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8 books match the query 'Food habits in literature'

cover of Culinary Fictions: Food in South Asian Diasporic Culture

Culinary Fictions

Food in South Asian Diasporic Culture

Anita Mannur

Temple University Press, 2009

For South Asians, food regularly plays a role in how issues of race, class, gender, ethnicity, and national identity are imagined as well as how notions of belonging are affirmed or resisted. Culinary Fictions provides food for thought as it considers the metaphors literature, film, and TV shows use to describe Indians abroad. When an immigrant mother in Jhumpa Lahiri’s The Namesake combines Rice Krispies, Planters peanuts, onions, salt, lemon juice, and green chili peppers to create a dish similar to one found on Calcutta sidewalks, it evokes not only the character’s Americanization, but also her nostalgia for India.

Food, Anita Mannur writes, is a central part of the cultural imagination of diasporic populations, and Culinary Fictions maps how it figures in various expressive forms. Mannur examines the cultural production from the Anglo-American reaches of the South Asian diaspora. Using texts from novels—Chitra Divakaruni’s Mistress of Spices and Shani Mootoo’s Cereus Blooms at Night—and cookbooks such as Madhur Jaffrey’s Invitation to Indian Cooking and Padma Lakshmi’s Easy Exotic, she illustrates how national identities are consolidated in culinary terms.

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cover of Culinary Poetics and Edible Images in Twentieth-Century American Literature

Culinary Poetics and Edible Images in Twentieth-Century American Literature

Stacie Cassarino

The Ohio State University Press, 2018

In her new study, Culinary Poetics and Edible Images in Twentieth-Century American Literature, Stacie Cassarino traces the tradition of avant-garde food experimentation across the twentieth and twenty-first centuries to show how a fixation on the materiality of edible things, expressed through the language of food, became a way for American writers to respond to the culinary, political, and aesthetic tastes of the nation.
Cassarino takes the reader through the changing dynamics of food production and consumption, from wartime sensibilities of patriotic eating to the postwar excess of culinary cosmopolitanism and finally to contemporary supermarket pastorals. She pairs chefs and poets—Julia Child and Gertrude Stein, Poppy Cannon and Frank O’Hara, Vertamae Smart-Grosvenor and Harryette Mullen—to argue that each converts eating into an aesthetic opportunity that has the power to impact how people consume. In this way, Cassarino reveals the modern cookbook not just as a literary counterpart to contemporary poetry but also as vital to the literature and art occurring around it. From Futurist cookbooks to fast food lyrics, from Gullah recipes to Eat Art, she reminds us that global foodscapes are connected to aesthetic movements in literature and art.
 
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cover of Farm to Form: Modernist Literature and Ecologies of Food in the British Empire

Farm to Form

Modernist Literature and Ecologies of Food in the British Empire

Jessica Martell

University of Nevada Press, 2020

In this groundbreaking book, Jessica Martell investigates the relationship between industrial food and the emergence of literary modernisms in Britain and Ireland. By the early twentieth century, the industrialization of the British Empire’s food system had rendered many traditional farming operations, and attendant agrarian ways of life, obsolete. Weaving insights from modernist studies, food studies, and ecocriticism, Farm to Form contends that industrial food made nature “modernist,” a term used as literary scholars understand it—stylistically disorienting, unfamiliar, and artificial but also exhilarating, excessive, and above all, new. Martell draws in part upon archives in the United Kingdom but also presents imperial foodways as an extended rehearsal for the current era of industrial food supremacy. She analyzes how pastoral mode, anachronism, fragmentation, and polyvocal narration reflect the power of the literary arts to reckon with—and to resist—the new “modernist ecologies” of the twentieth century.

Deeply informed by Martell’s extensive knowledge of modern British, Irish, American, and World Literatures, this progressive work positions modernism as central to the study of narratives of resistance against social and environmental degradation. Analyzed works include those of Thomas Hardy, E. M. Forster, Virginia Woolf, Joseph Conrad, George Russell, and James Joyce.

In light of climate change, fossil fuel supremacy, nutritional dearth, and other pressing food issues, modernist texts bring to life an era of crisis and anxiety similar to our own. In doing so, Martell summons the past as a way to employ the modernist term of “defamiliarizing” the present so that entrenched perceptions can be challenged. Our current food regime is both new and constantly evolving with the first industrial food trades. Studying earlier cultural responses to them invites us to return to persistent problems with new insights and renewed passion.
 
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cover of Food Studies in Latin American Literature: Perspectives on the Gastronarrative

Food Studies in Latin American Literature

Perspectives on the Gastronarrative

Rocío del Aguila

University of Arkansas Press, 2021

Food Studies in Latin American Literature presents a timely collection of essays analyzing a wide array of Latin American narratives through the lens of food studies. Topics explored include potato and maize in colonial and contemporary global narratives; the role of cooking in Sor Juana Inés de la Cruz’s poetics; the centrality of desire in twentieth-century cooking writing by women; the relationship among food, recipes, and national identity; the role of food in travel narratives; and the impact of advertisements on domestic roles.

The contributors included here—experts in Latin American history, literature, and cultural studies—bring a novel, interdisciplinary approach to these explorations, presenting new perspectives on Latin American literature and culture.

