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Popular science readers embrace epics—the sweeping stories that claim to tell the history of all the universe, from the cosmological to the biological to the social. And the appeal is understandable: in writing these works, authors such as E. O. Wilson or Steven Weinberg deliberately seek to move beyond particular disciplines, to create a compelling story weaving together natural historical events, scientific endeavor, human discovery, and contemporary existential concerns.

In A Final Story, Nasser Zakariya delves into the origins and ambitions of these scientific epics, from the nineteenth century to the present, to see what they reveal about the relationship between storytelling, integrated scientific knowledge, and historical method. While seeking to transcend the perspectives of their own eras, the authors of the epics and the debates surrounding them are embedded in political and social struggles of their own times, struggles to which the epics in turn respond. In attempts to narrate an approach to a final, true account, these synthesizing efforts shape and orient scientific developments old and new. By looking closely at the composition of science epics and the related genres developed along with them, we are able to view the historical narrative of science as a form of knowledge itself, one that discloses much about the development of our understanding of and relationship to science over time.

For twenty-five centuries, the animal stories that go by the name of Aesop's Fables have amused and instructed generations of children and adults alike. The tales are still as fresh and poignant today as they were to the ancient Greeks who composed them. This beautifully illustrated edition contains some of the best-loved fables, including "The Boy who Cried Wolf," "The Lion and the Mouse," "The Goose that Laid the Golden Egg," "The Hare and the Tortoise," and "The Town Mouse and the Country Mouse," alongside many of the lesser-known tales.  These timeless stories are illustrated with thirty-seven woodcuts by Agnes Miller Parker (1895–1980), one of the greatest British wood engraving artists of the twentieth century. Parker's distinctive work is strikingly stylized and deceptively simple. Commissioned in the 1930s by the fine press publisher Gregynog Press for their edition of the work, these exquisite engravings are among Parker's finest work. 

Growing out of the music scene, afrofuturism has emerged as an important aesthetic through films such as Black Panther and Get Out. While the significance of these sonic and visual avenues for afrofuturism cannot be underestimated, literature remains fundamental to understanding its full dimensions. Isiah Lavender’s Afrofuturism Rising explores afrofuturism as a narrative practice that enables users to articulate the interconnection between science, technology, and race across centuries.

By engaging with authors as diverse as Phillis Wheatley, David Walker, Frederick Douglass, Harriet Ann Jacobs, Samuel R. Delany Jr., Pauline Hopkins, Zora Neale Hurston, and Richard Wright, Afrofuturism Rising extends existing scholarly conversations about who creates and what is created via science fiction. Through a trans-historical rereading of texts by these authors as science fiction, Lavender highlights the ways black experience in America has always been an experience of spatial and temporal dislocation akin to science fiction. Compelling and ambitious in scope, Afrofuturism Rising redefines both science fiction and literature as a whole.

Here, grounded firmly in American history, is a skilled folklorist's survey of the entire field of America's folklore—from colonization to mass culture.

Tracing the forms and content of American folklore, Mr. Dorson reveals the richness, pathos, and humor of genuine folklore, which he distinguishes from the "fakelore" of popularizers and chauvinists. At the same time, however, he shows what the creation of spurious folklore (the Paul Bunyan legends, for instance) discloses about our national character. Based upon authentic field collections and research, the examples cited include folkways, jests, boasts, tall tales, ballads, folk and legendary heroes.

"His volume enlarges our understanding of the American past and present through an empirical survey of the extant folk traditions and it also provides us with the means for appreciating what is valuable in these folk traditions."—Virginia Quarterly Review