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Winner of the Jacques Barzun Prize in Cultural History given by the Council of the American Philosophical Society
 
Extravagantly illustrated with over seventy photographs, drawings, paintings, and contemporary cartoons, An Early Encounter with Tomorrow documents the mixture of amazement and alarm with which European visitors greeted 1890s Chicago: as a futuristic city animated by a crass, frenetic mercantile class. This volume also contains an extensive bibliography, arranged by country, and profiles of the foreign observers who sought the implications for European culture in what Asa Briggs called the "shock city" of the western world.
 
 

Colin G. Calloway collects, for the first time, documents describing the full range of encounters of Indians and Europeans in northern New England during the Colonial era. His comprehensive and highly readable introduction to the subject of Indian and European interaction in northern New England covers early encounters, missionary efforts, diplomacy, war, commerce, and cultural interchange and features a wide range of primary sources, including narratives, letters, account books, treaties, and council proceedings. Together with period illustrations, the documents testify to the richness and variety of the inter-ethnic relations in northern New England. They also show that while conflict certainly occurred, the encounters were also marked by cooperation and accommodation.

Early Encounters contains a selection of nineteen essays from the papers of prominent New England historian, antiquarian, and genealogist Warren Sears Nickerson (1880-1966). This extensive study of his own family ties to the Mayflower, and his exhaustive investigation of the first contacts between Europeans and Native Americans, in what is today New England, made him an unquestioned authority in both fields. 
     The research upon which the text of Early Encounters is based occurred between the 1920s and the 1950s. Each of Nickerson’s works included in this carefully edited volume is placed in its context by Delores Bird Carpenter; she provides the reader with a wealth of useful background information about each essay’s origin, as well as Nickerson’s reasons for undertaking the research. Material is arranged thematically: the arrival of the Mayflower; conflicts between Europeans and Native Americans; and other topics related to the history and legends of early European settlement on Cape Cod. Early Encounters is a thoughtfully researched, readable book that presents a rich and varied account of life in colonial New England.

Eurafricans in Western Africa traces the rich social and commercial history of western Africa. The most comprehensive study to date, it begins prior to the sixteenth century when huge profits made by middlemen on trade in North African slaves, salt, gold, pepper, and numerous other commodities prompted Portuguese reconnaissance voyages along the coast of western Africa. From Senegal to Sierra Leone, Portuguese, including “New Christians” who reverted to Judaism while living in western Africa, thrived where riverine and caravan networks linked many African groups.

Portuguese and their Luso-African descendants contended with French, Dutch, and English rivals for trade in gold, ivory, slaves, cotton textiles, iron bars, cowhides, and other African products. As the Atlantic slave trade increased, French and Franco-Africans and English and Anglo-Africans supplanted Portuguese and Luso-Africans in many African places of trade.

Eurafricans in Western Africa follows the changes that took root in the eighteenth century when French and British colonial officials introduced European legal codes, and concludes with the onset of the French Revolution and Napoleonic Wars, when suppression of the slave trade and expanding commerce in forest and agricultural commodities again transformed circumstances in western Africa.

Professor George E. Brooks’s outstanding history of these vital aspects of western Africa is enriched by his discussion of the roles of the women who married or cohabited with European traders. Through accounts of incidents and personal histories, which are integrated into the narrative, the lives of these women and their children are accorded a prominent place in Professor Brooks’s fascinating discussion of this dynamic region of Africa.

Hollywood culture has been dismissed as insignificant for so long that film buffs and critics might be forgiven for forgetting that for two decades an unprecedented interaction of social and cultural forces shaped American film. In this probing account of how a  generation of industry newcomers attempted to use the modernist art of the cinema to educate the public in anti-Fascist ideals, Saverio Giovacchini traces the profound transformation that took place in the film industry from the 1930's to the 1950's. Rejecting the notion that European emigres and New Yorkers sought a retreat from politics or simply gravitated toward easy money, he contends that Hollywood became their mecca precisely because they wanted a deeper engagement in the project of democratic modernism.

