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2 books match the query 'First Person'

cover of Never Say I: Sexuality and the First Person in Colette, Gide, and Proust

Never Say I

Sexuality and the First Person in Colette, Gide, and Proust

Michael Lucey

Duke University Press, 2006

Never Say I reveals the centrality of representations of sexuality, and particularly same-sex sexual relations, to the evolution of literary prose forms in twentieth-century France. Rethinking the social and literary innovation of works by Marcel Proust, André Gide, and Colette, Michael Lucey considers these writers’ production of a first-person voice in which matters related to same-sex sexuality could be spoken of. He shows how their writings and careers took on political and social import in part through the contribution they made to the representation of social groups that were only slowly coming to be publicly recognized. Proust, Gide, and Colette helped create persons and characters, points of view, and narrative practices from which to speak and write about, for, or as people attracted to those of the same sex.

Considering novels along with journalism, theatrical performances, correspondences, and face-to-face encounters, Lucey focuses on the interlocking social and formal dimensions of using the first person. He argues for understanding the first person not just as a grammatical category but also as a collectively produced social artifact, demonstrating that Proust’s, Gide’s, and Colette’s use of the first person involved a social process of assuming the authority to speak about certain issues, or on behalf of certain people. Lucey reveals these three writers as both practitioners and theorists of the first person; he traces how, when they figured themselves or other first persons in certain statements regarding same-sex identity, they self-consciously called attention to the creative effort involved in doing so.

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cover of Philosophy in the First Person: A Manifesto

Philosophy in the First Person

A Manifesto

Helena de Bres

University of Chicago Press, 0

A bold argument and model for how to bring one’s personal voice and experience into philosophical writing.

Contemporary philosophical writing is deeply impersonal: technical, abstract, and stripped of an individual human voice. In contrast, many of the historical philosophers we most admire saw emotion, style, narrative and humor as essential parts of doing philosophy well. What if they were on to something?

Philosophy in the First Person offers a deft and engaging case for the philosophical personal essay, a genre of writing that unites intimate revelation with intellectual depth and literary flair. As a manifesto, the book argues for a return to the more personal forms of philosophy that preceded academic professionalization. As a guide, it provides substantive advice for aspiring personal-philosophical writers, drawing on ideas from creative nonfiction. As a demonstration, the book is itself a set of philosophical personal essays, tracing one philosopher’s sentimental-intellectual journey through a vocation that frustrates and captivates her in equal measure. 

Blending memoir, theory, and model, the book offers a roadmap for writing philosophy that’s enlightening as well as moving, gripping, and fun. Along the way, it makes a refreshing argument for reconnecting a philosophical vocation with a fully human way of life.

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