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13 books match the query 'Feminist theater'
A Conditional Embrace
Black Queer Feminism in PerformanceKristyl D. Tift
The Ohio State University Press, 2026
In A Conditional Embrace, Kristyl D. Tift seeks to understand how Black queer women theater and film artists depict their own survival in heterosexist temporalities and spaces. Using the framework of lovin’ on—a theory inspired by Black feminist thought, performance theory, and queer theory—Tift closely reads the works of a selection of artists to investigate the “conditional embrace” of Black queer art in society. Her intersectional and intertextual methodology considers the text and body as part and parcel of performance work, allowing her to examine the multiple and complex intersections of identity at play in works meant to be read and performed. Tift puts the work of more visible artists such as Dee Rees, Sharon Bridgforth, and Staceyann Chin in direct conversation with lesser-known contributors to Black queer feminist performance such as Shirlene Holmes and Donnetta Lavinia Grays, analyzing not only their plays, installations, and poetry but also interviews, personal essays, performances, and more. Centering the works of artists situated, by birth or migration, in the Southern US and the Caribbean, A Conditional Embrace explores how artists at the margins of art and society represent Black queer women’s survival through processes of self-making, community-building, and homemaking.
Cutting Performances
Collage Events, Feminist Artists, and the American Avant-GardeJames M. Harding
University of Michigan Press, 2012
"A thoughtful and engaging contribution to the field that will have a sustained and lasting impact on the way feminist performance is defined and understood, as well as on how feminist histories and historiographies continue to challenge and transform the larger field of performance."
---Charlotte Canning, The University of Texas at Austin
"Harding forcefully challenges and destabilizes the male-centered Eurocentric genealogy of the avant-garde, which he claims is an uncontested, linear, positivistic history, unproblematized by theory. Then he argues that this gendered biased version of the European avant-garde is carried over into American historiography . . . A forceful case for a revisionist history."
---Daniel Gerould, The City University of New York Graduate Center
Cutting Performances challenges four decades' worth of scholarship on the American avant-garde by offering a provocative reconceptualization of the history of avant-garde performance along feminist lines. Focusing on five women artists (Elsa von Freytag-Loringhoven, Gertrude Stein, Yoko Ono, Carolee Schneemann, and Valerie Solanas) whose performance aesthetics made prominent use of collage techniques, James M. Harding sheds light on the cultural history of the avant-garde and the role that experimental women artists played in that history. He investigates the prominent position that collage technique occupied within the artists' performance aesthetic, and the decisively feminist inflection that their work gives to collage as a mode of avant-garde expression. The radical juxtapositions in their works produce the powerful effects of making the familiar strange and establishing contexts from which new understandings may emerge.
Harding examines the performative dimensions of collage in experimental, feminist redefinitions of the literary, graphic, and theatrical arts, filling a void in a scholarly discourse that, while ostensibly about the vanguard, has lagged well behind other significant theoretical and historiographical currents. Cutting Performances not only challenges assumptions that have governed scholarship on the American avant-garde but also establishes a context to rethink the history of American avant-garde performance along feminist lines. It will appeal to audiences interested in theater history and performance studies as well as those interested in the cultural history of the avant-garde and the role that feminist experimental artists have played in it.
James M. Harding is Professor of English at the University of Mary Washington. His other books include Not the Other Avant-Garde: Transnational Foundations of Avant-Garde Performance (with John Rouse); Restaging the Sixties: Radical Theaters and Their Legacies (with Cindy Rosenthal); and Contours of the Theatrical Avant-Garde: Performance and Textuality.
Illustration: Carolee Schneemann in Eye Body-36 Transformative Actions (1963) Action for camera (Photograph by Erró). Reproduced by permission of Carolee Schneemann.
