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2 books match the query 'Feiffer, Jules'

cover of Back to Black: Jules Feiffer’s Noir Trilogy

Back to Black

Jules Feiffer’s Noir Trilogy

Fabrice Leroy

Rutgers University Press, 2025

Named the Best Academic Work of 2025 by The Comics Journal 

The legendary American cartoonist and author Jules Feiffer has enjoyed a long and varied career, working on everything from illustrating The Phantom Tollbooth to writing the screenplay for the film Popeye. But some of his most innovative work came very late in his career, with a trio of graphic novels he composed in his eighties: Kill My Mother (2014), Cousin Joseph (2016), and The Ghost Script (2018).
 
Back to Black provides the first full-length critical analysis of this trilogy, exploring how it pays homage to the iconography and themes of film noir through constant graphic experimentation and a striking reinvention of Feiffer’s distinctive style. Fabrice Leroy shows how Feiffer deftly alternates between dramatic and satirical tones as he plays with the conventions of noir to provide a caustic yet moving commentary on mid-twentieth-century American life. Through close readings of each novel in the trilogy, he examines Feiffer’s singular depiction of the central political issues in the United States from the Great Depression to the 1950s, which still resonate today: unionization struggles, cinematic propaganda, McCarthyism, the American Dream, immigration, antisemitism, civil rights, and gender discrimination. Placing the noir trilogy into the context of Feiffer’s long career, Back to Black demonstrates how he offers a loving pastiche of the genre without losing his unique voice or critical edge.
 

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cover of Backing into Forward: A Memoir

Backing into Forward

A Memoir

Jules Feiffer

University of Chicago Press, 2012

Subversive, funny, and effortlessly droll, Jules Feiffer’s cartoons were all over New York in the 1960s and ’70s—featured in the Village Voice, but also cut out and pinned to bulletin boards in offices and on refrigerators at home. Feiffer describes himself as “lucking into the zeitgeist,” and there’s some truth to the sentiment; Feiffer’s brand of satire reflected Americans’ ambivalence about the Vietnam War, changing social mores, and much more.

Feiffer’s memoir, Backing into Forward, like his cartoons, is sharply perceptive with a distinctive bite of mordant humor. Beginning with his childhood in Brooklyn, Feiffer paints a picture of a troubled kid with an overbearing mother and a host of crippling anxieties. From there, he discusses his apprenticeship with his hero, Will Eisner, and his time serving in the military during the Korean War, which saw him both feigning a breakdown and penning a cartoon narrative called “Munro” that solidified his distinctive aesthetic as an artist. While Feiffer’s voice grounds the book, the sheer scope of his artistic accomplishment, from his cartoons turning up in the New Yorker, Playboy, and the Nation to his plays and film scripts, is remarkable and keeps the narrative bouncing along at a speedy clip. A compelling combination of a natural sense of humor and a ruthless dedication to authenticity, Backing into Forward is full of wit and verve, often moving but never sentimental.

“Jules Feiffer’s original and neurotic voice. . . . reinvented comics in the 1950s and made possible what’s now called the ‘graphic novel.’ His engaging new memoir is told in that same witty and perceptive New York cadence, mellowed and laced with wisdom. He’s an inspiration.”—Art Spiegelman

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