Seeing Hollywood as a forcefield, Giovacchini examines the social networks, working relationships, and political activities of artists, intellectuals, and film workers who flocked to Hollywood from Europe and the eastern United States before and during the second world war. He creates a complex and nuanced portrait of this milieu, adding breadth and depth to the conventional view of the era's film industry as little more than an empire for Jewish moguls or the major studios. In his rendering Hollywood's newcomers joined with its established elite to develop a modernist aesthetic for film that would bridge popular and avant-garde sensibilities; for them, realism was the most  effective vehicle for conveying their message and involving a mass audience in the democratic struggle for process.

The Dutch scholar Rob Kroes argues that American culture is "modular,"
continually fragmenting, disassembling, and reassembling itself--and in
the process creating something new. In a series of topical essays that
show why he is one of Europe's leading authorities on American culture,
Kroes probes trends in American advertising, the image of the Vietnam
war in American films, the implications of American vernacular culture as represented in rap music, and other topics.
 

With its focus on Latin America and Europe, two world regions historically linked by human mobility and cultural exchange, this insightful interdisciplinary examination of their changing international migration patterns demonstrates how they are now responding to significant demographic changes and new migration trends. The volume examines strategies pursued by state and non-state actors to address the political and policy implications of mobility, and asks to what extent is cross-regional migration effectively managed today, and how it could be improved. Its chapters provide an integrated and comparative view of the links between the two regions and highlight the formal and informal interstices through which migration journeys are negotiated and shaped.

In the seventeenth century, the Dutch established a trading base at the Indonesian site of Jacarta. What began as a minor colonial outpost under the name Batavia would become, over the next three centuries, the flourishing economic and political nucleus of the Dutch Asian Empire. In this pioneering study, Jean Gelman Taylor offers a comprehensive analysis of Batavia’s extraordinary social world—its marriage patterns, religious and social organizations, economic interests, and sexual roles. With an emphasis on the urban ruling elite, she argues that Europeans and Asians alike were profoundly altered by their merging, resulting in a distinctive hybrid, Indo-Dutch culture.
    Original in its focus on gender and use of varied sources—travelers’ accounts, newspapers, legal codes, genealogical data, photograph albums, paintings, and ceramics—The Social World of Batavia, first published in 1983, forged new paths in the study of colonial society. In this second edition, Gelman offers a new preface as well as an additional chapter tracing the development of these themes by a new generation of scholars.

Crossing the remote, southern tip of Africa has fired the imagination of European travellers from the time Bartholomew Dias opened up the passage to the East by rounding the Cape of Good Hope in 1488. Dutch, British, French, Danes, and Swedes formed an endless stream of seafarers who made the long journey southwards in pursuit of wealth, adventure, science, and missionary, as well as outright national, interest. Beginning by considering the early hunter-gatherer inhabitants of the Cape and their culture, Malcolm Jack focuses in his account on the encounter that the European visitors had with the Khoisan peoples, sometimes sympathetic but often exploitative from the time of the Portuguese to the abolition of slavery in the British Empire in 1833. This commercial and colonial background is key to understanding the development of the vibrant city that is modern Cape Town, as well as the rich diversity of the Cape hinterland.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

The contrast between the temperate and the tropical is one of the most enduring themes in the history of the Western geographical imagination. Caught between the demands of experience and representation, documentation and fantasy, travelers in the tropics have often treated tropical nature as a foil to the temperate, to all that is civilized, modest, and enlightened. Tropical Visions in an Age of Empire explores images of the tropical world—maps, paintings, botanical drawings, photographs, diagrams, and texts—produced by European and American travelers over the past three centuries.

Bringing together a group of distinguished contributors from disciplines across the arts and humanities, this volume contains eleven beautifully illustrated essays—arranged in three sections devoted to voyages, mappings, and sites—that consider the ways that tropical places were encountered, experienced, and represented in visual form. Covering a wide range of tropical sites in the Pacific, South Asia, West Africa, the Caribbean, and Latin America, the book will appeal to a broad readership: scholars of postcolonial studies, art history, literature, imperial history, history of science, geography, and anthropology.