Feminist Rehearsals
Gender at the Theatre in Early Twentieth-Century Argentina and MexicoMay Summer Farnsworth
University of Iowa Press, 2023
2023 George Freedley Memorial Award, Finalist
As feminism gained prominence in twentieth-century popular culture, dramatic conventions progressed accordingly, offering larger and more diverse roles for women characters. Feminist Rehearsals documents the early stages of feminist theatre in Argentina and Mexico, revealing how various aspects of performance culture—spectator formation, playwriting, professional acting and directing, and dramatic techniques—paralleled political activism and championed the goals of the women’s rights movement. Through performance and protest, feminists enacted new identities and pushed for myriad social and legislative reforms during a time when women were denied suffrage and full citizenship status. Together, feminist theatre and demonstrations politicized women spectators’ collective presence and promoted women’s rights in the public sphere.
In Search of Our Warrior Mothers
Women Dramatists of the Black Arts MovementLa Donna L. Forsgren
Northwestern University Press, 2018
The Black Arts Movement (1965–76) consisted of artists across the United States deeply concerned with the relationship between politics and the black aesthetic. In Search of Our Warrior Mothers examines the ways in which black women playwrights in the movement advanced feminist and womanist perspectives from within black nationalist discourses. La Donna L. Forsgren recuperates the careers, artistic theories, and dramatic contributions of four leading playwrights: Martie Evans-Charles, J.e. Franklin, Sonia Sanchez, and Barbara Ann Teer. Using original interviews, production recordings, playbills, and unpublished manuscripts, she investigates how these women, despite operating within a context that equated the collective well-being of black people with black male agency, created works that validated black women's aspirations for autonomy and explored women's roles in the struggle for black liberation.
In Search of Our Warrior Mothers demonstrates the powerful contributions of women to the creation, interpretation, and dissemination of black aesthetic theory, thus opening an interdisciplinary conversation at the intersections of theater, performance, feminist, and African American studies and identifying and critiquing the gaps and silences within these fields.
Making a Spectacle
Feminist Essays on Contemporary Women's TheatreEdited and with an Introduction by Lynda Hart
University of Michigan Press, 1988
Memories of the Revolution
The First Ten Years of the WOW Café TheaterHolly Hughes, Carmelita Tropicana, and Jill Dolan, Editors
University of Michigan Press, 2015
Presence and Desire
Essays on Gender, Sexuality, PerformanceJill Dolan
University of Michigan Press, 1993
This book critically bridges feminist theory and theatrical practice. Dolan examines how performance can subvert normative constructs of gender and sexuality. The collection evaluates mainstream theater, academic stages, subcultural venues, and performance in daily life. It centers sexuality as a primary analytical framework to explore queer visibility and cultural representation. It bridges contemporary feminist theory, poststructuralism, and theatrical practice and places sexuality at the center of its analytical framework to explore how theatrical representation can subvert normative constructs of gender and desire. Dolan evaluates a vast spectrum of performance spaces—ranging from mainstream professional and academic stages to subcultural venues, pornography, and everyday social interactions—to champion queer visibility and claim recognition for women's bodies. Ultimately, the volume functions as a foundational text in performance studies and LGBTQ+ cultural criticism, demonstrating how deliberate theatrical strategies can provoke American culture to actively dismantle and reimagine its traditional social relations
Sistuhs in the Struggle
An Oral History of Black Arts Movement Theater and PerformanceLa Donna L. Forsgren
Northwestern University Press, 2021
Outstanding Academic Title, CHOICE
The first oral history to fully explore the contributions of black women intellectuals to the Black Arts Movement, Sistuhs in the Struggle reclaims a vital yet under-researched chapter in African American, women’s, and theater history. This groundbreaking study documents how black women theater artists and activists—many of whom worked behind the scenes as directors, designers, producers, stage managers, and artistic directors—disseminated the black aesthetic and emboldened their communities.