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cover of Hungry Subjects: Mapping Appetites in the African Cultural Landscape

Hungry Subjects

Mapping Appetites in the African Cultural Landscape

Njeri Githire

University of Michigan Press, 2026

Against the backdrop of media representations of Africa through persistent and pervasive images of emaciated, starving Africans and the critical need to marshall food aid in response, Hungry Subjects places Africa’s food anxiety within a broader historical context and expands ongoing food scholarship beyond its current confines in the social sciences. Njeri Githire weaves together coming-of-age texts across the African and African diasporic literary landscape in English, French, and Portuguese expression to ask how African writers incorporate food into their storylines to transmit cultural information, question norms, and propose alternatives. Eating is an intimately personal yet inherently social experience codified by public rituals and commerce, invariably linked to a larger tapestry of historical, cultural, economic, and political dynamics. Delving into the political dynamics of food as a tool of power and control alongside subversive potentialities, Hungry Subjects appraises the narrative and political thrust of (not-)eating and exposes the ways in which postcolonial manifestations of colonial-era power relations are symbolized in food’s many functions and meanings. 

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cover of Making a Man: Gentlemanly Appetites in the Nineteenth Century British Novel

Making a Man

Gentlemanly Appetites in the Nineteenth Century British Novel

Gwen Hyman

Ohio University Press, 2009

Gruel and truffles, wine and gin, opium and cocaine. Making a Man: Gentlemanly Appetites in the Nineteenth-Century British Novel addresses consumption of food, drink, and drugs in the conspicuously consuming nineteenth century in order to explore the question of what, in fact, makes a man in novels of the period. Gwen Hyman analyzes the rituals of dining room, drawing room, opium den, and cocaine lab, and the ways in which these alimentary behaviors make, unmake, and remake the gentlemanly body.

The gentleman, Making a Man argues, is a dangerous alimental force. Threatened with placelessness, he seeks to locate and mark himself through his feasting and fasting. But in doing so, he inevitably threatens to starve, to subsume, to swallow the community around him. The gentleman is at once fundamental and fundamentally threatening to the health of the nation: his alimental monstrousness constitutes the nightmare of the period’s striving, anxious, alimentally fraught middle class.

Making a Man makes use of food history and theory, literary criticism, anthropology, gender theory, economics, and social criticism to read gentlemanly consumers from Mr. Woodhouse, the gruel-eater in Jane Austen’s Emma, through the vampire and the men who hunt him in Bram Stoker’s Dracula. Hyman argues that appetite is a crucial means of casting light on the elusive identity of the gentleman, a figure who is the embodiment of power and yet is hardly embodied in Victorian literature.
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cover of Political Appetites: Food in Medieval English Romance

Political Appetites

Food in Medieval English Romance

Aaron Hostetter

The Ohio State University Press, 2017

Political Appetites: Food in Medieval English Romance is the first book-length examination of the cultural and theoretical resonances of food and cooking in medieval English literature, offering a new assessment of the vexed and critically underappreciated genre of romance. Aaron Hostetter moves beyond the critical assumptions of the food practices of medieval English culture as only reflecting Eucharistic preoccupations. Focusing on the romance literature of England, from tenth-century hagiographic verse to fifteenth-century courtly adventures, he also engages the politics of secular eating. Focus on the edible allows Political Appetites to apply fresh insights from cultural studies and critical theory to these narratives—to adumbrate their unique political perspectives. The analysis of food reveals these stories to be sophisticated responses to the material and political conditions of their day.
  
If humanity has attempted through its brief history to render the material world edible, then food and food practice not only influence our aspirations but also shift focus to the limits of human existence on this planet. In studying the foodways of the past as a fundamental economic activity, Political Appetites questions contemporary attitudes towards consumption as their proliferation and abuses create social inequities, menace ecosystems, and threaten to bring about the end of the Anthropocene Era.
 
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cover of Through a Vegan Studies Lens: Textual Ethics and Lived Activism

Through a Vegan Studies Lens

Textual Ethics and Lived Activism

Laura Wright

University of Nevada Press, 2019

Interest in the vegan studies field continues to grow as veganism has become increasingly visible via celebrity endorsements and universally acknowledged health benefits, and veganism and vegan characters are increasingly present in works of art and literature. Through a Vegan Studies Lens broadens the scope of vegan studies by engaging in the mainstream discourse found in a wide variety of contemporary works of literature, popular cultural representations, advertising, and news media.

Veganism is a practice that allows for environmentally responsible consumer choices that are viewed, particularly in the West, as oppositional to an economy that is largely dependent upon big agriculture. This groundbreaking collection exposes this disruption, critiques it, and offers a new roadmap for navigating and reimaging popular culture representations on veganism. These essays engage a wide variety of political, historical, and cultural issues, including contemporary political and social circumstances, emergent veganism in Eastern Europe, climate change, and the Syrian refugee crisis, among other topics.

Through a Vegan Studies Lens significantly furthers the conversation of what a vegan studies perspective can be and illustrates why it should be an integral part of cultural studies and critical theory. Vegan studies is inclusive, refusing to ignore the displacement, abuse, and mistreatment of nonhuman animals. It also looks to ignite conversations about cultural oppression.
 
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