From the broadly historical to the personal, from the politics of Weimar Germany to the experience of growing up German Jewish in South Africa, the essays expand our understanding of German Jewish history in particular, but also of historical processes in general.

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cover of Media, Democracy and European Culture

Media, Democracy and European Culture

Edited by Ib Bondebjerg and Peter Madsen

Intellect Books, 2008

Media, Democracy and European Culture presents up-to-date and cutting-edge research on the political and cultural dimension of democracy in Europe and its representation in the media.  This interdisciplinary volume brings together the work of some of the most prominent European scholars in media, political science, sociology, cultural studies and law. The contributors explore issues of globalization, the role of the media and communication policy to order to provide a comparative country-to-country look at how the media constructs European identity. This timely and forward-looking collection will be of interest to scholars of media, international and cultural studies.

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cover of Rhetoric in European Culture and Beyond

Rhetoric in European Culture and Beyond

Jirí Kraus

Karolinum Press, 2014

Rhetoric in European and World Culture traces the position of rhetoric in cultural and educational systems from ancient times to the present. Here, Jirí Kraus examines rhetoric’s decline in importance in a period of rationalism and enlightenment, presents the causes of negative connotations of rhetoric, and explains why rhetoric in the twentieth century regained its prestige.
           
Kraus demonstrates that the reputation of rhetoric falls when it is reduced to a refined method for deceiving the public and increases when it is seen as a scientific discipline that is used throughout all of the fields of the humanities. In this sense, the author argues, rhetoric strives for universal recognition and the cultivation of rhetorical expression, spoken and written, including not only its production but also reception and interpretation.
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cover of Transatlantic Stowe: Harriet Beecher Stowe and European Culture

Transatlantic Stowe

Harriet Beecher Stowe and European Culture

Denise Kohn

University of Iowa Press, 2006

Uncle Tom’s Cabin broke publishing records and made Harriet Beecher Stowe in her time one of the world’s most famous authors. The book was a bestseller in Britain and was translated into some forty languages. Yet today Stowe tends to be seen wholly in the context of American literary history. Transatlantic Stowe: Harriet Beecher Stowe and European Culture is the first book to consider multiple aspects of Stowe’s career in an international context. The groundbreaking essays of Transatlantic Stowe examine the author’s literary and literal forays in Europe and the ways in which intellectual and cultural exchanges between the Old and New Worlds shaped her work. It was a crucial moment in the transatlantic discourse, a turning of the tide, and Stowe was among the first American novelists to be lionized in Europe---and pirated by publishers---in the same way that European writers had been treated in America.Blending historical and cultural criticism and drawing on fresh primary material from London and Paris, Transatlantic Stowe includes essays exploring Stowe’s relationship with European writers and the influence of her European travels on her work, especially the controversial travel narrative Sunny Memories of Foreign Lands and her “Italian novel” Agnes of Sorrento.Interdisciplinary and itself transatlantic, the collection discusses visual art and material culture as well as literature and politics and includes contributions from Britain, Ireland, and the United States. Together these essays offer new interpretations of Stowe’s most popular novel as well as new readings of her many other works, illuminate the myriad connections between Stowe and European writers, and thus rewrite literary history by returning Stowe to the larger political, historical, and literary contexts of nineteenth-century Europe.
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