Drawing on nearly thirty original interviews with well-known artists such as Ntozake Shange and Sonia Sanchez as well as less-studied figures including distinguished lighting designer Shirley Prendergast, dancer and choreographer Halifu Osumare, and three-time Tony-nominated writer and composer Micki Grant, La Donna L. Forsgren centers black women’s cultural work as a crucial component of civil rights and black power activism. Sistuhs in the Struggle is an essential collection for theater scholars, historians, and students interested in learning how black women’s art and activism both advanced and critiqued the ethos of the Black Arts and Black Power movements.
Teatro Chicana
A Collective Memoir and Selected PlaysEdited by Laura E. Garcia, Sandra M. Gutierrez, and Felicitas Nuñez
University of Texas Press, 2008
Winner, Susan Koppelman Award, Best Edited Volume in Women's Studies in Popular and American Culture, 2008
The 1970s and 1980s saw the awakening of social awareness and political activism in Mexican-American communities. In San Diego, a group of Chicana women participated in a political theatre group whose plays addressed social, gender, and political issues of the working class and the Chicano Movement. In this collective memoir, seventeen women who were a part of Teatro de las Chicanas (later known as Teatro Laboral and Teatro Raíces) come together to share why they joined the theatre and how it transformed their lives. Teatro Chicana tells the story of this troupe through chapters featuring the history and present-day story of each of the main actors and writers, as well as excerpts from the group's materials and seven of their original short scripts.
The Feminist Spectator as Critic
Jill Dolan
University of Michigan Press, 2012
The Feminist Spectator as Criticbroke new ground as one of the pioneering books on feminist spectatorship, encouraging resistant readings to generate feminist meanings in performance. Approaching live spectatorship through a range of interdisciplinary methods, the book has been foundational in theater studies, performance studies, and gender/sexuality/women's studies. This updated and enlarged second edition celebrates the book's twenty-fifth anniversary with a substantial new introduction and up-to-the-moment bibliography, detailing the progress to date in gender equity in theater and the arts, and suggesting how far we have yet to go.
Toward a Feminist Theater
Selected PlaysKate Hamill and Kristin Leahey
Northwestern University Press, 2025
Bringing together seven critically acclaimed feminist adaptations of literary classics and one delightfully original new work, this collection demonstrates why Kate Hamill is one of the most electrifying and widely produced playwrights working today. Whether probing the power of toxic leaders (The Piper), revitalizing Jane Austen for the stage (Sense and Sensibility, Pride and Prejudice, Emma), “cheerfully desecrating” Arthur Conan Doyle through a post-pandemic lens (Ms. Holmes & Ms. Watson—Apt. 2B), reexamining an American classic’s gender roles (Little Women), or dramatizing the nineteenth-century classic of puritanical New England through the lens of an ostracized mother and daughter (The Scarlet Letter), Hamill’s work has transformed the theatrical landscape over the past decade.
An introduction from editor Kristin Leahey and an interview with Hamill frame this landmark anthology, with reflections on the current state of American drama, Hamill’s unique dramaturgical practice, and how the art form may move further and faster toward a feminist theater.
Upstaging Big Daddy
Directing Theater as if Gender and Race MatterEllen Donkin and Susan Clement, Editors
University of Michigan Press, 1993
What happens, then, when a feminist who directs for the theater decides that there is something called a feminist director, someone who sees her job as protesting and intervening in the existing system of representation? The contributors to this volume provide a wide range of answers, in original essays that disrupt traditional approaches of directing by showing how feminist theory might be applied in practice.
Essays and interviews by a wide variety of directors, scholars, and other theater specialists offer fresh new models for thinking about directing. The collection includes essays on African-American theater, feminist “classics,” and male directors working on feminist plays, as well as concrete suggestions for directing a variety of plays, from works by Shakespeare and Euripides to those by Caryl Churchill, Aishah Rahman, and Helene Cixous. The theoretical material, drawing from a wide range of contemporary critics and theorists, has been written with the director in mind, partly for the purpose of analyzing texts but also for inspiring creative directorial and design solutions.
Women's Activist Theatre in Jamaica and South Africa
Gender, Race, and Performance SpaceNicosia M. Shakes
University of Illinois Press, 2023